E-Jurnal ISBI Bandung (Institut Seni Budaya Indonesia)
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PAMERAN "DARI AKAL TURUN KE HATI" SEBAGAI BENTUK EKSISTENSI KEKINIAN SENI RUPA ISLAM INDONESIA
Get PDFSince Islam entered and spread in Indonesia, its influence has been felt in many places and many fields. One of them is the field of fine arts which to this day still exists and is even developing in Indonesia. 90% of Indonesia’s population is Muslim so this is normal. As India has a majority of Hindu citizens, it is natural that Hinduism influences the way of life in India. The Islamic art exhibition “From the Mind to the Heart” is important evidence regarding the existence of contemporary Indonesian Islamic Art. The exhibition was held in the holy month of Ramadhan 1445 H, at Loman Park Hotel Jogjakarta. The characteristic of the exhibition “From the Mind Down to the Heart” is the sterility of depictions of animate creatures such as humans, animals and others, in other words, in accordance with Islamic law, artistic jurisprudence. This characteristic differentiates it from other or previous exhibitions but has the same spirit, namely preserving and even developing Islamic fine arts in Indonesia.Sejak Islam masuk dan menyebar di Indonesia, pengaruhnya terasa di banyak tempat dan banyak bidang. Salah satunya bidang seni rupa yang hingga hari ini masih tetap exist dan bahkan berkembang di Indonesia. 90% penduduk Indonesia beragama Islam sehingga hal tersebut menjadi wajar adanya. Sebagaimana India yang mayoritas warganya Hindu, maka wajar jika Hindu mempengaruhi tatanan hidup di India. Pameran seni rupa Islam “Dari Akal Turun Ke Hati“ menjadi bukti penting terkait eksistensi Seni Rupa Islam Indonesia kekinian. Pameran tersebut diselenggarakan pada bulan suci Ramadhan 1445 H, di Loman Park Hotel Jogjakarta. Ciri khas pada pameran “Dari Akal Turun Ke Hati†adalah steril dari penggambaran makhluk bernyawa seperti manusia, hewan, dan lainnya, dengan kata lain sesuai syariat Islam, fiqih berkesenian. Ciri khas tersebut membedakan dengan pameran-pameran lainnya atau sebelumnya namun punya spirit yang sama yaitu melestarikan bahkan mengembangkan seni rupa Islam di Indonesia.
Kata Kunci: akal, hati,existensi, seni rupa, Islam, Indonesia
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Since Islam entered and spread in Indonesia, its influence has been felt in many places and many fields. One of them is the field of fine arts which to this day still exists and is even developing in Indonesia. 90% of Indonesia’s population is Muslim so this is normal. As India has a majority of Hindu citizens, it is natural that Hinduism influences the way of life in India. The Islamic art exhibition “From the Mind to the Heart†is important evidence regarding the existence of contemporary Indonesian Islamic Art. The exhibition was held in the holy month of Ramadan 1445 H, at Loman Park Hotel Jogjakarta. The characteristic of the exhibition “From the Mind Down to the Heart†is the sterility of depictions of animate creatures such as humans, animals and others, in other words, in accordance with Islamic law, artistic jurisprudence. This characteristic differentiates it from other or previous exhibitions but has the same spirit, namely
preserving and even developing Islamic fine arts in Indonesia.
Keywords: mind, heart, existence, fine arts, Islam, Indonesi
Strategi Konsep Bukaan Untuk View Outdoor Dan Pencahayaan Alami Pada Perancangan Interior Ruang Rawat Inap Rumah Sakit
Get PDFThe hospital inpatient room is a service facility for the patient in their healing process. Inpatient facilities have standardized operational procedures based on national regulations, which sometimes becomes a limitation in developing designs because they must refer to functional suitability. This writing aims to provide a strategy formulation and concept of openings as access to outdoor views and natural lighting in hospital inpatient rooms to optimize the principles of the healing environment. This article was carried out by reviewing design standards for hospital inpatient rooms based on guidelines and regulations issued by the Indonesian Ministry of Health and previous research. The research was carried out by experimenting with the orientation of the facade openings from (East, South and Southeast) to assess the optimal daylighting in the interior. A more in-depth discussion of design strategies and technical implementation in interior design will be discussed..Ruang rawat inap rumah sakit merupakan fasilitas pelayanan inap khusus untuk proses penyembuhan pasien. Fasilitas ruang rawat inap memiliki prosedur operasional yang terstandar dan telah diatur berdasarkan aturan nasional yang terkadang menjadi batasan dalam mengembangkan desain karena harus mengacu pada kesesuaian fungsi. Penulisan ini bertujuan untuk memberikan formulasi strategi dan konsep bukaan sebagai akses view outdoor dan pencahayaan alami di ruang rawat inap Rumah Sakit untuk mengoptimalkan prinsip healing environment. Tulisan ini dilakukan dengan melakukan review terkait dengan standar perancangan ruang inap Rumah Sakit berdasarkan pedoman dan ketetapan yang dikeluarkan oleh Kementrian Kesehatan RI serta penelitian-penelitian sebelumnya. Dalam penelitian juga dilakukan eksperimen arah orientasi bukaan (Timur, Selatan dan Tenggara) untuk melihat pencahayaan alami yang optimal. Untuk mencapainya akan dibahas lebih mendalam mengenai strategi desain dan teknis penerapannya dalam ilmu desain interior
Penggambaran Kembang Tujuh Rupa dalam Seni Lukis Berbahan Dasar Natural Pigment
Get PDFFlowers have been part of Indonesian tradition since ancient times. The tradition of using flowers as symbolization and funeral or traditional rituals in Indonesia is used in various regions of Indonesia, including in West Java, such as tingkeban, death ceremonies, nyekar, circumcision, grave pilgrimages, folk entertainment, and so on. In the field of modern art, flowers are used as objects in painting. In addition, school, studio and college curricula mostly use Western curricula with modern content, media and techniques. This research was carried out to create works of painting, especially on paper and glass media using natural dyes. The focus of the theme raised is the tradition of the 7 types of flowers in Sundanese culture in general. In this research, qualitative research methods were used. The creation steps can be divided into three main stages, namely; the first stage, in the form of searching for ideas or ideas; the second stage, in the form of deepening or maturation of the idea or ideas; The third stage, namely the final stage, is the realization of the work of art. It is hoped that the results of this research can add to the repertoire of Indonesian fine arts in terms of media, as well as provide an understanding to the wider audience regarding the 7 types flower tradition in West Java. Flowers have been part of Indonesian tradition since ancient times. The tradition of using flowers as symbolization and funeral or traditional rituals in Indonesia is used in various regions of Indonesia, including in West Java, such as tingkeban, death ceremonies, nyekar, circumcision, grave pilgrimages, folk entertainment, and so on. In the field of modern art, flowers are used as objects in painting. In addition, school, studio and college curricula mostly use Western curricula with modern content, media and techniques. This research was carried out to create works of painting, especially on paper and glass media using natural dyes. The focus of the theme raised is the tradition of the 7 types of flowers in Sundanese culture in general. In this research, qualitative research methods were used. The creation steps can be divided into three main stages, namely; the first stage, in the form of searching for ideas or ideas; the second stage, in the form of deepening or maturation of the idea or ideas; The third stage, namely the final stage, is the realization of the work of art. It is hoped that the results of this research can add to the repertoire of Indonesian fine arts in terms of media, as well as provide an understanding to the wider audience regarding the 7 types flower tradition in West Java
ANALISIS POTRET HEGEMONI MASKULINITAS PADA FILM MIRACLE IN CELL NO.7 (2022) SUTRADARA HANUNG BRAMANTYO
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The digital era is currently very facilitate the public in many ways, including in search of entertainment as a movie. Film is one medium that will influence the emotionally. Also a film that is able to convey a message to an audience and a growing condolences and empathy. One film quite popular and having message in it is 7 no. miracle in cells. On this movie raised the man in a way unusual, there is a portrait of hegemony masculinity. The research is the method qualitative descriptive of the literature study to analyze hegemony masculinity in movie miracle in cell no. 7. On this movie shows there are a number of things with masculinity in which a figure of a man is not just work it, but able to care for and raise a child alone on the identical with women. The hegemony masculinity indicated the principal character can be seen from the, behavior, and the story illustrated clearly and points the man very concern for his daughter.
ABSTRAK
Era digital saat ini sangat memudahkan masyarakat dalam berbagai hal, termasuk dalam mencari hiburan seperti menonton film. Film merupakan salah satu media yang bisa mempengaruhi masyarakat secara emosional. Film juga menjadi suatu wadah yang mampu menyampaikan pesan kepada penonton dan menumbuhkan rasa simpati serta empati. Salah satu film yang cukup populer dan memiliki pesan di dalamnya adalah Miracle in Cell No. 7. Pada film ini mengangkat tokoh lelaki dengan cara tidak biasa, yaitu terdapat potret hegemoni maskulinitas. Metode penelitian yang dilakukan adalah metode deskriptif kualitatif dengan adanya studi pustaka untuk menganalisis hegemoni maskulinitas pada film Miracle in Cell No. 7. Pada film ini terdapat beberapa hal yang menunjukkan sisi maskulinitas di mana sosok seorang pria bukan sekadar bekerja saja, tetapi mampu merawat dan membesarkan seorang anak seorang diri yang pada masyarakat identik dengan perempuan. Sisi hegemoni maskulinitas yang ditunjukkan tokoh utama terlihat dari sikap, perilaku, dan arah cerita yang tergambarkan dengan jelas serta menunjukkan sosok laki-laki yang sangat sayang terhadap anak perempuannya
KEBIASAAN MINUM BERALKOHOL IMPOR (STUDI ETNOGRAFI KELOMPOK MAHASISWI BERJILBAB CAP DI BANDUNG)
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Penelitian ini membahas tentang bagaimana para mahasiswi berjilbab memiliki kegemaran minum minuman beralkohol impor yang tergabung pada kelompok CAP di Bandung, serta mengungkapkan bagaimana pengetahuan kelompok mahasiswi berjilbab CAP mengenai minuman beralkohol impor dan makna minum bagi mereka. Metode penelitian yang digunakan yakni metode penelitian kualitatif dengan pendekatan etnosains James Spradley yang berupa etnografi dan narasi personal, data yang dikumpulkan melalui studi pustaka, observasi partisipatif, wawancara mendalam, dan dokumentasi serta validasi data yang dilakukan dengan cara mereduksi data dan pengorganisasian data. Hasil penelitian menunjukkan bahwa minuman beralkohol impor bagi kelompok CAP dapat menaikan prestise, dan merasa mendapatkan kepercayaan diri. Kemudian, kelompok CAP memiliki pengetahuan mengenai minuman beralkohol impor yaitu pengetahuan tentang mencampuri minuman beralkohol impor dengan minuman jenis lain, pengetahuan khas yang hanya berlaku di kelompok CAP, serta mereka memaknai minuman beralkohol impor sebagai jembatan dan pengerat tali kasih pertemanan mereka dalam kelompok CAP.
Kata kunci: kelompok CAP, kebiasaan, minuman beralkohol impor, etnosains
ABSTRACT
This study discusses how the veiled female students have a penchant for drinking imported alcoholic beverages who are members of the CAP group in Bandung, and reveals how the knowledge of the CAP veiled female student group about imported alcoholic beverages and the meaning of drinking for them. The research method used is a qualitative research method with James Spradley\u27s ethnoscience approach in the form of ethnography and personal narrative, data collected through literature study, participatory observation, in-depth interviews, and documentation and data validation by reducing data and organizing data. The results show that imported alcoholic beverages for the CAP group can increase prestige, and feel confident. Then, the CAP group has knowledge about imported alcoholic beverages, namely knowledge about mixing imported alcoholic beverages with other types of drinks, special knowledge that only applies to the CAP group, and they interpret imported alcoholic beverages as a bridge and strengthen their friendship in the CAP group.
Keywords: CAP group, habits, imported alcoholic beverages, ethnoscienc
Creative Workspace Design as A Form of Local Creative Industries Collaboration in Suryatmajan Tourism Kampong
Get PDFPariwisata dan industri kreatif merupakan penggerak ekonomi lokal yang saling berkaitan di
Yogyakarta. Pengembangan industri kreatif lokal di kampung wisata Yogyakarta berpotensi
memajukan perekonomian masyarakat/komunitas. Kampung wisata Suryatmajan merupakan
destinasi wisata baru di kawasan Malioboro, Yogyakarta yang berfokus pada promosi
kolaboratif melalui pariwisata kreatif. Penelitian ini mengidentifikasi potensi industri kreatif
dan kolaborasi di antara masyarakat dalam creative workspace di kampung wisata Suryatmajan.
Selain itu, penelitian ini juga mengusulkan untuk mengeksplorasi peran industri kreatif dalam
membentuk jejaring relasi kepedulian dalam kerangka Tourism Social Entrepreneurs. Kajian ini
terfokus pada desain ruang kerja kreatif untuk mendukung ekosistem kreatif. Data kualitatif
dikumpulkan melalui observasi, wawancara, dan diskusi kelompok. Sementara itu, konsep
desain Suryatmajan creative workspace dikembangkan secara kolaboratif dengan menggunakan
pendekatan Tourism Experience Design. Hasil evaluasi desain secara konseptual mengusulkan
relasi dan posisi creative workspace untuk mempromosikan industri kreatif lokal melalui
pengalaman wisatawan dalam konteks pariwisata kreatif.
Kata kunci: Industri Kreatif, Kampung Wisata, Ruang Kreatif, Suryatmajan, Yogyakart
PROSES KREATIF KOREOGRAFER I NYOMAN CATRA
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I Nyoman Catra adalah seniman multilatenta, yang juga seorang koreografer dengan karyanya yang apik. Beliau merupakan dosen ISI Denpasar yang telah purna tugas, namun tidak berhenti berkarya. Pengalamannya dalam mencipta tari, serta pengalaman hidupnya dalam menempuh pendidikan seni hingga ke luar negeri, menjadikannya sebagai salah satu seniman hebat yang patut dicontoh. Setiap koreografer memiliki cara tersendiri dalam menciptakan karya tari, yang merupakan perpaduan dari teori serta pengalaman berkesenian yang telah dilaluinya. Demikian halnya dengan I Nyoman Catra yang memiliki cara tersendiri dalam mencipta tari yang tentunya sangat berharga untuk dibagikan, khususnya kepada para koreografer muda sebagai sebuah motivasi, inspirasi, serta memperkaya ragam metode dalam mencipta tari. Penelitian studi tokoh ini bertujuan untuk mengungkap proses kreatif I Nyoman Catra dalam menciptakan sebuah karya tari. Adapun metode yang digunakan dalam pengumpulan data yakni dengan wawancara dan studi literatur. Hasil dari penelitian ini adalah tahap penciptaan seni yang dilalui Nyoman Catra yakni dengan menentukan ide, konsep (sistem web, atau sistem kipas), newasin/nuasen, eksperimen-pembentukan-penghalusan, dan pentas.
Kata Kunci: Proses Kreatif, Koreografer, I Nyoman Catra.
ABSTRACT
THE CREATIVE PROCESS OF CHOREOGRAPHER I NYOMAN CATRA, DECEMBER 2023. I Nyoman Catra is a multitalented artist who is also an accomplished choreographer. He is a retired lecturer at ISI Denpasar who has continued to work. His expertise in choreographing dance and his life experience studying art overseas drive him one of the great artists to emulate. Each choreographer has their method for developing dance works, combining theory and artistic experience he has undergone. Similarly, I Nyoman Catra has a strategy for creating dance works that is extremely valuable to share, particularly with young choreographers, as a source of motivation, inspiration, and a means of enriching the various methods for creating dance. This figure study research aims to demonstrate I Nyoman Catra’s creative process in developing a dance work. The data has been collected using interviews and literature reviews. The findings of this study are the stages of art creation that Nyoman Catra underwent, including determining ideas, conceptions (Web Sistem or Kipas Sistem), newasin/nuasen, experiments-shaping-refining, and performances.
Keywords: Creative Process, Choreographer, I Nyoman Catra
Penyutradaraan Lakon “Pintu Tertutup” Karya Jean Paul Sartre
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This directing takes its starting point from the play “No Exit” which tells the story of three characters who are put into a room called hell, even though the hell that is presented is not hell (a room) which has been common knowledge. The event space that the dungeon presents. The door to enter is at the end of a ladder at the back. The make-up of the characters gives the impression that it has been destroyed to thicken the condition of the three characters who are indeed dead.
Overall, the writer as the director sees that the depiction of the characters\u27 conditions is successful enough to explain to the appreciator that they are dead, besides that it also reinforces the absurdity contained in the text of this drama. For the cultivation of roles, the actors used Stanislavsky\u27s inner acting approach. For the process of cultivating the form of drama, the author focuses on the approach of symbolism\u27s aesthetic conventions. Music is presented to define an unknown space by presenting the sound of a bell that is like the sound of metal screeching or a whistle from boiling water, while other musical elements are present as a description of the situation or condition that each character is experiencing. The walls are made white, functioning as a description of the inner condition and thoughts of each character. Every change in events must also be felt by the appreciator as something that disrupts his existence.
Keywords: No Exit, absurd, inner action, symbolism
Konsep Penyutradaraan Lakon “ARWAH-ARWAH” Karya W.B YEATS Terjemahan Suyatna Anirun
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The director is the center of all activities that occur in the process, the director must be able to organize and form all the elements into a unified whole. The creative process that has been carried out in the production of the play "Arwah-Arwah" by William Butler Yeats Translated by Suyatna Anirun through systematic work from pre-production to post-production. In the course of the process, it is not uncommon for the director to encounter problems that occur, both on stage and off stage, in this case the director must have the skills or strategies to solve them. The results of this paper are proof of the author\u27s responsibility that the Arwah-Arwah performance is the original work of the author who acts as a director in the process of cultivating the play "Arwah-Arwah
Hubungan Strategi Distinction Masyarakat Makassar Dengan Penggunaan Bebunyian Kultural Ganrang Pa‘Balle dalam Upacara Ritual Pernikahan
Get PDFPenelitian kualitatif ini bertujuan membahas dan mengkritisi penggunaan bebunyian kultural ganrang pa’balle dalam konteks ritual pernikahan masyarakat Makassar. Data yang diperoleh berdasarkan observasi dan analisis literatur menunjukkan adanya perbedaan pola tabuhan ganrang pa’balle jika digunakan dalam pernikahan kalangan karaeng, anak karaeng paninik dan tau samarak. Berdasar dari konsep pemikiran Bourdieu, hal itu merupakan strategi distinction. Strategi ini digunakan oleh kalangan karaeng untuk melegitimasi dominasi relasi kuasanya terhadap kelas di bawahnya dalam konteks arena sosial.Kata kunci: ganrang pa’balle, pernikahan, distinction, dan relasi kuas