Rhodes University: Hosted Journals
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MASTERS OF THE BALAFON, 2001, 2002. by Hugo Zemp. Colour, DVD Series. Produced by Selenium Films, distributed by Educational Resources (www.der.org).
Teaching-learning processes in Muziki wa Injili in Dar es Salaam
This article is concerned with teaching-learning processes in Muziki wa Injili (Gospel Music) in Dar es Salaam, Tanzania. It discusses two methods of teaching and learning that are commonly used in Muziki wa Injili, namely, imitation and peer-directed learning
Rumba Rules: The Politics of Dance Music in Mobutu s Zaire, Bob W. White, Duke University Press, 2008, 300 pp., paperback: 978-0-8223-4112-3.
From "Noma Kumnyama" to "Pata Pata": a history
Miriam Makeba\u27s 1967 recording of "Pata Pata" represents the commercial apex of this iconic artist\u27s long career. For over forty years, the record has enjoyed a high profile, international popularity thanks to continual radio airplay, ongoing physical sales and more recently, internet downloads, both paid-for and unpaid. However, "Pata Pata" is not without its own historical and structural anomalies, for it is in fact a combination of two separate original melodies derived from two completely different sources. The first eight bar melodic phrase in "Pata Pata" comes directly from an earlier song entitled "Noma Kumnyama" (Zulu: "Even If It\u27s Dark") by the Dundee Wandering Singers, an mbube group led by Alson Novemu Mkhize