University of St Andrews: Journal Hosting Service
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Phone Footage and the Social Media Image as Global Anonymous Cinema: Ana Nyma’s (Anonyme) Fragments of a Revolution (2011) and Peter Snowdon’s The Uprising (2013)
The Limits of Liability: Anglo-American Organisations and Vicarious Liability from the 19th Century to the Present
This paper, ‘Limits of Liability’, shall focus on the recent history of the concept of vicarious liability in Anglo-American common law from the 19th century to the present
Kung Fu Kenny: A Modern-Day Prophet
In the last ten years, Kendrick Lamar has cemented himself as one of the greatest hip/hop artists in the game. Audiences thoroughly enjoy the construction of his beats and the quality of his flow. However, upon a deeper investigation of his lyricism and album construction, the listener finds a foundational undercurrent of faith as well as an imaginative interaction with Biblical imagery. This short essay will trace the narrative of Kendrick Lamar’s Pulitzer prize-winning DAMN. and show how the character “Kung Fu Kenny” is initially patterned on the prophet Jonah in order to imagine a modern-day prophet of God
"Unaccountable Being": Towards a Theology of Reading in Hogg\u27s "The Private Memoirs and Confessions of a Justified Sinner (1824)
What the West Owes Syrians: US and European Arms Sales to the Middle East: 2011-2014
While the last two years have seen heated discussions in Europe and the US about the costs of hosting Syrian and other refugees, debate is lacking about another aspect of Western countries’ involvement in the region’s conflicts: the extent of arms sales to the Middle East. Between 2011 and 2014 based on conservative estimates Europe earned €21 billion from the arms trade with the Middle East while it spent €19 billion on hosting approximately one million Syrian refugees. During that same period, the US earned at least €18 billion from weapons sales, while accepting only about 11,000 Syrian refugees