International Journal of Applied Arts Studies (IJAPAS)
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    214 research outputs found

    Color Education in Technical-Vocational High Schools through Visual Sign (Experimenting with Models) and its Impact on Students’ Academic Success

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        The purpose of this research is to determine the effect of teaching color knowledge on student’s educational success in visual arts’ course in private schools and governmental ones –affiliated with technical-vocational colleges. The objective is not only to increase efficiency in educational activities, but also, would be a framework for other educational activities. The 11th grad students from technical-vocational high schools in Tehran was selected as the case study. The color knowledge of visual arts course was the subject instructed for this population through two different methods; one as experimental group, another as control group, which both was selected at random. The color knowledge taught with the materials supports in experimental group, and through classical method in control group. In order to determine the effect of teaching methods in students' academic achievement, Pre and post testing designed for the control group. As a result of applied tests on the experimental and control group before and after teaching the subject, It was found that the success of the experimental group using materials, was greater than the control group taught through classical method. Therefore, it was found that teaching the subject of "color knowledge" using materials contributes to students' academic success.  Keywords: Art education, Color knowledge, Visual arts, Visual desig

    Analyzing Contemporary Philippine Art Forms and Critiquing Available Local Materials and Appropriate Techniques Used in Creating Art

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    The way art is understood has been formalized. The primary objective of this paper is to acquaint the students with one of the methods in analyzing contemporary Philippine art forms and critiquing available local materials and appropriate techniques used in creating art. As part of the subject course in Contemporary Philippine Arts from the Regions, one of the core subjects in the Senior High School curriculum in the Philippines under the K-12 curriculum, one of the methods implemented in critiquing contemporary Philippine artworks is the Analysis-Interpretation-Discernment Method or the AID Method. This method will be carried out together with the description applied to contemporary art and the knowledge in the elements, principles, and contexts of arts. Criticism can be construed positively. Several critics discuss their reactions to various forms of art and weigh in on the works’ merits. One may not always agree with their assessments, as the criteria or standards of evaluation may differ significantly from those of the professional critic. In this circumstance, visiting contemporary art exhibitions and conversing with living artists is critical for developing a knowledge and appreciation for the Philippine arts and culture. The purpose of art criticism gives a significant role in the process of inquiry in relation to contemporary arts, that is, to distinguish the different contexts of art to a familiar art form as well as to appraise the culture of the Philippine arts with awareness and appreciation

    Significance of Epigraphy in the Islamic Architecture Emphasized on the Epigraphies in Enghelab Courtyard of Imam Reza Shrine

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    The Imam Reza shrine is a kind of museum with varieties of Islamic arts. In this museum the art masterpieces are related to different historical periods. The age of this great museum is more than thirteen centuries. This is a well-known museum because of the valuable position of the holy shrine of ‘Alī ibn Mūsā ar-Riḍā. There are too much epigraphies around this place. These epigraphies have been repaired by the consideration to their history. There are too many epigraphies from Timurid Empire in the Enghelab Courtyard of Haram. Another name of this courtyard is ancient courtyard. These epigraphies indicate the social conditions of each period. The current research is descriptive-analytic. Library studies and also field studies were used in this research. The findings of this research indicate that epigraphy in the Islamic architecture has an effective role in order to create the spiritualty spirit within the building. This kind of art is derived from the spiritual essence of Holy Quran. Therefore, the purpose of epigraphy in the holy shrine of ‘Alī ibn Mūsā ar-Riḍā is creation of spiritual communication between God and man. The recent studies show that most of the epigraphies are derivd from Safavid era. Most of their concepts are related to the religious contexts

    Retrieving the Concepts of Persian Garden in the Content of Contemporary Iranian Painting

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    contemporary paintings are abundantly brought up with combination of various images of Iranian Gardens in order to describe identity and culture of Iran, because these paintings have important role in retrieving and recognizing Iranian identity , culture and history,   and also have a very long-lasting record , because of which  there exists a need for studying.  Contemporary paintings , all inherited  from   Iranian Garden design, embed presentation of  plans, animals and architecture , as matters of identity and culture of our country, can help to make   better recognition and revival of past culture and older Iranian identity. Gardens have had very important  place since old days in Iranian culture and civilization and have been counted as one of fundamental concepts of social, cultural and natural discourse    of this land , Still  presented in Iranian literature ,architecture and painting in different forms, in a way that these days’ painters pay special attention to     outcome concepts  of Iranian Gardens. The main purpose of this work is recognizing and retrieving  the concepts of Iranian garden in   content of contemporary Iranian painting. At the  time being, study conclusions show that it  is possible to  retrieve the concepts of the Iranian garden by means of  analyzing and demonstrating the content of landscape  drawing drawn by contemporary painters, specially construction type,  Rhythm, symmetry, and coloring used in these works  

    Geographical Indicator Product of Bangladesh, Jamdani: Possibilities of Community Development for the Weavers of Traditional Cottage Handloom Industry

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    Problem: In Bangladesh, where pre-industrial traditions are still active ‘folk arts or crafts’, but artisans belong to socially and economically marginalized households, as in the lower caste system. Traditionally, they contribute their knowledge of local materials. Their visual and tactile connections with the cultural identities and integrity among communities has been profound. Jamdani have been successful in acquiring a Geographical Indicator (GI) Certification but facing threat from the spurious garments production of nearby Narayanganj, the backbone of the country’s economy; RMG. Though, there is a large demand of Jamdani clothes and fabrics for their distinct style only in the fashion houses and boutique shops, they are falling behind for their low rate of production, low wedge earning and lack of skilled workers. Method: The methodology of study will follow an extensive sociological field survey and by explaining proper number of cases, their need and opportunities found in reality and compare it with the facts inscribed in literature review of previous scholars. Possible findings: This study will focus and derive some propositions for community development and suggest some solutions: introduce automatic or semi-automatic loom, provide training to the weavers and ease the institutional marketing policy. Therefore, an incorporated Jamdani handloom development to implement handloom marketing-documentation is needed to engage with local communities for developing creative solutions and sustainability in local economies. Tangible and intangible resources must be addressed holistically, treated with due respect and carefully unveiled as cultural assets to prevent its extinction. &nbsp

    An Examination of likeability Criteria in Evaluative Image of Women in Cities (Case Study: Tehran City)

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    The image evaluation of environment is not just the result of impressions made by its external attributes on the mind of the observer. It is, however, created by the imagination of the observer. On one hand, the city is lodged by a wide variety of people whose evaluation of its images they form in their mind is critical. The desirability of the urban environments for various social strata, especially for women, depends on the relationship between human beings and the environment as well as their priorities and preferences. The aim of this study is to achieve women's image of urban environment and how to evaluate and identify priorities to select the desired location due to differences in values, emotions, experiences and inferential meanings of public space in Tehran.The research method is based on techniques developed by Jack L. Nasar  in his research on the Evaluative image of  the city(1990) at the first step. Then, a phenomenological hermeneutic approach oriented to describe the connotations and emotions image representation of women in the experience of urban spaces desirable / undesirable and nature of development of the city of Tehran. For this purpose, 15 women in-depth interviews were targeted for sampling. Recent interviews description of what the five locations stated desirable and undesirable fifth place. Interviews were recorded and the data obtained from it written in the form of tables were analyzed. The results indicate that the optimal site selection of the women’s evaluative image, with a focus on likability, the common meanings associated with the concepts of freedom, justice, respect of (dignity) Location, beauty, with socio-cultural prestige and class, stylish and full of detail being quiet and cozy, with privacy and space while having the breadth of the definition, being more likely to have a happy mood and health

    A semiotic Study of the Relationship between Form and Content in Theater Posters (Case Study: Women's Trick Play, 1943)

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    Audience is one of the important pillars of the theater art. One way to win the audience’s attention in the theater art is to use the announcement (post). A poster is a medium to state the messages and convey the concept. One of the ways to transfer the message is through the signs and its application to the visual arts and poster will be examined in this research as the field of signs’ transfer. We deal with an investigation into the semiotics of the relationship between form and content in theater poster in 1950s (1941-1951) in Iran. In this era, the posters are often typically copied  from European ones, which are reproduced in stone and monochrome, with no signs of the designer name on themselves. This study seeks to achieve the main purpose, which is the main characteristic of the posters and the relationship between poster form and its content with the play content in 50s decade referring to its findings and studies in relation to the issue in question i.e. an investigation into the relationship between form and content in theater posters in 1950s. The research specifically addresses the issue about the women's trick theater poster (1950s)

    Planning for the Revival of Urban Entrances Using the Seaside Identity Recognition Approach (Case Study: East Entrance of Bandar Abbas City)

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    The purpose of this study was to plan the revitalization of urban entrances by identifying the identity of coastal cities at the eastern entrance of Bandar Abbas. The research method was descriptive-analytical and was of survey type and in terms of purpose. The statistical population of this study consisted of 20 experts, experts and experts in urban management and urban planning. In this study, stratified random sampling method was used. A researcher-made questionnaire designed for gathering data consisted of 26 questions covering the dimensions of environmental-ecological identity, spatial physical identity, socio-cultural identity, economic identity, historical identity that was considered. The data were analyzed by SPSS 23 software and used to prioritize the factors considered by AHP analysis and Expert choice software. The results of this study showed that according to the mean of variables which is above the theoretical average, it can be said from the viewpoint of respondents that the city's identity factors (economic indicators, historical indicators, physical-spatial, socio-cultural and environmental-ecological) can be in Bandar Abbas. The eastern entrance planning of Bandar Abbas is impressive. Also, the ranking of city identity factors is as follows: historical identity with relative weight (0.402) in the first place, physical-spatial identity factors (0.224) in the second place and economic identity factor with relative weight (0.151) in Third is the importance

    Design of fabric accessories for beauty parlor

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    Beauty parlor and hairdressing tools are one of the things that fabric designers have paid less attention to it. The design of fabric packages for beauty parlor has been considered in form and color as well as hygienically in this thesis. This thesis has attempted to present and design hairdresser packaging from two perspectives, namely the principle of design as well as the use of antibacterial property, and has provided numerous examples of this fabric. In this thesis, silver and copper nano-particles have been used to complement hairdressing packaging to improve consumer health.  On the other hand, color science and design principles were also used to improve the mental health of consumers, and eventually packages with such properties were designed. The offered textile packs contain nano-materials that create antibacterial properties when contacted with hairdressers and on the other hand, we have tried to play an important role in this design by applying the principles and rules of design and using the concept of hairdressing tools and accessories

    The Role of Intellectual Influences in Enriching the Artistic Print

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    The research includes a study of the relationship between motives and influences and events that revolve around the artists of the artistic print, and affect the formation of their thought and artistic style, and determine what those influences, through a review of a range of printed artwork, resulting from these intellectual influences. There is no doubt that artistic creativity is one of the most important and complex intellectual issues, because it is related to the hidden sensations of the artist resulting from the intellectual influences and motives surrounding him, which resulted in his artistic work; therefore, the researcher sought to identify the motives and intellectual influences that influenced the formation of the mind, imagination and conscience of the artist of the contemporary artistic print, and discover new or unclear contents in his artistic output, to reduce the gap between him and art connoisseurs. As a result of these influences, the artistic print evolved form and content with the development and penetration of modern arts in the depth of the daily life of the contemporary artist, where the artist tended to develop his artistic methods in order to interpretation the formal and aesthetic aspects, and to meet his intellectual needs, and emerged in the new technological environment modern works were a reason Directly in a significant and tangible change of both form and content in modern and contemporary graphic arts

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