E-Jurnal ISBI Bandung (Institut Seni Budaya Indonesia)
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Pengembangan Metode Pembelajaran Angklung Berbasis Notasi Huruf di Sekolah Menengah Atas
No full textThis study develops and evaluates a letter-notation–based angklung learning method (MPANH) for senior high school contexts. Motivated by persistent difficulties students face when using number or staff notation in ensemble settings, the method aligns angklung tube labels (C–D–E–F–G–A–B and accidentals) with the symbols students read, thereby reducing cognitive translation steps. Using a Research & Development approach with an ADDIE framework, the product—a teachable package comprising syllabus, teacher guide, student worksheets, and a conversion chart—was designed, validated by experts, and piloted in the SMA Plus Mualimin 50 Lembang extracurricular ensemble. Expert validation indicated high feasibility (92% and 88%). Learning outcomes improved from Mpre = 52.40 to Mpost = 85.10 (Δ = +32.70; N-Gain = 0.686), with a paired t-test p = 0.000. Student perceptions were strongly positive: 90.0% reported easier understanding, 86.7% higher motivation, and 93.3% clearer materials. Findings suggest MPANH is valid, effective, and practical, with advantages in cognitive efficiency, harmonic stability, and cross-instrument compatibility, supporting scalable adoption in secondary music education while sustaining angklung’s cultural value
Negosiasi Identitas Budaya Lokal melalui Alat Musik Cetik: Dinamika Perdebatan Denominasi di Masyarakat Lampung
No full textThis article examines the negotiation of the local cultural identity of the Lampung people through the debate over the names of musical instruments, namely “cetik,” “gamolan,” and “gamolan pekhing.” Using an ethnographic approach in Bandar Lampung, the study involved practitioners, cultural experts, academics, and traditional instrument makers. The results show that the debate over naming is not merely a matter of terminology, but rather an arena for the battle for cultural authority and legitimacy involving three perspectives, namely emphasizing accessibility, historical authenticity, and references to previous research results. The debate has a real material impact on students who face the dilemma of using terms in formal-academic and informal-community contexts. The transformation of the instrument\u27s function from a long-distance communication tool to a medium of artistic expression has demonstrated its extraordinary adaptive ability, reflected in the expansion of the tone system and modifications to its form that contain philosophical and cosmological views on the cycle of life. Despite being a compulsory part of the curriculum, preservation efforts face a dilemma because the majority of students learn it without deep appreciation, exacerbated by a lack of space for appreciation. Therefore, the sustainability of cultural identity requires prioritizing the transmission of philosophical values over terminological debates, by building a vibrant ecosystem of appreciation for the younger generation
Representation of Chinese Cultural Identity in the Films Assalamualaikum Beijing and Kukejar Cinta ke Negeri Cina
No full textIn Indonesian films, representations of Chinese identity that integrate Chinese cultural elements and Islamic values remain relatively underexplored, making them significant to examine in a cross-cultural context. This study analyzes how Chinese identity is represented in the films Assalamualaikum Beijing and Kukejar Cinta ke Negeri Cina, and how these cultural elements are connected to Islamic values. The research employs visual semiotic analysis, which explores the signs, symbols, visual elements, identity representations, and narratives of multiculturalism that appear in both films. The results show that Chinese identity is positioned as a bridge of cultural harmony through depictions of tolerance, historical proximity, and the process of religious assimilation between China and Indonesia. The novelty of this study lies in revealing the integration of Chinese culture and Islamic values, which is rarely addressed in Indonesian films, particularly through visual representations that emphasize diversity and the historical and cultural connections between China and Indonesia.In Indonesian films, representations of Chinese identity that integrate Chinese cultural elements and Islamic values remain relatively underexplored, making them significant to examine in a cross-cultural context. This study analyzes how Chinese identity is represented in the films Assalamualaikum Beijing and Kukejar Cinta ke Negeri Cina, and how these cultural elements are connected to Islamic values. The research employs visual semiotic analysis, which explores the signs, symbols, visual elements, identity representations, and narratives of multiculturalism that appear in both films. The results show that Chinese identity is positioned as a bridge of cultural harmony through depictions of tolerance, historical proximity, and the process of religious assimilation between China and Indonesia. The novelty of this study lies in revealing the integration of Chinese culture and Islamic values, which is rarely addressed in Indonesian films, particularly through visual representations that emphasize diversity and the historical and cultural connections between China and Indonesia
Kreativitas Seni di Padepokan Tatal Jati Banyuwangi, Jawa Timur
No full textThis study aims to explore and document the artistic creativity process at Padepokan Tatal Jati. Founded in 2018, this padepokan (art organization) created a bamboo music ensemble that combines traditional Banyuwangi elements with innovation. The stages of creativity that occur are analyzed using Graham Wallas\u27 theory, which includes preparation, illumination, and verification. The results of the study show that in the preparation stage, the artists and padepokan managers transform cultural and spiritual values into musical forms. The illumination stage is achieved when the artists understand the elements of traditional Banyuwangi music and develop religious music. In the verification stage, the resulting work is tested and refined to ensure the authenticity of the orchestra. The resulting Tatal Jati art is an innovative combination of Banyuwangi musical traditions and new elements, which enriches the identity of local art
Penelusuran Awal Tentang Kritik Teater
No full textThis paper is entitled “An Initial Exploration of Theatre Criticism.” The starting point of this work is the assumption that theatre criticism holds an important position within the performing arts ecosystem. Theatre criticism is not merely a matter of labeling a performance as “good” or “bad,” but rather involves processes of interpretation, evaluation, and a broader theatrical dialogue. The method employed is qualitative, by collecting data through literature review, namely examining books and writings available in various forms. Several aspects are discussed, including the definition and scope of theatre criticism, a brief history of its development, the functions of criticism, as well as the future possibilities of theatre criticism in the digital era. Naturally, this paper still requires further elaboration. Therefore, in the future, other writers may attempt to revisit the subject of criticism with broader topics and discussions.Tulisan ini berjudul “Penusuran Awal Kritik Teater.” Titik tolak tulisaqn ini dari asumsi bahwa kritik teater memiliki posisi penting dalam ekosostem seni pertunjukan. Kritik teater bukan hanya pemberi label “baik” atau “buruk” terhadap suatu pementasan, namun di dalamnya ada proses interpretasi, evaluasi, dan dialog teater yng lebih luas. Metode yang digunakan adalah kualtatif, dengan melakukan pengumpulan dana melalui kajian referensi, yaitu menelaah buku-buku atau tulisan-tulisan yang tersebar di dalam berbagai bentuk. Ada berbagai hal yang dibahas, diantaranya: definisi dan ruang lingkup kritik teater, sejarah singkat perkembangan kritik, fungsi kritik, hingga kemungkinan kritik teater di masa depan yang berbasis digital. Tentu saja, tulisan ini masih perlu dielaborasi. Oleh karena itu, di masa yang akan datang, barangkali ada penulis yang berusaha untuk kembali menulis mengenai kritik dengan topik dan bahasan yang lebih luas
Monumentalitas Hibrida dan Perlawanan Ruang dalam Arsitektur Indonesia Pasca-Kolonial
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Simbol Presentasional Lagu “Song For Kuwu” pada Album Seventh Sense Karya Sambasunda
Full text linkTulisan ini mengkaji simbol presentasional dalam lagu “Song for Kuwu” karya grup musik etnik Sambasunda sebagai bentuk komunikasi budaya yang diwujudkan melalui pendekatan world music. Simbol presentasional dipahami sebagai bentuk simbol non-verbal yang menyampaikan makna secara total melalui pengalaman estetis, seperti bunyi, suasana, dan dinamika musikal. Lagu ini memadukan unsur- unsur musik tradisional Sunda seperti suling, kacapi, dan bangsing dengan gaya musik Celtic, menciptakan harmoni lintas budaya yang merepresentasikan nilai-nilai spiritualitas, kerinduan terhadap kampung halaman, serta penghormatan terhadap warisan budaya lokal. Penelitian ini menggunakan pendekatan kualitatif dengan analisis simbolis terhadap elemen-elemen musikal, termasuk instrumen, struktur, dan atmosfer komposisi. Temuan menunjukkan bahwa “Song for Kuwu” tidak hanya menawarkan pengalaman mendengar yang mendalam, tetapi juga membentuk komunikasi emosional yang kuat antara musisi dan pendengar. Simbol-simbol dalam lagu ini hadir tanpa narasi verbal, namun mampu menyampaikan pesan kebudayaan dan refleksi spiritual secara efektif. Dengan demikian, karya ini tidak hanya menjadi bagian dari repertoar musikal, melainkan juga menjadi ruang representasi identitas, memediasi dialog antara lokalitas dan globalitas, serta menjadi sarana transformatif dalam komunikasi seni.
Kata Kunci: Simbol Presentasional; Komunikasi Budaya; Musik Etnik; Sambasund
Nilai-Nilai Kearifan Lokal dalam Maapam
No full textMaapam is a tradition of cooking apam carried out by the people of West Pasaman during certain religious moments, such as the month of Rajab coinciding with the Isra Mi\u27raj event, and the period leading to Ramadan. The tradition contains local wisdom values that are inherited across generations. This research aims to examine the cultural significance and educational value of the Maapam tradition using a qualitative method with an ethnographic approach. The results of the study show that Maapam functions as a cultural practice that combines social and spiritual dimensions. Horizontally, this tradition strengthens togetherness, mutual cooperation, solidarity, and intergenerational communication. Vertically, Maapam reflects on the strengthening of religious values through its relationship with religious momentum that is full of the meaning of worship and self-reflection. The values of piety, responsibility, and social concern contained in the Maapam traditions are relevant to the goals of national character education. Therefore, the Maapam tradition can be positioned as a contextual learning resource based on local wisdom that supports the Pancasila Student Profile Strengthening Project (P5) and the preservation of community cultural identity.Maapam adalah tradisi memasak apam yang dilakukan pada waktu tertentu oleh masyarakat Pasaman Barat. Maapam memiliki nilai dan makna yang lebih dalam daripada sekadar aktivitas masak-memasak. Tradisi ini terus dilestarikan hingga saat ini, mengandung nilai kearifan lokal yang sangat penting. Tulisan ini bertujuan untuk mengkaji bagaimana nilai kearifan lokal yang terkandung dalam tradisi Maapam. Metode kualitatif dengan pendekatan etnografi dipilih untuk mendeskripsikan secara mendalam fenomena budaya yang terjadi dalam kehidupam sosial masyarakat, khusunya terkait dengan pelaksanaan tradisi Maapam di Pasaman Barat. Hasil kajian ini menunjukkan bahwa Maapam, sebagai warisan nenek moyang, memiliki nilai kearifan lokal seperti gotong royong, solidaritas, nilai spiritual, dan pelaksanaan budaya. Dengan demikian, tradisi Maapam di Pasaman Barat tidak hanya sebatas kegiatan masak-memasak, tetapi juga merupakan warisan budaya yang mengandung nilai-nilai kearifan lokal, seperti gotong royong, solidaritas, nilai spiritual, dan pelaksanaan budaya, yang terus dilestarikan oleh Masyarakat
Sirkulasi Pengetahuan Budaya: Dinamika Musik Pompang Toraja dan Mamasa
No full textThis study examines the dynamics of cultural knowledge feedback in the development of the traditional musical bamboo instrument pompang, which is shared between the Toraja and Mamasa communities in Sulawesi. Pompang emerged in Toraja in the mid-20th century as a local adaptation of European wind instruments introduced through educational and religious channels. The tradition later spread to Mamasa and was adopted by local communities through education activities and everyday social spaces. Using a qualitative methodology with a cultural ethnography and ethnomusicology approach, data were collected through performance observations, in-depth interviews with players and instrument makers, and archival studies of historical recordings. The findings show that the Mamasa community not only preserved the pompang but also introduced innovations in organology, repertoire, and performance aesthetics, making it more relevant for younger generations. By integrating the SECI model (Nonaka & Takeuchi) and Stuart Hall’s encoding–decoding theory, this study interprets the phenomenon of Toraja re-adopting Mamasa’s playing style after the 2022 Bamboo Music Competition as a process of cultural feedback, demonstrating that the revitalization of local musical traditions is not a linear process but the result of negotiated meanings and an ecology of reciprocal knowledge exchange
Peran Angklung Dogdog Lojor dan Nilai Kearifan Lokal Pada Ritual Ngarérémokeun Kasepuhan Gelaralam dalam Menjaga Ketahanan Pangan
No full textKasepuhan Gelaralam is one of the indigenous communities located in Sukabumi Regency, West Java Province. In 2025, there was a series of traditional ceremonies, Seren Taun, which is only held once every eight years and carried out after the village relocation, that ritual is ngarérémokeun. Angklung is always present in every ritual in Kasepuhan Gelaralam. This study focuses on the role of angklung and the values of local wisdom of Kasepuhan Gelaralam in maintaining food security. Through a qualitative approach with a case study method, this study describes and analyzes how the role of angklung in the ngarérémokeun ritual, traditional knowledge systems and customary practices passed down from generation to generation form an independent and adaptive society to its environment. Data were collected through participatory observation, interviews with traditional leaders and the Kasepuhan Gelaralam community, and literature studies. The results of the study indicate that integration between traditional music practices and food security creates resilient system that is able to adapt to ecological and social changes. The Kasepuhan Gelaralam community emphasizes a harmonious relationship between humans, nature, and God. Furthermore, the. Natural resource management is carried out collectively and independently, ensuring equitable access for all community members. These findings contribute significantly to the understanding of the relationship between Asian bamboo music culture and community-based food security, while also offering a model for cultural heritage preservation that is relevant for contemporary contexts