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The challenge of fundamentalism: political Islam and the new world disorder
No full textLong before the tragic events of September 11, 2001, Islamic fundamentalism was exerting a significant influence in nearly every corner of the world. Bassam Tibi, a widely recognized expert on Islam and Arab culture, offers an important and disquieting analysis of this particular synthesis of religion and politics. A Muslim and descendant of a famous Damascene Islamic scholar family, Tibi sees Islamic fundamentalism as the result of Islam's confrontation with modernity and not only--as it is widely believed--economic adversity. The movement is unprecedented in Islamic history and parallels the inability of Islamic nation-states to integrate into the new world secular order. For this updated edition, Tibi has written a new preface and lengthy introduction addressing Islamic fundamentalism in light of and since September 11
Tracing the veins: of copper, culture, and community from Butte to Chuquicamata
No full textThis tale of two cities - Butte, Montana, and Chuquicamata, Chile - traces the relationship of capitalism and community across cultural, national, and geographic boundaries. Combining social history with ethnography, Janet Finn shows how the development of copper mining set in motion parallel processes involving distinctive constructions of community, class, and gender in the two widely separated but intimately related sites. While the rich veins of copper in the Rockies and the Andes flowed for the giant Anaconda Company, the miners and their families in both places struggled to make a life as well as a living for themselves.Miner's consumption, a popular name for silicosis, provides a powerful metaphor for the danger, wasting, and loss that penetrated mining life. Finn explores themes of privation and privilege, trust and betrayal, and offers a new model for community studies that links local culture and global capitalism
Land mammals of Oregon
No full textThis is the first comprehensive, up-to-date treatment of mammals in the state of Oregon since 1936, when Vernon Bailey's The Mammals and Life Zones of Oregon was published. It provides a basic reference for mammalogists, wildlife biologists, students, and anyone interested in mammalian life in the northwestern United States. Indeed, researchers in states adjacent to Oregon will find much useful information regarding the mammals their regions share with Oregon. Descriptions of all 136 extant or recently extirpated mammal species in Oregon are in the book, with information on geographical variation, diet, reproduction, ontogeny, mortality, and behavior. The authors provide range maps and lists of collection localities based on their examination of 55,265 museum specimens and brief accounts of morphology, species diversity, distribution, and fossil records. Keys to orders, families, and species are provided for identification of unknown specimens. Also helpful is the introductory section with its discussion of skull morphology, evolutionary history, basic taxonomy, zoogeography, zoonotic diseases, and the history of mammalogy in Oregon. A bibliography of 2,925 references makes the volume especially useful for anyone wishing to do further research
Antonia Canova and the politics of patronage in revolutionary and Napoleonic Europe
No full textThe Venetian sculptor Antonio Canova (1757-1822) was Europe's most celebrated artist from the end of the ancien régime to the early years of the Restoration, an era when the traditional relationship between patrons and artists changed drastically. Christopher M. S. Johns's refreshingly original study explores a neglected facet of Canova's career: the effects of patrons, patronage, and politics on his choice of subjects and manner of working. While other artists produced art in the service of the state, Canova resisted the blandishments of the political powers that commissioned his works.Johns uses letters, diaries, and biographies to establish a political personality for Canova as an individual and an artist of international reputation. Though he had patrons as diverse as the pope, Napoleon, the Austrian Hapsburgs, the Prince Regent of Great Britain, and the Republic of Venice, Canova remained steadily employed and did so without controversy. A conservative and a Catholic, he devised a strategy that enabled him to work for patrons who were avowed enemies while remaining true to the cultural and artistic heritage of his Italian homeland. Using myth and funerary images and avoiding portraiture, he disguised the meanings behind his works and thus avoided their being identified with any political purpose.Johns greatly enhances our understanding of Canova's place in European art and political history, and in showing the influence of censorship, display, visual narrative, and propaganda, he highlights issues as contentious today as they were in Canova's time
The death of authentic primitive art and other tales of progress
No full textIn this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death."Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress - from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia - a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished) - to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development.Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies
As we are now: mixblood essays on race and identity
No full textThe thirteen contributors to As We Are Now invite readers to explore with them the untamed territory of race and mixblood identity in North America. A "mixblood," according to editor W.S. Penn, recognizes that his or her identity comes not from distinct and separable strains of ancestry but from the sum of the tension and interplay of all his or her ancestral relationships. These first-person narratives cross racial, national, and disciplinary boundaries in a refreshingly experimental approach to writing culture. Their authors call on similar but varied cultural and aesthetic traditions - mostly oral - in order to address some aspect of race and identity about which they feel passionate, and all resist the essentialist point of view. Mixblood Native American, Mestizo/a, and African-American writers focus their discussion on the questions indigenous and minority people ask and the way in which they ask them, clearly merging the singular "I" with the communal "we." These are new voices in the dialogue of ethnic writers, and they offer a highly original treatment of an important subject
Disrupted lives: how people create meaning in a chaotic world
No full textOur lives are full of disruptions, from the minor - a flat tire, an unexpected phone call - to the fateful - a diagnosis of infertility, an illness, the death of a loved one. In the first book to examine disruption in American life from a cultural rather than a psychological perspective, Gay Becker follows hundreds of people to find out what they do after something unexpected occurs. Starting with bodily distress, she shows how individuals recount experiences of disruption metaphorically, drawing on important cultural themes to help them reestablish order and continuity in their lives. Through vivid and poignant stories of people from different walks of life who experience different types of disruptions, Becker examines how people rework their ideas about themselves and their worlds, from the meaning of disruption to the meaning of life itself.Becker maintains that to understand disruption, we must also understand cultural definitions of normalcy. She questions what is normal for a family, for health, for womanhood and manhood, and for growing older. In the United States, where life is expected to be orderly and predictable, disruptions are particularly unsettling, she contends. And, while continuity in life is an illusion, it is an effective one because it organizes people's plans and expectations.Becker's phenomenological approach yields a rich, compelling, and entirely original narrative. Disrupted Lives acknowledges the central place of discontinuity in our existence at the same time as it breaks new ground in understanding the cultural dynamics that underpin life in the United States. FROM THE BOOK :"The doctor was blunt. He does not mince words. He did a [semen] analysis and he came back and said, 'This is devastatingly poor.' I didn't expect to hear that. It had never occurred to me. It was such a shock to my sense of self and to all these preconceptions of my manliness and virility and all of that. That was a very, very devastating moment and I was dumbfounded. . . . In that moment it totally changed the way that I thought of myself.
International development and the social sciences: essays on the history and politics of knowledge
No full textDuring the past fifty years, colonial empires around the world have collapsed and vast areas that were once known as "colonies" have become known as "less developed countries" or "the third world." The idea of development - and the relationship it implies between industrialized, affluent nations and poor, emerging nations - has become the key to a new conceptual framework. Development has also become a vast industry, involving billions of dollars and a worldwide community of experts. These essays - written by scholars in many fields - examine the production, transmission, and implementation of ideas about development within historical, political, and intellectual contexts, emphasizing the changing meanings of development over the past fifty years.The concept of development has come under attack in recent years both from those who see development as the imperialism of knowledge, imposing on the world a modernity that it does not necessarily want, and those who see development efforts as a distortion of the world market. These essays look beyond the polemics and focus on the diverse, contested, and changing meanings of development among social movements, national governments, international agencies, foundations, and scholars
Iconography of power: Soviet political posters under Lenin and Stalin
No full textMasters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia
Unsnarling the world-knot: consciousness, freedom, and the mind-body problem
No full textThe mind-body problem, which Schopenhauer called the "world-knot," has been a central problem for philosophy since the time of Descartes. Among realists - those who accept the reality of the physical world - the two dominant approaches have been dualism and materialism, but there is a growing consensus that, if we are ever to understand how mind and body are related, a radically new approach is required.David Ray Griffin develops a third form of realism, one that resolves the basic problem (common to dualism and materialism) of the continued acceptance of the Cartesian view of matter. In dialogue with various philosophers, including Dennett, Kim, McGinn, Nagel, Seager, Searle, and Strawson, Griffin shows that materialist physicalism is even more problematic than dualism. He proposes instead a pan-experientialist physicalism grounded in the process philosophy of Alfred North Whitehead. Answering those who have rejected "pan-psychism" as obviously absurd, Griffin argues compellingly that pan-experientialism, by taking experience and spontaneity as fully natural, can finally provide a naturalistic account of the emergence of consciousness - an account that also does justice to the freedom that we all presuppose in practice