Revistas UPO (Universidad Pablo de Olivade)
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Pensión de viudedad y parejas de hecho
Full text linkThe recognition of access to widow's pensions for common-law couples has been a significant step forward in terms of the moral and religious determinism that previously placed this type of union in an inferior category. However, such recognition has required subsequent legal reforms and the intervention of the courts in order to resolve a whole series of controversies that have revolved around same-sex couples, gender violence, the Roma minority, common children, and registration obligations. All of this has highlighted the practical difficulties involved in removing barriers to access to widow's pensions for more uxorio couples.El reconocimiento al acceso a la pensión de viudedad por parte de las uniones de hecho, ha supuesto un avance significativo respecto a los determinismos morales y religiosos que anteriormente posicionaban a este modelo de uniones en una categoría inferior. Ahora bien, tal reconocimiento ha requerido de reformas legales posteriores como de la intervención de los tribunales en aras a dar solución a toda una serie de controversias que han pivotado en torno a las parejas homoparentales, la violencia de género, la minoría gitana, los hijos comunes y las obligaciones registrales. Todo ello ha puesto de manifiesto la dificultad que en la práctica ha supuesto la eliminación de barreras en el acceso a la pensión de viudedad por parte de las uniones more uxorio
Isolation and characterization of natural yeasts for beer brewing
Full text linkIn the last two decades, there has been a rise in the craft brewery sector in our country. Although this industry operates on a small scale, craft brewers are willing to experiment with new flavors, produce native beer varieties, or develop healthier options in response to consumer demand, aiming to challenge the long-established and consolidated beer market [1]. One of the approaches to achieving these novel beer varieties is through the use of new yeast strains. Traditionally, brewing yeasts belong to a small group within the genus Saccharomyces. However, many brewers are inclined to explore alternative yeasts to introduce new characteristics into their beers. The main objective of this study is the identification and characterization of wild yeasts to assess their potential for beer production. The isolated yeast strains were classified through restriction fragment analysis of the ITS region. This method yielded distinct banding patterns corresponding to each isolated strain. Sequencing of the ITS fragment will allow for precise species identification [2]. To characterize the yeasts phenotypically, their fermentative capacity was evaluated. Sugar consumption was measured through growth curves in wort, and CO₂ production was analyzed by monitoring weight variation over ten days. Additionally, the ability to ferment maltose, the most abundant sugar in wort, was assessed using Durham tube assays in a minimal medium containing maltose as the sole carbon source [3]. Finally, we examined the killer activity of the analyzed strains to determine their ability to dominate fermentation over other brewing yeast strains. Commercial brewing yeast strains were used as controls in all experiments. Currently, we are analyzing the growth capacity of selected strains under different carbon sources, temperature conditions, and hop concentrations, as well as assessing their potential for producing undesirable phenolic compounds in beer. Finally, we will brew beer with selected strains to evaluate their brewing potential. Based on our findings, we conclude that we have identified new yeast strains with potential applications in beer production, which require further characterization
Estudio de la autoría de Roque Balduque, Andrés Ramírez y José Montes de Oca en tres “alhajas” inéditas del monasterio de Santa Inés de Sevilla.
Full text linkWith this work we present three unpublished pieces that can be attributed to the sculptors Roque Balduque (¿? c. 1515 - Sevilla, 1561) and José Montes de Oca y León (Seville, 1676-1754), as well as the participation of Andrés Ramírez (¿? c. 1532 - ¿Sevilla? c. 1569) in two painting boards. They are kept in the Royal Monastery of Santa Inés of Seville. The three of small format correspond to scenes of the Passion of Christ, a Male of Sorrows, a Crucified and a scene of the Resurrection. The analysis of the medium surrounding these images reveals features that clearly refer to the production of the proposed artist.Con este trabajo exponemos tres piezas inéditas que pueden ser atribuidas a los escultores Roque Balduque (¿? c. 1515 - Sevilla, 1561) y José Montes de Oca y León (Sevilla, 1676-1754), así como la participación de Andrés Ramírez (¿? c. 1532 - ¿Sevilla? c. 1569) en dos tablas de pintura. Estas se conservan en el Real Monasterio de Santa Inés de Sevilla. Las tres de pequeño formato se corresponden con escenas de la Pasión de Cristo, un Varón de Dolores, un Crucificado y una escena de la Resurrección. El análisis del medio que rodea a estas imágenes revela los rasgos que remiten claramente a la producción de los artistas propuestos
AFRO-INDO-AMÉRICA : ENTRE O SAGRADO E O PROFANO
No full textThe material depicts spaces and objects of research focused on Afro-American culture. The term corresponds to the plural territory baptized as "The Indies" by European ignominy and that in contemporaneity has been circumscribed to South American segments omitting other universes. However, land borders appear as a result of the colonizing conquest itself, and multiple narratives are translated that break through these barriers. From the value of culture, the weak line between sacred space and the surrounding Latin American real world is exposed. A process that has sustained since its genesis the cultural persistence among the dissimilar native groups, those brought from Africa and other parts of the world. The most up-to-date conception emphasizes rituality, orality, festivities and identity processes marked by the phenomenon of inter-American migration with an irrefutable Afro matrix. Likewise, the native peoples are a common axis throughout the transatlantic geography, the central reason in each of the interventions that can be seen in this audiovisual. Prestigious Cuban researchers and young people dominate this exhibition, shedding new light on universal culture.El material grafica espacios y objetos de investigación centrados en la cultura afroindoamericana. El término corresponde al territorio plural bautizado como “Las Indias” por la ignominia europea y que en la contemporaneidad se ha circunscripto a segmentos suramericanos omitiéndose otros universos. Sin embargo las fronteras terrestres aparecen como resultado de la conquista colonizadora en sí misma y se traducen múltiples narrativas que irrumpen dichas barreras. Desde el valor de la cultura se expone la débil línea entre el espacio sagrado y el mundo real circundante Latinoamericano. Proceso que sostiene desde la génesis la persistencia cultural entre los disimiles grupos originarios, los traídos de África y otras partes del mundo. La concepción más actualizada enfatiza la ritualidad, la oralidad, festividades y procesos identitarios marcados por el fenómeno de la migración interamericana con una irrefutable matriz afro. Así mismo los pueblos originarios son eje común en toda la geografía trasatlántica, razón medular en cada una de las intervenciones que se aprecian en este audiovisual. Prestigiosos investigadores cubanos y jóvenes señorean esta muestra arrojando nuevas luces a la cultura universal.Il materiale raffigura spazi e oggetti di ricerca incentrati sulla cultura afroamericana. Il termine corrisponde al plurale territorio battezzato come "Le Indie" dall'ignominia europea e che nella contemporaneità è stato circoscritto ai segmenti sudamericani omettendo altri universi. Tuttavia, i confini terrestri appaiono come risultato della conquista colonizzatrice stessa e vengono tradotte molteplici narrazioni che rompono queste barriere. Dal valore della cultura, viene messa a nudo la linea debole tra lo spazio sacro e il mondo reale latinoamericano circostante. Un processo che ha sostenuto fin dalla sua genesi la persistenza culturale tra i gruppi autoctoni dissimili, quelli portati dall'Africa e da altre parti del mondo. La concezione più moderna pone l'accento sulla ritualità, l'oralità, le festività e i processi identitari segnati dal fenomeno della migrazione interamericana con un'inconfutabile matrice afro. Allo stesso modo, i popoli nativi sono un asse comune in tutta la geografia transatlantica, la ragione centrale di ciascuno degli interventi che si possono vedere in questo audiovisivo. Prestigiosi ricercatori e giovani cubani dominano questa mostra, gettando nuova luce sulla cultura universale.O material retrata espaços e objetos de pesquisa voltados para a cultura afro-americana. O termo corresponde ao território plural batizado como "As Índias" pela ignomínia europeia e que na contemporaneidade tem sido circunscrito a segmentos sul-americanos omitindo outros universos. No entanto, as fronteiras terrestres aparecem como resultado da própria conquista colonizadora, e múltiplas narrativas são traduzidas que rompem essas barreiras. A partir do valor da cultura, a linha tênue entre o espaço sagrado e o mundo real latino-americano circundante é exposta. Um processo que tem sustentado desde a sua génese a persistência cultural entre os diferentes grupos nativos, os trazidos de África e de outras partes do mundo. A conceção mais atual enfatiza a ritualidade, a oralidade, as festas e os processos identitários marcados pelo fenômeno da migração interamericana com uma irrefutável matriz afro. Da mesma forma, os povos indígenas são um eixo comum em toda a geografia transatlântica, razão central em cada uma das intervenções que podem ser vistas neste audiovisual. Prestigiados pesquisadores e jovens cubanos dominam esta exposição, lançando uma nova luz sobre a cultura universal
Víctor Theubet de Beauchamp y la imagen de México en España durante la guerra de Independencia, 1810-1821.
Full text linkThe album of watercolors Trajes y vistas de México en la mirada de Theubet de Beauchamp was discovered in the Library of the Royal Palace of Madrid by the Mexican historian Sonia Lombardo de Ruiz who published a facsimile in 2009. Long since forgotten, the album is divided into three volumes and was made by the Swiss colonel Victor Theubet de Beauchamp (1787-1863). Also considered to be of great artistic value, it contains numerous landscapes and costumbrist scenes of Mexican customs from a critical time period such as the Mexican War of Independence and the years immediately following its consummation. This work reviews the importance of the album and the role it would have achieved in the construction of the image of Mexico if it had been published in a lithographic album as was the initial intention, however the author decided to sell the work to King Ferdinand VII in 1830 who decided to withhold it.El álbum de acuarelas Trajes y vistas de México en la mirada de Theubet de Beauchamp fue descubierto en la Biblioteca del Palacio Real de Madrid por la historiadora mexicana Sonia Lombardo de Ruiz, quien publicó un facsímil en el año 2009. Olvidado durante mucho tiempo, el álbum está dividido en tres volúmenes y fue hecho por el coronel suizo Víctor Theubet de Beauchamp (1787-1863). De gran valor artístico, contiene un gran número de paisajes, escenas costumbristas y tipos mexicanos de una etapa decisiva como fue la de la guerra de Independencia de México y los años inmediatos a la consumación. En este trabajo se revisa la importancia de la obra y el papel que hubiera conseguido en la construcción de la imagen de México de haberse publicado en un álbum litográfico como era la intención inicial, ya que el autor decidió vender la obra al rey Fernando VII en 1830 quien decidió guardarlo.
Solbes Borja, Clara. El campo artístico valenciano durante el franquismo: una intervención feminista.
Full text linkCuando el cemento imitó la piedra.
Full text linkBy the beginning of 19th Century, industrial cement production started. Soon after it was improved and applied to new constructions seeking economy. In the United States the production multiplied and expanded. At the same time, it appeared simple machines used to mold blocks imitating stones. This had a wide echo in the Antilles and later reached distant places such as Europe, Asia and Oceania, helped by various political and social situations. Today these blocks are found in South America, South Pacific, the Caribbean Islands and in many other places. Material, advertising and machinery came together to make this construction system succeed in the first half of 20th Century. In these times it can be considered architectural heritage. In Seville there are at least two examples, one of them very prominent.-A principios del siglo XIX comenzó la producción industrial de cemento. Poco a poco fue mejorándose y aplicándose a nuevas construcciones buscando economía. En los Estados Unidos la producción se multiplicó y se expandió. A la par de ello aparecieron sencillas máquinas con las que podían moldearse bloques que imitaban la piedra. Esto tuvo amplio eco en las Antillas para llegar más tarde a lugares distantes como Europa, Asia y Oceanía, a lo que ayudaron diversas coyunturas políticas y sociales. Hoy se encuentran estos bloques en Sudamérica, en el Pacífico Sur, en las islas caribeñas y en muchos otros lugares. Material, propaganda y maquinaria se conjugaron para hacer triunfar un sistema constructivo en la primera mitad del siglo XX, que hoy puede considerarse patrimonio arquitectónico. En Sevilla hay al menos dos ejemplos, uno de ellos muy destacado
García del Real Marco, Berta. Enrique Marco Dorta: un viaje iniciático por América del Sur (1940-1941).
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