Anglisticum - Journal of the Association for Anglo-American Studies, Macedonia
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DIFFERENCES OF IRREGULAR INFLECTIONAL MORPHEMES IN ENGLISH AND ALBANIAN
Full text linkEvery language on the planet has its unique set of grammatical, syntactic, phonological, and morphological rules. As a result, Albanian and English have theirs as well. In this study, we attempted to demonstrate distinctions in irregular inflectional morphemes, which, as you will see, differ significantly between these two languages in this morphological area. The construction of words in these two languages differs, as does the classification of morphemes. In English, morphemes are classified into two types: derivational morphemes and inflectional morphemes. The first is concerned with morphemes that can alter the meaning of newly formed words as well as their lexical category. In the Albanian language, morphemes are classified in a different method. They are divided into two categories: root morphemes and affix morphemes. The first set of morphemes in Albanian can stand alone, i.e., they are autonomous, whereas the second group of morphemes are added to the root of the word, generating the new one.Keywords: morphemes, structure of words, irregularities, mood, conjugation, etc.
THE INFLUENCE OF WORDS DURING THE NORMAN CONQUEST AND MIDDLE ENGLISH 1100-1500
Full text linkThe English language, like all other languages, has evolved over time. Some of its modifications are the result of the natural process of change that all languages go through, while others are the result of language interaction. Foreign influences on English are so strong that it has evolved from a nearly pure language to a totally mixed one. French is the language that has had the most profound influence on English. The Norman conquest of 1066 brought the original inhabitants of the country into direct touch with the invaders' language, Norman French.Keywords: borrowings, Middle English, creole, Norman Conquest, King Henry IV, GVS, etc
ABOUT THE ART OF OTANIYAZ NIYAZI'S GAZELLES
Full text linkIn this article, one of the leading representatives of Khorezm's literary environment, Otaniyaz Niyazi's gazelles and his poetic features are discussed. Issues of tradition and identity in his gazelles are explored. It is highlighted that the poet enjoyed the work of the representatives of Turkish poetry and continued their literary traditions. It is also mentioned that most of Niyazi's gazelles are artistically perfect in addition to their ideological content. It is shown on the basis of analysis of his gazelles that he widely used the lively language of the people, that he wrote very fluent, cheerful verses, and that he perfectly mastered the theory of poetry, in particular, the science of aruz and music. Also, Otaniyoz Niyazi's effective use of spiritual, verbal, and common arts, and the fact that he demonstrated his artistic skills through the use of these arts, are justified. It is proven that Otaniyaz Niyazi used verbal arts such as tamsil, husni talil, tajohuli orif, intoq, istiora, irony, irsoli masal, tazmin, problem, tajnis, iyhom, tazod, tardu aks, kitobat etc. In this article, it is also mentioned that the poet continued the tradition of payravnavis and tatabbunavis arts in poetry. The article relies on the opinions of the great art historian Atullah Husayni, A. Rustamov, Y. Ishakov, V. Rahmonov and A. Hojiahmedov in researching Niyazi's art. It is revealed that Otaniyaz Niyazi thoroughly studied the science of rhyme from the great poets, knew the secrets of poetry, used them wisely, masterfully used the arts related to rhyme such as zulqofiyatayn, zulqawofi, tarse, tajnisli qofiya, musajje, tajziya. In the poet's gazelles, the artist's approach to the use of rhymes and radifs is shown, and it is scientifically proven that the poet's skill is visible in each verse each distich.Keywords: art, gazel, classical poetics, Uzbek classical literature, poetic art
MEDIEVAL MUSIC OR HOW WE LET HERMENEUTICS DOWN
Full text linkIn this article, I will shed light on some of the solutions and pitfalls that I/we have come across in the preparation and performance of medieval music. It is based on the concert programs Carmina Profana (1997) and Od trubadurjev (By the Troubadours, 2007). Many associations and texts can also be found in the books Knjiga (The Book, 2009) and Tolovajske balade (Villain Ballads, 1993).Keywords: interpretation, the art of understanding; empathy; music, Middle Ages, 12th – 13th century, troubadours, trouvères, Minnesang, Carmina Burana, Francois Villon, song, text, music, performance
FORMATION OF A FOREIGN LANGUAGE COMMUNICATIVE COMPETENCIES OF FUTURE TEACHERS OF PHYSICAL EDUCATION
Full text linkThe article deals with the problem of improving the professional training of sports coaches and future teachers of physical education in the process of teaching a foreign language at a university. The relevance of this issue is due to the presence of a contradiction between the increased requirements for the foreign language communicative competence of university graduates and not fully defined theoretical and practical ideas of teaching a foreign language as a means of professional development. The authors give examples of active teaching methods and techniques that stimulate the creative aspect of the application of knowledge and skills by students in the process of forming communicative competence.Keywords: foreign language, competence, foreign language communicative competence, personal development
THE SOCIAL AND THEORETICAL IMPORTANCE OF STUDYING THE IMAGE OF OTHERING
Full text linkThe theme Image of Othering in Albanian literature of the 20th century, from both a theoretical and practical view is very interesting in 20th-century Albanian literature. In Albanian studies, the field of imagology is essentially unaltered. In actuality, this subject has not received enough scientific attention even in foreign studies. The three authors with the most citations on the subject—Joep Leerssen, Manfred Beller, and Hugo Dyserinck—remain to this day the only ones with an unmatched level of commitment. It should be emphasized that earlier publications are primarily of a historical or theoretical nature, while current imagology research suffers from serious shortcomings. In light of the circumstances, the imaging scientific thinking environment desperately needs new concepts, theories, and analyses.Keywords: othering, imagology, Albanians, Ismail Kadare, etc
REGARDING THE MODERN POETRY TRADITIONS IN THE WORKS OF KHOREZM POETESSES
Full text linkThis article talks about the traditions of modern poetry in the works of Khorezm poets, in particular Ullibibi Otayeva, Gavhar Ibodullayeva, Gozal Begim and Shaira Shams. The article analyzes the poetry of Shaira Shams written in sarbast rhythm and the creation of another poem by Ullibibi Otayeva, which is similar to the content of this poem. Among the verses in them, organic connection and internal logical harmony are visible. Also, the article proves through examples that today Uzbek poetry has a literary environment that can significantly influence the development of world artistic thinking. For this purpose, the poem “Young Housewife” by the American artist Carlos Williams and the expression of the image of an ordinary Uzbek woman by the poet Ullibibi Otayeva from Khorezm are compared. Also, poems by the poetess Ono-no Komati who have been considered the symbol of beauty in the imagination of Japanese people since the middle of the 9th century until now and Ullibibi Otayeva will be comparatively analyzed. It is noted that Gavhar Ibodullayeva’s collection of poems “My Days that are leaving me” consists of double, triple, and four lines, and that these are examples of modern poetry, and the threes in it are analyzed. In the article, the consciousness, outlook, and attitude of the Khorezm poets whose translations of the poems of Pavel Aleksandrovich Katenin and Eduard Asadov by Shaira Shams and Gozal Begim’s essays “Conversations in Non-English”, “America Behind My Window”, “Letter to Don Quixote” written in the “Iowa Porch” series are connected with the poetic world of the world. It is emphasized that the wonders of Uzbek literature will be born as the worldview, attitude to the changes happening in life and the human heart are connected with the poetic world of the world. While observing the works of our artists who are writing in Uzbek poetry, especially poetesses from Khorezm, we can see the traditions of expressing the advanced creative traditions characteristic of world literature in the tones of the national spirit, as well as in a new form. We are witnessing research and a new way of expression. This, in turn, is an aspect that interests the reader and affects his world of thought and spiritual world. The traditions of modern literature can be felt in the poetry of Khorezm poetesses, and this is reflected in the subtle aspects of artistic expression in their poems, as well as in several features such as the commonality of the world of images.Keywords: rhythm, poetry, khorezm poetesses, Shaira Shams, double, triple, four lines, ghazal
ANALYSIS OF VIEWS ON THE FORMATION OF THE LINGUISTIC LANDSCAPE OF THE WORLD
Full text linkThe article provides a linguistic analysis of the linguistic landscape of the world (LLW) and a general interpretation of the concept of “world landscape”. The study of the compatibility of LLW in different languages, its introduction into Uzbek linguistics, linguistic relativity, the influence of linguoculturology on LLW and several functions of the concept of LLW are also studied.Keywords: linguistics, linguistic landscape of the world, worldview, linguistic relativity, linguoculturology, linguistic semantics, semantics, representation, social function
MORAL VALUES ORIENTATION AND STUDENTS’ INTERPERSONAL RELATIONSHIP IN CROSS RIVER STATE, NIGERIA
Full text linkThe study investigated the influence of moral values on secondary school students’ interpersonal relationship in Calabar Education Zone of Cross River State, Nigeria. The design adopted was causal comparative design. One research question and hypothesis was posed to guide the study. A total of nine hundred and fifty-seven (957) students were drawn from multi-stage sampling procedure. The instrument for data collection was Moral Values Orientation Scale and Interpersonal Relationship Questionnaire (MVOSAIRQ). The instrument was validated by Three (3) experts in Educational Psychology and Measurement and Evaluation respectively. Cronbach Alpha reliability estimate was used to determine the internal consistency, ranging from 0.6 to 0.86. The data were analyzed with One-Way Analysis of Variance (ANOVA). The result revealed that moral values orientation has significant influence on interpersonal relationship among secondary school students. Based on the findings, it was recommended that Parents, teachers and significant others should teach and inculcate moral values orientation to enhance effective interpersonal relationship among secondary school students.Keywords: secondary school students, undergraduate students, social relations, interpersonal relationship, examination malpractice, moral values, teacher’s beliefs, students’ perceptions, beliefs, etc
PARADIGMATIC AND SYNTAGMATIC RELATIONS IN PHRASES MEANING "SPEECH" IN UZBEK AND KARAKALPAK LANGUAGES
Full text linkThe paper analyzes the paradigmatic and syntagmatic relations in the phrase "speech" in Uzbek and Karakalpak languages. Phrases have a certain paradigm for connecting with other parts of speech and are based on syntactic functions.Keywords: phraseme, phrase-semema, phrases meaning “speech”, paradigmatic relationship, syntagmatic relationship, base member