E-Jurnal ISBI Bandung (Institut Seni Budaya Indonesia)
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KARYA TARI PUNTADEWA
Get PDFABSTRAK
Karya tari yang berjudul Puntadewa terinspirasi dari cerita epos Mahabarata, mengenai permainan adu dadu berfokus pada tokoh Yudistira yang tergila-gila akan judi tersebut, hasutan dari sengkuni pada permainan yang menjadikannya terlena sehingga memunculkan sifat Yudistira yang tergila-gila terhadap judi yang berakhir kehilangan segalanya. Karya tari Puntadewa berbentuk tari kelompok dikemas dalam tipe tari dramatik dengan pola garap tradisi. Bertujuan menyampaikan pendapat bahwa seni tari tradisi tidak selalu bersifat statis melainkan dinamis, tergantung bagaimana mengkemas tanpa menghilangkan unsur tradisinya. Koreografi yang digunakan bersumber dari gerak-gerak tari wayang yang dikembangkan dengan gerak keseharian yang di stilisasi dan distorsi, seperti gerak adeg-adeg, makutaan, capang, keupat, jangkung ilo, ukel, calik jengkeng, selut, sembada, dan nyawang. Pada karya tari puntadewa terdapat tiga pola adegan yang dibangun diantaranya suasana tenang, amarah, dan penyesalan. Menggunakan pendekatan metode garap Y. Sumandiyo Hadi diantaranya observasi, eksplorasi, dan pembentukan (komposisi). Pesan yang ingin disampaikan dari karya tari ini yaitu sehebat dan sesempurna apapun manusia akan selalu kalah oleh nafsu yang ada dalam dirinya sendiri, seharusnya diri yang mengendalikan nafsu bukan diri yang dikendalikan nafsu.
Kata Kunci: Puntadewa, Mahabharata, Dramatik, Tradisi.
ABSTRACT
THE DANCE WORK “PUNTADEWA”, JUNE 2024. The dance work entitled Puntadewa was inspired by the Mahabarata epic story, about the dice game focused on the character Yudistira who was crazy about the gambling, the incitement from Sengkuni in the game that made him complacent so that it raised Yudistira’s character who was crazy about the gambling which ended in loss of everything. Puntadewa dance work is a form of group dance which is packaged in a dramatic dance type with a traditional working pattern. It aims to express the opinion that traditional dance is not always static but dynamic as well, depending on how to pack it without losing its traditional elements. The choreography is sourced from the motions of puppet dance which are developed with stilized and distorted daily movements, such as the movements of adeg-adeg, makutaan, capang, keupat, jangkung ilo, ukel, calik jengkeng, selut, sembada, and nyawang. In the Puntadewa dance work there are three scene patterns, among others are silent atmosphere, anger, and regret. The research uses work method approach by Y. Sumandiyo Hadi namely observation, exploration, and formation (composition). The message to be conveyed from this dance work is that as great and as perfect as any human will always be defeated by their own lust, it should be their mind that controls the lust and not their mind controlled by the lust.
Keywords: Puntadewa, Mahabharata, Dramatic, Tradition
Ready to Wear Deluxe Bergaya Holo-Cottagecore Inspirasi Troides Helena dengan Teknik Embellishment dan Painting
Get PDFThe creation of ready to wear deluxe inspired by Troides helena butterflies has made a major contribution to the development of fashion innovation. The beautiful shape of the wings and their rarity encourage craftsmen to create creative products. The creation of this work combines technological developments in the form of Holograms and Cottagecore style. The use of this style is considered to be able to provide suitability to the concept with a rustic, natural and modern theme which is adapted to the Trend Forecast, Co-Exist: 2023-2024. The work approach also plays with various elements such as color, shape, pattern and motif from the use of embellishment techniques and painting techniques. From several collections of ideas, concepts and processes, the work is realized through a creation method which contains three stages, namely exploration, design and realization. A total of two (2) looks were presented in the creation of this work.Penciptaan ready to wear deluxe terinspirasi kupu-kupu Troides helena memiliki kontribusi besar terhadap perkembangan inovasi busana. Bentuk sayapnya yang indah dan kelangkaannya memicu pengkarya untuk membuat produk karya. Penciptaan karya ini memadukan perkembangan teknologi berupa Hologram dan gaya Cottagecore. Penggunaan gaya tersebut dinilai dapat memberikan kesusesuaian konsep yang bertema pedesaan, kealamian dan modern yang disesuaikan dengan Trend Forecast, Co-Exist : 2023-2024. Pendekatan karya juga memainkan berbagai unsur-unsur seperti warna, bentuk, pola dan motif dari penggunaan teknik embellishment dan teknik painting. Dari beberapa kumpulan ide, konsep dan proses tersebut, karya diwujudkan melalui metode penciptaan yang berisi tiga tahapan yakni eksplorasi, perancangan dan perwujudan. Sebanyak dua (2) buah look disajikan dalam penciptaan karya ini
Mekepung Jembrana Tradition As a Source of Creation of Documentary Film
Get PDFThe Mekepung tradition in Jembrana, Bali, particularly in the form of buffalo racing, is a deeply rooted cultural spectacle representing joy and celebration for agrarian communities. This research aims to explore this tradition and create a documentary film to preserve and promote its significance. Employing a qualitative descriptive method and utilizing the documentary film structure approach, the study incorporates observation, interviews, and documentation to gather authentic data. The documentary follows a three-part story structure, capturing the essence of Mekepung through genuine visual presentations and a well-structured narrative flow. Embracing a performative documentary style, the film emphasizes captivating packaging and meticulous craftsmanship. The creation process encompasses pre-production, production, and post-production stages. Ultimately, the Mekepung Jembrana documentary not only showcases buffalo racing but also serves as a vital tool for cultural preservation and awareness for future generations, ensuring the continuity of this cherished tradition
Revealing the Visual Structure of the 1981 and 2019 Versions of Ratu Ilmu Hitam Film Posters
Get PDFThe horror film Queen of Black Magic, which is a remake of the film with the same title, was released in 1981 and 2019. This film was released with the same title, but with different characters. The 1981 version features Suzzanna as the horror queen as the main character, while the 2019 version does not feature Suzzanna and the main character is not famous. This film with the title black magic has become an iconic film, because it emphasizes the word science for horror stories. The word black, which is synonymous with magic, is juxtaposed with the word science, thus forming a paradoxical word relationship. The queen is a figure and incarnation of a ghost, which directly places the ghost in a noble and respected position. The posters for the two films have different designs because of the strength of the ideas, social and cultural atmosphere that exist in the two posters with the large distance between the years of release. This research aims to determine the differences in design concepts between two film poster designs. This analysis is based on Levi Strauss’s version of structuralism theory which reveals that the 1981 version of the Queen of Black Magic poster emphasizes the importance of Suzzanna as a figure or queen of horror who attracts public attention, while the 2019 version of the Queen of Black Magic poster emphasizes the exploration of the formation of visual elements that lead to the meaning of black magic
The Influence of Visual Art in Irwan Jamal’s Theatre Artistic Vision
Get PDFIrwan Jamal, the founder of the Pictorial Theatre and the Casanova Theatre, is an artist who has studied several art disciplines at once, including theatre, visual arts, literature, and music. Genetic influences from his father’s family, who are skilled in drawing, as well as his education and experience in theatre, have resulted in a form of theatre that is rich in visual expression. This is based on Sigmund Freud’s theory of primary creativity which grows and becomes the foundation of one’s creativity. This article will also discuss and analysed the influence of the visual arts on Irwan Jamal’s vision of theatrical creations in terms of the several works he has directed, both theatrical productions as well as films and music videos. Irwan Jamal’s artistic vision and expression, which was later categorized as a form of “expressionist theatre” was very strongly influenced by the fine arts that Irwan Jamal also studied. The method used to analyse Irwan Jamal’s works (theatre and music videos) will also use the formal structure criticism method, which is usually used for the analysis of a painting. The presentation of critical works uses the method introduced by Edward S Feldman
Glorify the Lord Ensemble’s Existence and Strategy in the Indonesian Music Industry
Get PDFIndonesia’s music industry has undergone a significant transformation from the vinyl disc era to the digital era, with new challenges and opportunities in maintaining the existence of music groups. This research aims to explore Glorify the Lord Ensemble’s journey in gaining attention in the music industry and analyse their strategies for long-term sustainability. Qualitative research methods were used, including observation, interviews, and documentation studies to collect data from rehearsals, performances, and internal group interactions. The results revealed that Glorify’s initial appeal came from their founder, Daud PM Saba, who blended pop, rock, R&B soul, and black gospel genres with signature choreography, attracting the attention of renowned artists and fans. Their sustainability strategy involves regular activities for members and active publications on social media, maintaining their existence during the passing pandemic and in the midst of music industry competition. Recommendations from this research are to continue adapting innovations in content, and social media interactions, as well as maintaining the quality of rehearsals, and collaborations that strengthen their reputation. This research provides important insights into successful existence strategies in the competitive music industry
TRESNA SUMIRAT: TAFSIR ROMANTIKA SANG PANGERAN SUMEDANG LARANG
Get PDFJudul karya tari Tresna Sumirat diambil sebagai materi penelitian karena dianggap tepat dan penting untuk
dilakukan. Dengan melihat fenomena dalam pertumbuhan dan perkembangan tari berpasangan khususnya
yang bertemakan percintaan sangat minim dan sangat jarang ditemukan dalam bentuk tarian lepas atau
tarian yang sudah dibakukan berdasarkan susunan koreografi, musik iringan, dan tata rias busana. Tari
Tresna Sumirat ini dipandang penting untuk diciptakan sebagai model atau babon dalam khasanah
perkembangan tari-tarian Sunda khususnya sebagai bagian yang penting dalam repertoar bentuk penyajian
tari berpasangan yang bertemakan percintaan dari rumpun tradisi kecil, seperti yang terdapat pada tari
berpasangan dalam tari wayang dan tari rakyat. Tari Tresna Sumirat ini terinspirasi dari cerita Sumedang
larang dalam episode pertemuan kembali antara Prabu Gesan Ulun dan Harisbaya. Dalam penciptaan tarian,
ini digunakan metode partisipan, pengalaman dalam mengamati pertumbuhan tari-tarian putri, dan studi
pustaka kemudian dalam proses penciptaan dan pemilihan koreografinya menggunakan metode ekplorasi,
komposisi, dan evaluasi. Adapun hasil dari terciptanya tarian berpasangan Tresna Sumirat ini dimaksudkan
sebagai materi pembelajaran (mata kuliah) khususnya pada Program Studi Tari Sunda dan melengkapi mata
kuliah bentuk penyajian tarian tunggal dan tarian kelompok yang telah ada sebelumnya. Selain itu tari ini
dimaksudkan untuk memperkaya khasanah repertoar tari-tarian Sunda yang berpijak dari tari tradisi.
Kata Kunci: Tari, Sumedang, Tresna Sumirat
IBING TAYUB BALANDONGAN PRODUK BUDAYA LOKAL YANG TERPINGGIRKAN
Get PDFTayub balandongan merupakan ibing kalangenan yang menjadi ikon daerah Sumedang Jawa Barat. Ada
dua jenis ibing tayub, di antaranya tayub menak dikenal dengan istilah tayub pendopo dan tayub somah
atau tayub liar dengan istilah tayub balandongan. Tayub menak penarinya merupakan para bangsawan
karena ada suatu keharusan salah satu syarat untuk menjadi seorang bangsawan yaitu terampil ibing tayub,
karena menari dalam peristiwa tayub-an sebagai identitas sosial bagi menak. Sedangkan tayub balandongan
pelakunya merupakan masyarakat biasa yang meniru kebiasaan menak karena anggapannya bahwa
bangsawan atau menak merupakan panutan bagi masyarakat. Peran ronggeng dalam tayub sangat signifikan
karena merupakan roh dalam pertunjukan dan ronggeng merupakan magnet dalam ibing tayub.
Balandongan merupakan arena pertunjukan tayub-an yang biasa tempatnnya outdoor. Penelitian ini
bertujuan untuk merevitalisasi tayub balandongan dengan membuat model ibing tayub, juga bertujuan
melestarikan kembali ibing tayub dalam penafsiran baru, sehingga dapat hidup kembali di tengah
masyarakat yang sedang mengalami proses transisi dengan masuknya pengaruh modernisme. Metode yang
diterapkan, menggunakan metode Participation Action Research (PAR). Metode tersebut memiliki
kesinambungan, karena memuat siklus partisipasi, riset, dan aksi. Target luaran yang ingin dicapai
menghadirkan kembali ibing tayub dalam bentuk lain secara tekstual dan kontekstual sehingga dapat
berkembang di masyarakat.
Kata Kunci: Ibing Tayub, Balandongan, Ronggeng
PENERAPAN SENI PATUNG PADA KARYA SENI BERBASIS LINGKUNGAN DENGAN MEMANFAATKAN BAHAN LIMBAH KAYU PERKEBUNAN
Get PDFIn the era of globalization, science, including art, occupies the same role, namely being able to penetrate
synergies with various other sciences. In this case art relates to the natural environment, agriculture and
plantations as well as tourism. In the era of the Ministry of Tourism and Creative Economy, the development
of Tourism Villages is also rife as one of the advantages in developing the regional economy. The focus of
the study of art development in this theme is how art can have added value when combined with the natural
environment, plantations and tourism. Thus the aim of this article is to realize the added value of sculpture
in its application to the natural environment of plantations and local parishioners as a form of scientific
development in the field of sculpture which is only done in class studios on campus. To realize this goal,
the design thinking - practice-led research method is used with several stages of artistic exploration,
aesthetic experimentation and analysis of the design of sculpture applications using the media of wood
waste left over from logging on plantations. With applied sculptural works of art that have added value
related to economic, social and natural environment aspects, as well as tourism
PELATIHAN TARI JAIPONGAN BOJONGAN DI SANGGAR TARI GIRI MAYANG KABUPATEN BANDUNG
Get PDFDinamika perkembangan tari Jaipongan hingga saat ini didominasi oleh tarian putri, sehingga kondisi ini
menumbuhkan pemahaman bahwa tari Jaipongan itu adalah tarian putri. Untuk mengembalikan eksistensi
penari putra (jalu; Sunda), salah satu upaya yang dipandang tepat adalah melakukan kegiatan pelatihan
kepada siswa-siswi di Sanggar Giri Mayang dengan materi tari berpasangan putra dan putri bernuansa
pergaulan. Untuk kepentingan tersebut, digunakan metode Participation Action Reseach (PAR) yang di
dalamnya menempatkan tiga kata kunci saling berkaitan satu sama lain, yaitu meliputi; partisipasi, riset,
dan aksi. Adapun hasil dari kegiatan pelatihan ini adalah terjadinya alih keterampilan materi repertoar tari
Jaipongan Bojongan dari pelaksana PKM kepada para siswa-siswi sanggar Giri Mayang, sehingga materi
ini menjadi perbendaharaan baru yang selanjutnya dijadikan sebagai materi pelatihan di sanggar Giri
Mayang. Dengan demikian terjadi alih generasi, terutama tumbuhkembangnya animo anak laki-laki (pria;
putra) untuk mempelajari tari Jaipongan yang bermuara pada kembalinya keberadaan (eksistensi) penari
‘Jalu’.
Kata kunci: pelatihan, jaipongan, Bojongan, berpasangan, penari jal