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The color bind: California's battle to end affirmative action
No full textThe Color Bind tells the story of how Glynn Custred and Thomas Wood, two unknown academics, decided to write Proposition 209 in 1992 and thereby set in motion a series of events, far beyond their control, destined to transform the legal, political, and everyday meaning of civil rights for the next generation. Going behind the mass media coverage of the initiative, Lydia Chávez narrates the complex underlying motivations and maneuvering of the people, organizations, and political parties involved in the campaign to end affirmative action in California.For the first time, the role of University of California regent Ward Connerly in the campaign - one largely assigned to public relations - is put into perspective. In the course of the book Chávez also provides a rare behind-the-scenes journalistic account of the complex and fascinating workings of the initiative process. Chávez recreates the post-election climate of 1994, when the California Civil Rights Initiative (CCRI) appeared to be the right-time, right-place vehicle for Governor Pete Wilson and other Republican presidential prospects. President Clinton and the state Democratic Party thought the CCRI would splinter the party and jeopardize the upcoming presidential election. The Republicans, who saw the CCRI as a "wedge issue" to use against the Democrats, found to their surprise that the initiative was much more divisive in their own party.Updating her text to include the most current material, Chávez deftly delineates the interplay of competing interests around the CCRI, and explains why the opposition was unsuccessful in its strategy to fight the initiative. Her analysis probes the momentous - and national - implications of this state initiative in shaping the future of affirmative action in this country
University of California Press eScholarship editions in process
No full textThis new series, co-sponsored with The Center for Black Music Research of Columbia College, seeks to increase our understanding of black music genres and their importance to the cultures of the Atlantic world, including their influence on African musical styles. Books in the series will examine the wide-ranging music of the African diaspora - including the folk-derived musical styles of the Americas as well as European-influenced concert hall music of the entire black Atlantic world - by analyzing issues critical to our interpretation of the music itself and exploring the relationships between music and the other black expressive arts.Focusing on blues, jazz, gospel, rhythm and blues, and soul music, California Soul is one of the first books to explore the rich musical heritage of African Americans in California. The contributors describe in detail the individual artists, locales, groups, musical styles, and regional qualities, and the result is an important book that lays the groundwork for a whole new field of study. The essays draw from oral histories, music recordings, newspaper articles and advertisements, as well as population statistics to provide insightful discussions of topics like the California urban milieu's influence on gospel music, the development of the West Coast blues style, and the significance of Los Angeles's Central Avenue in the early days of jazz. Other essays offer perspectives on how individual musicians have been shaped by their African American heritage, and on the role of the record industry and radio in the making of music. In addition to the diverse range of essays, the book includes the most comprehensive bibliography now available on African American music and culture in California
October cities: the redevelopment of urban literature
No full textReturning to his native Chicago after World War II, Nelson Algren found a city transformed. The flourishing industry, culture, and literature that had placed prewar Chicago at center stage in American life were entering a time of crisis. The middle class and economic opportunity were leaving the inner city, and Black Southerners arriving in Chicago found themselves increasingly estranged from the nation's economic and cultural resources. For Algren, Chicago was becoming "an October sort of city even in the spring," and as Carlo Rotella demonstrates, this metaphorical landscape of fall led Algren and others to forge a literary form that traced the American city's transformation. Narratives of decline, like the complementary narratives of black migration and inner-city life written by Claude Brown and Gwendolyn Brooks, became building blocks of the postindustrial urban literature. October Cities examines these narratives as they played out in Chicago, Philadelphia, and Manhattan. Through the work of Algren, Brown, Brooks, and other urban writers, Rotella explores the relationship of this new literature to the cities it draws upon for inspiration. The stories told are of neighborhoods and families molded by dramatic urban transformation on a grand scale with vast movements of capital and people, racial succession, and an intensely changing urban landscape
The ciné goes to town: French cinema, 1896-1914
No full textThis updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents
One step from the White House: the rise and fall of Senator William F. Knowland
No full textDuring the Cold War years of the 1950s, William F. Knowland was one of the most important figures in American politics. As the Republican leader of the U.S. Senate, the wealthy California newspaper heir was recognized and respected by millions. His influence with President Eisenhower led to Earl Warren's appointment as chief justice, and Knowland set in motion a U.S.-China policy that remains part of our international direction today. Yet he committed suicide in 1974, following a personal decline that included political humiliation, a ruined marriage, and the loss of his family fortune.This is the first full-scale biography of Bill Knowland, written by two journalists who came to know him after he left Washington in 1958. Gayle B. Montgomery was a political editor at the Oakland Tribune , the newspaper owned by Knowland's father, the power-wielding Joseph R. Knowland. James W. Johnson was a Tribune editorial writer. Both men worked with Knowland when he returned to the newspaper after giving up his Senate seat in a failed bid to become governor of California. Knowland lost the governorship race to Edmund G. (Pat) Brown; had he won, many observers felt Knowland would have had a clear shot at the White House.This is a book not only about Mr. Republican, but also one that illuminates the strengths and deficiencies of Republican party politics during the years when the party was at its zenith. In portraying the life of Bill Knowland, the authors cast a glaring light both on the machinations of political power and on the Republican establishment's aspirations in the Warren-Eisenhower era
The dispersion of Egyptian Jewry: culture, politics, and the formation of a modern diaspora
No full textIn this provocative and wide-ranging history, Joel Beinin examines fundamental questions of ethnic identity by focusing on the Egyptian Jewish community since 1948. A complex and heterogeneous people, Egyptian Jews have become even more diverse as their diaspora continues to the present day. Central to Beinin's study is the question of how people handle multiple identities and loyalties that are dislocated and reformed by turbulent political and cultural processes. It is a question he grapples with himself, and his reflections on his experiences as an American Jew in Israel and Egypt offer a candid, personal perspective on the hazards of marginal identities
Spectacle and society in Livy's history
No full textPublic spectacle - from the morning rituals of the Roman noble to triumphs and the shows of the Arena - formed a crucial component of the language of power in ancient Rome. The historian Livy (c. 60 B.C.E.-17 C.E.), who provides our fullest description of Rome's early history, presents his account of the growth of the Roman state itself as something to be seen - a visual monument and public spectacle. Through analysis of several episodes in Livy's History , Andrew Feldherr demonstrates the ways in which Livy uses specific visual imagery to make the reader not only an observer of certain key events in Roman history but also a participant in those events. This innovative study incorporates recent literary and cultural theory with detailed historical analysis to put an ancient text into dialogue with contemporary discussions of visual culture.In Spectacle and Society in Livy's History , Feldherr shows how Livy uses the literary representation of spectacles from the Roman past to construct a new sense of civic identity among his readers. He offers a new way of understanding how Livy's technique addressed the political and cultural needs of Roman citizens in Livy's day. In addition to renewing our understanding of Livy through modern scholarship, Feldherr provides a new assessment of the historian's aims and methods by asking what it means for the historian to make readers spectators of history
Voice of the living light: Hildegard of Bingen and her world
No full textHildegard of Bingen (1098-1179) would have been an extraordinary person in any age. But for a woman of the twelfth century her achievements were so exceptional that posterity has found it hard to take her measure. Barbara Newman, a premier Hildegard authority, brings major scholars together to present an accurate portrait of the Benedictine nun and her many contributions to twelfth-century religious, cultural, and intellectual life. Written by specialists in fields ranging from medieval theology to medicine to music, these essays offer an understanding of how one woman could transform so many of the traditions of the world in which she lived.Hildegard of Bingen was the only woman of her age accepted as an authoritative voice on Christian doctrine as well as the first woman permitted by the pope to write theological books. She was the author of the first known morality play; an artist of unusual talents; the most prolific chant composer of her era; and the first woman to write extensively on natural science and medicine, including sexuality as seen from a female perspective. She was the only woman of her time to preach openly to mixed audiences of clergy and laity, and the first saint whose biography includes a first-person memoir.Adding to the significance of this volume is the fact that Hildegard's oeuvre reflects the entire sweep of twelfth-century culture and society. Scholars and lay readers alike will find this collection a rich introduction to a remarkable figure and to her tumultuous world. With the commemoration of the 900th anniversary of Hildegard's birth in September 1998, the publication of Voice of the Living Light is especially welcome
Bad girls and sick boys: fantasies in contemporary art and culture
No full textLinda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument
University of California Press eScholarship editions in process
No full textAfter suffering isolation and persecution during the Maoist era, the Catholic Church in China has reemerged with astonishing vitality in recent years. Richard Madsen focuses on this revival and relates it to the larger issue of the changing structure of Chinese society, particularly to its implications for the development of a "civil society."Madsen knows China well and has spent extensive time there interviewing Chinese Catholics both young and old, the "true believers" and the less devout. Their stories reveal the tensions that have arisen even as political control over everyday life in China has loosened. Of particular interest are the rural-urban split in the church, the question of church authority, and the divisions between public and underground practices of church followers.All kinds of religious groups have revived and flourished in the post-Mao era. Protestants, Buddhists, Daoists, practitioners of folk religions, even intellectuals seeking more secularized answers to "ultimate" concerns are engaged in spiritual quests. Madsen is interested in determining if such quests contain the resources for constructing a more humane political order in China. Will religion contribute to or impede economic modernization? What role will the church play in the pluralization of society? The questions he raises in China's Catholics are important not only for China's political future but for all countries in transition from political totalitarianism