Université Mouloud Mammeri de Tizi Ouzou (UMMTO): Research Review of Sciences and Technologies
Not a member yet
2222 research outputs found
Sort by
The role of Numidian coins in defining the gods of the kingdoms cities
Get PDFتعد المسكوكات النوميدية من بين الوثائق والمصادر المادية والأثرية التي يمكن للباحث في علم التاريخ والآثار ان يعتمد عليها لفهم الغموض الذي يكتنف فترة من فترات تاريخ المغرب القديم، خاصة في جانبه الديني بما في ذلك التعرف على أسماء الآلهة المنتشرة عبر قرى ومدن المملكة النوميدية خلال الفترة الوثنية قبل ظهور الديانات السماوية. دور العملة النوميدية لا يقتصر على كتابة جانب من تاريخ المنطقة، بل إعطائه المصداقية العلمية والمدلولات التاريخية التي تساهم في توثيق تاريخ المملكة من الناحية الدينية، إلى جانب التعرف على اهم المدن التي انتشرت فيها تلك الآلهة و خصوصياتها، وسر تعلق السكان بها حتى أوصل بهم الأمر إلى صك عملة نقدية تحمل صور وأسماء الآلهة التي عبدها سكان شمال إفريقيا .Numidian coins are among the documents and material archaeological sources that a researcher in history and archeology can rely on to understand the mystery surrounding a period in the history of ancient Magreb, especially in its religious aspect, including identifying the names of the gods scattered throughout the villages and cities of the Numidian kingdom during the pagan period. Before the emergence of the monotheistic religions, and the role of the Numidian currency is not limited to writing part of the history of the region, but rather to give it scientific credibility and historical implications that contribute to documenting the history of the Kingdom from a religious point of view, in addition to identifying the most important cities in which these gods spread and their peculiarities, and the secret of the population’s attachment It led them to mint a coin bearing the images and names of the gods worshiped by the people of North Africa
The Cold War and the emergence of alliances in Europe (NATO - Warsaw Pact)
Get PDF كان انهيار النظام الدولي الأوربي، نتيجة قيام الحرب العالمية الثانية (1939- 1945م), وما أدت تلك الحرب من نتائج في التحولات والتغيرات الجذرية في صورة توزيع القوي على المستوى العالمي، فقد خرجت الدول الأوربية – أقطاب النظام القديم – دول المحور ودول الحلفاء منهكة على جميع المستويات، بينما ظهر قطبان جديدان يمثلان أكبر قوتين في العالم وهما الولايات المتحدة الامريكية والاتحاد السوفيتي ( روسيا الحالية) وحلفاء كل منهما، وكان من مظاهر هذه الحرب انقسام العالم إلى معسكرين هما : شيوعي بقيادة الإتحاد السوفيتي وليبرالي بقيادة الولايات المتحدة الامريكية.The collapse of the European international system, as a result of the outbreak of World War II (1939-1945 AD), and the consequences of that war in the transformations and radical changes in the form of the distribution of power at the global level, the European countries - the poles of the old system - the Axis and the Allied countries exhausted At all levels, while two new poles emerged representing the two largest powers in the world, the United States of America and the Soviet Union (present-day Russia) and their allies, and one of the manifestations of this war was the division of the world into two camps: a communist led by the Soviet Union and a liberal led by the United States of America
Les transformations des métiers de construction : Les chantiers des grands palais de Tunis au 19ième siècle
Get PDFتعود فترة بناء معظم معالم مدينة تونس وضواحيها إلى الحقبة التاريخية العثمانية-الحسينية. فعمارة القصور والمنازل الفخمة تكشف عن العديد من التيارات الفنية في مجال البناء والزخرفة. فهذا الاختلاف يدفعنا للبحث في تاريخ جميع المساهمين في عملية البناء منذ مرحلة الفكرة إلى تشييد المعلم بأكملهThe architecture of the palaces and large residences of the Medina dates back almost to the Ottoman and Husseinite period. It reflects several local registers, sometimes combined with those from Europe. This diversity caused by the exceptions on the architectural and decorative level encourages us to determine the origins of the stakeholders in the construction sites as well as the different modes of collaboration.L’architecture des palais et grandes demeures de la Médina remonte quasiment à la période ottomane et husseinite. Elle reflète plusieurs registres locaux, combinés parfois à ceux provenant d’Europe. Cette diversité provoquée par les exceptions sur le plan architectural et décoratif nous incite à déterminer les origines des intervenants dans les chantiers de construction ainsi que les différents modes de collaboration. Certes, le recrutement des immigrés et experts européens pendant la phase de transition politique de la Régence de Tunis au XIXème siècle a influencé le corps des métiers de construction. L’architecture des palais et grandes demeures de la Médina remonte quasiment à la période ottomane et husseinite. Elle reflète plusieurs registres locaux, combinés parfois à ceux provenant d’Europe. Cette diversité provoquée par les exceptions sur le plan architectural et décoratif nous incite à déterminer les origines des intervenants dans les chantiers de construction ainsi que les différents modes de collaboration. Certes, le recrutement des immigrés et experts européens pendant la phase de transition politique de la Régence de Tunis au XIXème siècle a influencé le corps des métiers de construction.
جولة في الرّمز القرآني وأثره في شعر فُحول الشعراء العباسيّين
Get PDFQuran and its contents are the main sources for poets to derive their pictures andsubjects. The writer aims at analysis Quranic symbols their appearance in Abbasy's poets, to conclude a kind of literary – analytic from the level of these symbols in Abbasy poetry.The main results of this research that is written according to analytic-descriptive method, reveal that most of these symbols been derived from Quran, don't overstep comparative aspects, because they have been plunged into poem and aren't resulting from poet experience, therefore they are insignificant from artistic point, but they have their historical religious cultural value, and they aren't consistent with the text its structure. That stems from clinging Abbasy poet to material aspects and external portraits that prevents him from appling these symbols to express internal experiences, so that the Quranic symbols are more artistical than that of poetic pattern. Among its other results: There are few symbols that take internal aspect, reached the apogee in compliance with artistry aspects, especially in Ibn Alromi poems that most of them are confined to depict his suffering and his nation agony. Also, the Abbasid poet was not concerned with literature because of the beauty of art per se, but his doctrine was to pay attention to religious and philosophical facts
السردية: البنية السطحية في رواية"iḍ d wass لأعمر مزداد
No full textThe narrative level in the narrative semiotics methodology is considered as an appealing and insightful approach to scrutinize literary work. The current paper looked at the narrative structure of Amar Mezdad’s Kabyle novel “id d wass", and explored its structural construction. By identifying the involved forces and tracking the situations and shifts in narration, both aspects were tackled in relation to their subject matter and relation to each other. To achieve this, Greimas’s theory was implemented to dismantle the narrative texture of the novel and clarify its narrative system and logic
الإحالة في التّعريف المعجميّ- دراسة تحليليّة نقديّة في المعجم الوسيط-
No full textThe present study deals with the subject of reference in lexical definition that will be studied by analyzing models taken from Al Waseet dictionary as it is a contemporary dictionary that tried to avoid ancient Arabic dictionaries shortcomings. We aim through this study to know the nature of the references that are used by the dictionary, how they are formed and how they could clarify the meaning. In the end, we determine the rules of a successful reference in the lexicography text
Comparison between experimental and analytical behaviour of the steel – concrete composite pushout specimen with stud and channel shear connector
Get PDFTo investigate the behaviour of composite action with various shear connectors, push-out tests were performed for eight specimens. Test parameters includes are type of shear connector (headed stud connector and channel connector), number of connectors (one and two) and specimen with or without decking sheet. Test results showed that performance of the push-out specimens depends greatly on type of connector and decking sheet. From the experimental study it was observed that the performance and shear capacity of channel connector was 60 % more than the stud connector. The shear resistance between the steel and concrete was enhanced up to 50 % for the push out specimen without decking. The specimen with two numbers of stud and channel connector increases the strength by 58% and 23% respectively as compared to specimen with single connector. The behaviour of the push out specimen was stimulated by three-dimensional finite element model using software ANSYS workbench. The analytical behaviour was well agreement with the real push out specimen studied experimentally
التحليل الاستعاري للفظ الشهادتين في ضوء نظرية المزج التصوري
No full textThis research investigates the conceptual metaphors connected with the Shahada in the Islamic religion from the perspective of cognitive linguistics, namely the blend theory. In this light, the article aims at answering a key problematic question that boils down to: how did the Islamic Religion manage to spread all over the Arab Peninsula, whereas both the Christian and the Jewish ones failed? This research argues that the Islamic conceptual metaphors played a decisive role in this success. This is illustrated in the cognitive concepts created by this religion that urged people to embrace it. One of the most significant ones is viewing religion as a building to which the Shahada is the key. This latter grants those who have it some rights Arabs were in a dire need to, such as safety, equality, and protection, etc
نظرات حول مسألة الانفتاح نموذج كتاب «العمل المفتوح» لأمبرتو إيكو.
No full textIn this study, the author treats the text’s openness issue within the framework of aesthetic thought in general and the contemporary one particularly which focuses mainly on the limitless possible readings of a work. Because each reading revives the work from a special angle and a different taste. This is what Eco recognizes by confirming that there is never a closed work at all, because each work, although it takes the completeness imprints, it expresses in the reality an unfinished chain of initiatives and readings whose meaning is inexhaustible.But the question that arises is: what makes a work an open work? what are the characteristics of this openness ? this intended and announced openness in the modern aesthetic theories ? which call to make the work, side by side, with the author on a large scale ? then : what are the consequences of this new orientation based on the fundament of « the infinite » and « the unlimited » in the interpretative process
