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Sounding the Authentic Self: Artistic Expressions of a Queer Music Therapist
Suonare il Sé autentico: espressioni artistiche di un musicoterapista queer*
Questo scritto è un insolito ciclo auto-etnografico di parole, poesie e improvvisazioni che riflettono la mia esperienza vissuta come musicoterapista queer. Le improvvisazioni provengono dalla registrazione di una sessione di due giorni, tenutasi presso la Maureen Forrester Hall, Wilfrid Laurier University, Canada. Esprimendo la mia identità di musicoterapista queer, ho capito con maggior chiarezza il processo terapeutico-creativo che era al centro del mio lavoro con i clienti. La musica offerta come parte del mio contributo a questo numero speciale di ‘queering music therapy’, riconosce il coraggio e la pace necessari per abbracciare l’intreccio delle mie identità di compositore-musicoterapista e uomo queer cisgender.
* Socialmente eccentrico rispetto alle definizioni di normalità codificate dalla cultura dominante, anche in riferimento all’orientamento sessuale e all’identità di genere.
Traduzione di Claudio CominardiThis piece is a queer autoethnographic cycle of words, poems, and improvisations that reflect my lived experience as a queer music therapist. The improvisations come from a two-day recording session held at the Maureen Forrester Hall, Wilfrid Laurier University, Canada. By expressing my identity as a queer music therapist, I came to understand with greater clarity the therapeutic-creative process that was central to my work with clients. The music offered as part of my contribution to this queering music therapy special issue acknowledges the courage and peace needed to embrace my intersecting identities as a composer–music-therapist and a queer cisgender man
La polyphonie discursive : un modèle ancré sur la ScaPoLine et le dialogisme
The present work is intended as a contribution to the development of a discourse polyphony approach. Polyphony in language studies can take different meanings depending on the various approaches as Nølke, Fløttum, and Norén (2004) report. There has been a proliferation of perspectives and approaches to multivoicedness since the early works of Ducrot (1984). Ducrot himself was largely inspired by Genette\u27s theses as well as by Bally\u27s works. The link between him and Bakhtin\u27s legacy is not as direct as it seems with literature (Nølke 2017). It is quite the opposite with dialogism theory (Bres 1999). The latter appears to draw more directly from Bakhtin (Dendale and Coltier 2006). Some of the approaches to multivoicedness are described as linguistic due to their focus on language features solely. Others on the other hand transcend the limits of language and integrate contextual information. Gjerstad (2011) is the first attempt to develop a model of polyphony whose focus is beyond mere linguistic features. His discourse polyphony approach takes into account intentionality and the interactive nature of speech. This was achieved through the combination of the ScaPoLine approach with dialogism and the Geneva Model. The present contribution bridges from Gjerstad’s (2011). However, it limits the scope to the blending of the ScaPoLine and dialogism. After answering the question about the relevance of a discourse polyphony approach, this article offers a description of its scope, and the consequences of the incorporation of contextual elements into the polyphonic configuration taken up from the ScaPoLine. The result is tested on two concrete examples. If the conclusions to these examples approve the need for a discourse polyphony approach, its implementation requires some flexibility to match the dynamic nature of discourse also. Similarly, the relevance of context must be looked at with great caution
Collective Motherliness in Italy. Reception and Reformulation of Ellen Key’s feminist ideas in Sibilla Aleramo and Ada Negri (1905-1921)
This paper aims to explore how the Swedish writer Ellen Key’s ideas on collective motherliness and on the relationship between man and woman were received and reformulated in the articles, poetry and prose of Sibilla Aleramo and Ada Negri before and after the First World War. The ideas in Aleramo’s autobiographical novel Una donna (1906) were close to Key’s theories, but her autobiographical novel Il passaggio (1919) was quite different. Ada Negri’s idealistic view of motherhood, as expressed in her collection of poetry Maternità (1904), corresponded to parts of Key’s conception of motherhood, while Negri’s dream of single motherhood and the realisation of that ideal is emphasized in her autobiographical novel Stella mattutina (1921)
Unboxing co-creation with students: Potentials and tensions for academic libraries
Co-creation has received increasing interest as a way of develop products and services in collaboration with customers and clients. Recently, co-creation has been introduced in higher education; however, there is no general agreement about what this entails, and while the concept of co-creation has been used in a number of differing contexts, descriptions tend to focus on potentials only and not the tensions inherent in this kind of collaboration.
In this paper we describe a conceptual model for co-creation with students and explore the potentials as well as the tensions inherent in co-creation with students at academic libraries. Through a case study at The Royal Danish Library, Aarhus University Library we develop a conceptual model for co-creation with students that identifies the key aspects of co-creation with students and indicates its key potentials and tensions
Student active learning in net based education: Educational development in teaching of information literacy
During 2018 the Anna Lindh Library at the Swedish Defence University (SEDU) offers all information literacy education online. The transformation to online teaching has a number of reasons and here are some: • The number of students is expected to grow with 30 % within the next two years. Classes will be larger and there is a scarcity of physical classrooms on the horizon. • Military contract education students have expressed wishes for more flexible learning.• The Swedish University Computer Network (SUNET) provides infrastructure and software services, hence SEDU has adequate technological environment.
As a first step in the transition to net based education, we have used the web conferencing software Adobe Connect to carry out the teaching. The teaching has been scheduled and synchronous. We have designed it with search exercises, conducted individually or in groups to stimulate student-active learning. Synchronous design like this may also have social advantages, according to Biggs. (Biggs, 2011, p. 71). In addition to Adobe Connect, the school\u27s Learning Management System has been used as a synchronous communication platform with the students.
According to Hrastinski technology, if properly used, it can increase learning opportunities. (Hrastinski, 2013, p.15). We also believe that online education can be a solution when the student groups grow. It enables remote teaching and it is in close proximity to the platforms and databases used in today\u27s information search.
One of the challenges of applying net based learning to information literacy instruction is that the students are not familiar to the technique yet. Another challenge is that librarians do not meet the same students over a longer period of time, or not even when they need the instruction the most. Therefore the combination of scheduled synchronous instruction and asynchronous communication will possibly turn out to be the most successful.
ReferencesHrastinski, S. (2013). Nätbaserad utbildning: En introduktion (2. ed.). Lund: Studentlitteratur. Biggs, J. & Tang, C. (2011). Teaching for quality learning at university: What the student does (4. rev. ed.). Maidenhead: Open University Press.Delaney, Geraldine, & Bates, Jessica. (2018). How Can the University Library Better Meet the Information Needs of Research Students? Experiences from Ulster University. New Review of Academic Librarianship, 24(1), 63-89
Population decline of the Eurasian Curlew in Akershus (southeastern Norway)
The Eurasian Curlew (Numenius arquata) is a species in decline, classified as near threatened (NT) worldwide, and vulnerable (VU) in Norway. In Akershus county, southeastern Norway, the population of breeding Eurasian Curlews was estimated at 50-60 pairs in 1982. No recent update exists of this population size estimate. In this study, we assessed the population size in 2017 in Akershus, and examined how the population size changed between 1971 and 2017 by using historical observation records of Eurasian Curlews. We estimated that there were 30 territories in Akershus in 2017 and found that the population declined by 47% since 1995 and 77% since 1971. In the period 1995-2017, the yearly rate of decline was 2.8%. We discuss possible reasons for the decline, such as intensive agricultural practices, high nest predation rates, and large-scale threats on the wintering grounds
The Go Between
The Islamic pastoral Afars inhabit the northeastern rangelands of Ethiopia. Some have settled in towns and trade centers where the Ethiopian state is present with the police and other government officials. The Ethiopian government is working on implementing state laws on the Afar who previously lived outside the regulations of the state. Now, however, many Afars have a foot in both sectors, having a home in town while maintaining close contact with their nomadic relatives. Hussein Hayie has a government position as Peace and Security officer. His work is to judge whether an incident should be handled as a criminal case for the police or be left as a case to be solved the traditional way by the elders of the clans. The Afar political organization is based on both territory and kinship. The political institutions are geared towards social control and the resolution of conflicts. The tribal leaders are often called upon to intervene before a small matter escalates to homicide and if a homicide occurs, to work out agreements of compensation in order to avoid blood-feuds. The film follows Hussein Hayie in town and when he visits his families in the nomadic camps. As a government employee, he is continuously on duty and in the film we see how he is called to act. However, Hussein is constantly treading a thin line in when negotiating cases a society existing both outside and inside the state. 36 mins. 2014.
 
Firekeepers
Sápmi is the term of the imagined nation of the Saami people, covering a territory that goes across Norway, Sweden, Finland and Northern Russia. The joik is the specific form of Saami chanting. It coveys lyrics, melody and throat singing techniques, with a high level of abstraction in rendering the relation to people, natural sites, places, animals and events, that we attempted to understand contextually and historically.
The cultural complexity emerging in this multivocal and multisited project shows the embodiment of verbal recollections, gestures, conversations, lyrics, chants, improvisations, outbursts and secretive features of the Saami chanting endeavor. Among the socio-political issues that the film addressed is the poignant reality of fading away languages: Southern Saami is today spoken by less than 500 speakers in Norway.
 
England, whose England? Review essay on Continental Perceptions of Englishness, ‘Foreignness’ and the Global Turn
A review essay of Adriana Neagu, Continental Perceptions of Englishness, ‘Foreignness’ and the Global Turn. Newcastle-upon-Tyne: Cambridge Scholars, 2017