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    1414 research outputs found

    Review: Olivia Khoo, Asian Cinema: A Regional View

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    Preface

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    Preface to issue: 12:1 (2020

    Ethnographic Encounter With Historical Source Material: ‘The Bridge of Sighs’ (1844) by Thomas Hood

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    The 18- stanza poem ‘The Bridge of Sighs’ (1844) was written in the early Victorian Era by Thomas Hood. It takes a progressive stance on the subject of a woman who due to her fall, commits suicide by drowning. The iconography of this poem must be understood not as a depiction of how female suicide took place in reality, but rather of how it took place in Victorian consciousness

    Review: David Martin Jones, Cinema Against Doublethink: Ethical Encounters with the Lost Pasts of World History

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    Two poems

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    Theology in Scotland on arts and culture is a new section which we hope will have a regular appearance in the journal, featuring creative work of Scottish artists, theologians and practitioners of faith. On this occasion, Jock Stein, a Church of Scotland minister who took up writing poetry in his retirement, shares two poems which speak of his own hopes for COP26 and beyond

    Fictional Truth, Fictional Names: A Lewisian Approach

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    The account of fictional truth proposed by David Lewis in his seminal 1978 paper “Truth in Fiction” remains of central importance to much contemporary discussion of this issue --- namely, how we should analyse what is, so to speak, ‘true in a fiction’. Despite this, Lewis says relatively little about fictional names as such, nor have Lewis’s views on fictional names received much scholarly attention --- surprising, given the extent to which the issues of fictional truth and fictional names overlap. In this paper I argue that Lewis’s account of fictional truth forces us to adopt an account of fictional names as non-rigid designators, whose reference is fixed satisfactionally at a given world. However, as such, I argue that Lewis’s account is vulnerable to challenges analogous to Kripke’s criticisms of classical descriptivism: namely, that this account is seemingly incompatible with intuitively coherent patterns of ‘counter-fictional’ reasoning

    The Pig’s Gaze: Human-Animal Mutuality in Kira Muratova’s Chekhovian Motifs

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    Review: Sady Doyle, Dead Blondes and Bad Mothers: Monstrosity, Patriarchy and the Fear of Female Power

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    Review: Libby Saxton, No Power Without an Image: Icons Between Photography and Film

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    Rediscovering the community of creation: Pat Bennett in conversation with Richard Bauckham

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    The biblical scholar Richard Bauckham’s 2010 book Bible and Ecology provides a useful jumping-off point for his conversation with liturgist and writer Pat Bennett on humanity’s relationship to the rest of creation in the context of the current ecological crisis. Their discussion reflects on Bauckham’s view that a correct biblical understanding of this relationship requires us to read beyond Genesis 1:26–28’s mandate of human dominion over other living creatures. They explore how, rather than a relationship of dominance (which has been used by some to justify exploitation of the earth’s resources), the full picture the Bible presents is one where humans are part of a community of creation alongside other creatures

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