Emerita (E-Journal)
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Topónimos griegos en Iberia y Tartessos
The author revises the toponyms of Greek origin in the Mediterranean coast of Spain, as well as the Greek adaptations of non-Greek toponyms. From this study some conclusions are reached on the knowledge of geographical accidents, productions and people by the Greeks from the sixth century B.C. onwards. The Ionian dialect appears in some of these toponyms. Also the names Tartessos and Tarsis, hellenized forms of tart- / turt-, are studied: Tarsis presents the well known Ionian phonetical change -tis ≻ -sis.No disponible
Noten zum Text von Ovids Tristien>/i>
This article discusses the textual constitution of the following passages from Ovid’s Tristia in J. B. Hall’s editio Teubneriana (1995): I 3.99; 5.81; 2.6sq., 53, 324, 540; III 4.24; 11.41; IV 1.7; 2.36; 6.26, 34; 9.7; V 6.1-3; 13.30.No disponible
El uso de la antonimia en el Libro I de los Epigramas de Marcial
This paper analyses the use that Martial makes of antonymy in Book I of his Epigrams. The study reveals that this lexical resource stands out as a major stylistic device in Martial’s epigrammatic work: almost 25 % of the 118 epigrams in Book I resort to antonymy in the construction of their characteristic witty endings. The study goes on to show that the same pairs of antonyms – or very similar ones – can be found throughout the rest of Martial’s Epigrams.No disponible
I. Ediciones y técnica filológica - II. Lingüística - III. Literatura, filosofía y religión
Nueva interpretación del Crátilo platónico a partir de las aportaciones del papiro de Derveni
The discovery of the Derveni Papyrus has allowed us to know better the importance of the etymological analysis in the orphic circles. The anonymous author of the papyrus analysed about twenty verses of an orphic theogony. He believed that the words used by Orpheus contained a deep and enigmatic meaning. The aim of Plato, when he wrote the Cratylus, would have been to discredit a method which he considered unable to bring a true knowledge. He discredited this method by proposing absurd etymologies. According to Plato, the etymological explanation depended on the talent of the person who offered it. For this reason, there were a lot of different interpretations of the same word. To prove it, he expounded his own etymologies to deride those, who – like the orphics – believed that the etymological explanation of a word described its essence.No disponible
Argus amans (Prop. I 3, 19-20: semejanza y pasión)
This article intends to review the Argus’ simile function (Prop. I 3,19-20) in its relationship with the two figures of elegiac discourse, lover and beloved, taking into account the play between similar and dissimilar elements. From beholding to being seen two ways of behaving are written.No disponible
Sobre el Hercules furens de Séneca (A propósito de una nueva edición comentada)
Twenty-one notes to the latest edition and translation of the Senecan tragedy.No disponible