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    2142 research outputs found

    EZInkjet code

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    Analytical model to predict free form inkjet-printed features using MATLA

    Heat and salinity stress on the African eggplant

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    This data was collected as part of the research on the heat and salinity stress on the African eggplant to describe the effects of the stress combination on this crop. The data was collected at East Malling, UK, and comprises harvest data, physiological measurements, and nutritional quality data

    Predictors of Relapsing MOGAD: A Scoping Review

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    Before This scoping review was conducted with the aim of generating an understanding of the current literature about predictors of relapsing myelin oligodendrocyte glycoprotein antibody associated disease (R-MOGAD). The primary outcome was to identify the most suitable predictors to be inputted into the primary analysis of the statistical model for the Study Protocol - modelling predictors for relapsing disease in MOGAD, doi.org/10.17639/nott.7368. Choosing the right independent variables that are causative and not confounding is key to a successful logistic regression model. The secondary outcome was to find alternative, less investigated potential predictors to be inputted into the model as a sensitivity analysis. It also provided guidance on what future research should focus on by contextualising each predictor and their given parameters

    DFT data for "Interrogating the Crucial Interactions at Play in the Chiral Cation-Directed Enantioselective Borylation of Arenes"

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    This dataset contains Gaussian DFT output files of the ground-state and transition state DFT optimized structures for the paper "Interrogating the Crucial Interactions at Play in the Chiral Cation-Directed Enantioselective Borylation of Arenes" This dataset contains Gaussian DFT output files of the ground-state and transition state DFT optimized structures for the paper "Probing the Origins of Enantioselectivity in Chiral Cation-Directed Enantioselective Borylation using Ion-Paired Ligands for Iridium " The dataset contains 1693 files in total and is organised in one archive containing 71 separate folders – the full structure of the archive is shown below. There are twelve top level folders, corresponding to computational data for studies depicted in Figures 2, 3, 5, 6, 7, 8, 9, 10, 11 and S2 in the main paper and the SI, respectively. Folders "Fig7_amideQ_full_study", "Fig8_amideQD_full_study", “Fig11_phosphinamideQ_full_study", FigS2_phosphinamideQD_full_study" contain data for the full 260-atom system studies. Each of these folders contain "Gas_geometries" and "Solvent_geometries" subfolders, containing the oxidative addition transition state geometries optimized in gas phase or using SMD(diethylether) solvent model, respectively. The transition states in these subfolders are organized by the diastereoisomer of the transition state - AR, AS, CR and CS. Please see the main paper for fuller explanation of this nomenclature. Each of the lower level folders contain the output of a frequency calculation at B3LYP/6-31g*/SDD level in gas phase or with SMD(diethylether) solvent model (*freq001.out files), as well as single point calculation at M06/def2-TZVP/SMD(diethylether) level (*m06tzvp001.out files). All optimized geometries are also provided as *.sdf files for even better usability. All of the files can be opened in any text editor. Gaussian output structures can be viewed and the frequency modes visualised in GausView, Avogadro, jmol and in most other molecular viewers/editors. *.sdf files can be viewed in essentially all 3D molecular editors and viewers

    Mass-spectral data generated by lipidomics analysis of samples from dairy cattle

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    Samples were collected from dairy cows to investigate how the lipid fingerprint alters with lameness. Samples were analysed using untargeted LC-M

    Hamburg premiere of Speechless Opera by Cat Hope

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    Speechless is a wordless, animated notation opera intended as a personal response to the experiences of refugees around the world. The opera premiered at the Perth Festival in 2019 and the performance at the Ligeti Festival was the European premiere of the chamber concert edition. The starting point for the opera was Hope's observation of the political response to the Australian Human Rights Commission's 2014 report "The Forgotten Children: National Inquiry into Children in Immigration Detention". A close examination of this document and the damning facts it contained inspired a radical idea for a libretto about the voicelessness of asylum seekers and refugees seeking protection. Rather than setting the words to music on the 315 pages, as one would expect from an opera, the material was extracted from the account to create an animated, graphic score. Colour schemes, drawings, tables and photos from the report were copied and manipulated to create the score, leaving the singers without words. In this way, the score provides the libretto and the music at the same time. The opera is responsive to the environment and people in each place where it is performed, but the soloists are always women or non-binary people preferably from different cultural backgrounds. The animated digital score of the opera was both a central system of cues and controls for all the various parts such as lighting, spatialization and video as well as the distributor of individually animated parts to the musicians, diffusion engineer, live electronics musician and lighting operator. The original parts of the animated score were created in Illustrator but with help from Python script programming by Aaron Wyatt, the score and parts were distributed in Decibel ScorePlayer to individual players’ iPads via AirDrop. The music features long, pulseless tones, and as such many 'lines' feature in the score. The Decibel ScorePlayer facilitates reading this information as music notation. The score is made up of a range of colours (as parts). Performers choose a pitch, but the movement of that pitch is described in the score. In addition, the conductor is required to guide the musicians in their interpretation of the score, giving them cues and breath marks for entry as well as shaping the content of musical lines

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