Jurnal-el Badan Bahasa (e-Jurnal Badan Pengembangan dan Pembinaan Bahasa - Kementerian Pendidikan dan Kebudayaan)
Not a member yet
1538 research outputs found
Sort by
Fenomena Alih Kode dan Campur Kode Berdasarkan Penggunaan Tingkat Tutur Bahasa Jawa Perajin Batik Kota Pekalongan
Abstrak: Batik Pekalongan adalah batik yang banyak diminati oleh masyarakat Indonesia. Batik Pekalongan memiliki ciri khas yang unik dengan motif pesisir karena wilayah Pekalongan terletak di bagian utara pulau Jawa yang dekat dengan lautan. Dalam proses pembuatan batik pekalongan terdapat berbagai istilah dalam dunia batik. Pada saat peneliti melakukan wawancara dengan pemilik usaha batik, tanpa sengaja perajin memotong pembicaraan karena ingin menanyakan sesuatu tentang proses membatik. Karena tidak mengerti, pemilik usaha menerjemahkan kepada peneliti. Hal seperti inilah yang diteliti oleh penulis mengenai alih kode (code switching) dan campur kode (code mixing) pada perajin batik di Kampung Batik Pekalongan. Penulis menggunakan teori alih kode dan campur kode dari Haugen (1968). Penelitian kali ini menunjukkan hasil yaitu adanya pemakaian alih kode dan campur kode dalam komunikasi yang dilakukan oleh perajin dan pemilik. Penggunaan alih kode dan campur kode dimaksudkan agar peminat seni batik dapat memberi pemahaman istilah-istilah yang kerap muncul dalam proses pembuatan batik.Kata-kata kunci: Batik, code switching dan code mixing, bahasa Jawa Pekalongan Abstract: Pekalongan batik is one of batik type that is in high demand by the Indonesian people. Pekalongan batik has unique characteristic with a coastal pattern because the Pekalongan region is located in the northern part of Java island close to the ocean. In the process of making Pekalongan batik, there are various terms in the world of batik. When the researcher was conducting an interview with the batik business owner, the craftsman accidentally interrupted the conversation because he wanted to ask something about the batik process. Because they did not understand, the business owner translated to the researcher. Things like this that are being researched by the author are regarding code switching and code mixing of batik craftsmen in Pekalongan Batik Village. The author uses the theory of code switching and code mixing from Haugen (1968). The result shows that there was the use of code switching and code mixing in communications carried out by craftsmen and owners. The use of code switching and code mixing is intended so that batik art enthusiasts can understand the terms used in the batik making process.Keywords: Batik, code switching and code mixing, Javanese language Pekalongan
Penggunaan Disfemisme dalam Tuturan Anak-Anak di Desa Bangka Jaya Kecamatan Dewantara-Aceh Utara
Abstrak: Tujuan penelitian ini untuk mendeskripsikan bentuk serta makna disfemisme pada tuturan anak-anak di Desa Bangka Jaya Kecamatan Dewantara Kabupaten Aceh Utara. Pendekatan yang digunakan berupa pendekatan kualitatif. Jenis penelitian yang dilakukan adalah deskripstif kualitatif. Data penelitian adalah kata dan frasa yang mengandung tuturan disfemisme. Sumber dari data penelitian adalah tuturan anak-anak di Desa Bangka Jaya. Teknik pengumpulan data dilakukan dengan teknik simak dan catat. Teknik analisis data, yaitu dengan 3 tahap yang telah dijabarkan; reduksi data, penyajian data, dan penarikan simpulan. Berdasarkan hasil penelitian didapatkan sebanyak 23 data dalam penggunaan tuturan yang bermakna disfemisme. Bentuk disfemisme berupa kata dijabarkan dengan rincian sebagai berikut: a) kata dasar sebanyak 14, b) kata ulang sebanyak 3 data, c) kata majemuk sebanyak 4 data, sedangkan bentuk disfemisme berupa frasa sebanyak 3 dataKata kunci: disfemisme, tuturan, frasa, kata dasar, kata ulang Abstract: The study objective is to describe the forms and meanings of dysphemism in children's speech in Bangka Jaya Village, Dewantara District, North Aceh Regency. This research applies a qualitative approach. This type of research is descriptive qualitative. The research data are words and phrases that contain dysphemism. The research data source is the children's speech in Bangka Jaya Village. The data collection technique is observing and noting. Data analysis techniques include the three stages such as data reduction, data presentation, and conclusions. Based on the results, 23 data relating to the use of speech that contains dysphemism meaning. The dysphemism description in the word form is in the following details: a. fourteen are base words, b. three are in reduplication words, c. four are compound words, and three data are dysphemism in the form of phrases.Key words; dysphemism, speech, phrase, base word, reduplicatio
PEMEROLEHAN FONOLOGI BAHASA PERTAMA PADA ANAK USIA 2 TAHUN 3 BULAN STUDI KASUS “MUHAMAD SAEPUDIN”
Every child has their own level of acquiring their first language, these levels range from slow to fast. The purpose of this study was to describe the acquisition of first language phonology in children aged 2 years and 3 months. This study used a qualitative descriptive approach with the observation method. The data collection technique in this study is the technique of observing, involving, taking notes with a data source named Muhamad Saepudin. The data taken is the phonological acquisition of the first language in the data source. The results of the study stated that the acquisition of vowel phonemes namely /a/, /i/, /u/, /e/, /ə/, and /o/ in Muhamad Saepudin can be said to be consistently mastered while the acquisition of mastered consonant phonemes includes / b/, /g/, /h/, /m/, /n/, /p/, /t/, /w/, and /y/, so that data sources are stated to have not been consistently mastered. Therefore, the data source is classified as being able to pronounce vocabulary in everyday life but there are still some utterances that are not yet perfect to pronounce
Penggunaan foto pada latihan membaca dalam bahan ajar bahasa Indonesia bagi penutur asing: pendekatan semiotika sosial
In BIPA (Bahasa Indonesia untuk Penutur Asing or Indonesian for Foreign Speakers) teaching, photographs are one of the main sources used for providing visual support especially in reading sections. However, the effectiveness of using photos for teaching reading is not widely discussed. This article examines the use of photographs for learning reading. It seeks to reveal how photos can effectively scaffold learning activities and how photos and their accompanying texts build relationships. The study employs visual text analysis based on social semiotic frameworks - the representational metafunction and intersemiosis relationships. The findings reveals that conceptual photos dominate the type of photos, the composition of male and female participants was found to be equal and Concurrence-Clarification and Complementary-Augmentation was found as the majority of the intersemiosis relations. Several recommendations for BIPA teacher based on the conclusion are discussed at the end of this article
SUBALTERNITAS TOKOH AKU DALAM CERPEN MINGGU LEGI DI KYOTO KARYA SATYAGRAHA HOERIP (Subalternity of Aku Character in Satyagraha Hoerip’s Short Story “Minggu Legi di Kyoto”)
This paper discusses about the character of I (Aku) and the otherness processas a subaltern in the story Minggu Legi di Kyoto, a short story by Satyagraha Hoerip. Gayatri C Spivak‟s postcolonial theory about the subaltern and Edward Said‟s on the Orientalism becomes the approach as guidance in this analysis. In addition, to provide flexibility to the analysis, the describing data was carried out sociologically. The analysis results which is conducted by deconstructing the discourse suggests that the discourses presented by the figures I (Aku) just gave space for the subaltern of the figure I (Aku) himself. Makalah ini membahas tentang tokoh Aku dan proses peliyanan tokoh Akusebagai subaltern dalam cerpen Minggu Legi di Kyoto karya Satyagraha Hoerip. Teori poskolonial Gayatri C. Spivak tentang subaltern dan Edward Said tentangorientalisme sebagai sebuah pendekatan menjadi tuntunan dalam analisis ini. Disamping itu, untuk memberi keleluasaan analisis, pendeskripsian data dilakukan secara sosiologis. Hasil analisis yang dilakukan dengan mendekonstruksi wacana menunjukkan bahwa wacana-wacana yang dimunculkan oleh tokoh Aku justru memberi ruang subaltern bagi tokoh Aku sendiri
Pesona Pantun Jarjit dalam Serial Animasi Upin-Ipin: Pantun sebagai Diplomasi Budaya Indonesia-Malaysia
The animated series Upin and Ipin has had a wide-ranging impact on the Malaysian-Indonesian community. Jarjit is an influential figures in animated series. Jarjit is popular because he is good at singing rhymes while communicating with other figures. The purpose of this study is to examine the charm of Jarjit's pantun and its relevance to cultural diplomacy instruments to strengthen Malaysia-Indonesia relations. The method used was qualitative, with a content analysis approach involving several stages. The data source in this study is the Les'Copauque YouTube channel, while the research data are Jarjit rhymes from 45 episodes of Upin and Ipin. The findings of this study are that Jarjit's rhymes in the animated series Upin and Ipin have a unique charm in terms of the characteristics of Jarjit rhymes, which always start with two or three as the sampiran of the rhymes; Jarjit, who comes from Indian ethnicity; the type of karmina rhymes; Jarjit rhymes as a children's oral tradition; and pantun jarjit as a representation of multiculturalism. Based on the charm of Jarjit's pantun, the poem is entitled that Jarjit's rhyme is an instrument of cultural diplomacy that can strengthen Malaysia-Indonesia relations. AbstrakSerial animasi Upin dan Ipin memberi dampak yang luas biasa bagi masyarakat Malaysia-Indonesia. Salah satu tokoh yang berpengaruh di dalam serial animasi tersebut adalah Jarjit. Jarjit populer karena piawai berpantun ketika berkomunikasi dengan tokoh-tokoh lainnya. Dari fenomena tersebut, tujuan penelitian ini adalah mengkaji pesona pantun Jarjit dan relevansinya pada instrumen diplomasi budaya untuk memperkokoh hubungan Malaysia-Indonesia. Metode yang digunakan adalah kualitatif dengan pendekatan konten analisis melalui beberapa tahapan. Sumber data dalam penelitian ini adalah kanal Youtube Les’Copauque sedangkan data penelitian adalah pantun Jarjit dari 45 episode Upin dan Ipin. Temuan penelitian ini adalah pantun Jarjit dalam serial animasi Upin dan Ipin memiliki pesona yang unik ditinjau dari ciri khas pantun Jarjit yang selalu berawal dari dua tiga sebagai sampiran pantunnya, Jarjit yang berasal dari etnis India, jenis pantun karmina, pantun Jarjit sebagai tradisi lisan anak, dan pantun Jarjit sebagai representasi multikulturalisme. Berdasarkan pesona pantun Jarjit tersebut, disimpulkan bahwa pantun Jarjit merupakan instrumen diplomasi budaya yang dapat memperkokoh hubungan Malaysia-Indonesia
Mitos Air Terjun Likunggavali: Kajian Strukturalisme Levi-Strauss
This research aims to describe the structure found in the mythical Likunggavali waterfall in the village of Uevolo. This research uses qualitative descriptive research methods. The source of the data in this study is the oral text obtained from the results of interviews and observations. The data in this study is the units of language as a sentence. The data was analyzed using the Levi-Strauss structuralist approach. The results of this study show that the structure found in the mythical Likunggavali waterfall is divided into two categories: geographical structure and sociological structure. AbstrakPenelitian ini bertujuan untuk mendeskripsikan struktur yang terdapat di dalam mitos air terjun Likunggavali di desa Uevolo. Penelitian ini menggunakan metode penelitian deskriptif kualititatif. Sumber data dalam penelitian ini adalah teks lisan. pengamatan, wawancara, perekaman, pencatatan, dan dokumentasi. Yang menjadi data dalam penelitian ini adalah satuan bahasa berupa kalimat. Data tersebut dianalisis menggunakan pendekatan kajian strukturalisme Levi-Strauss. Hasil penelitian ini menunjukkan bahwa struktur yang terdapat dalam mitos air terjun Likunggavali terbagi dua yaitu struktur geografis dan struktur sosiologis
Bahan Ajar Bahasa Indonesia Bagi Penutur Asing (BIPA) Tingkat Pemula Berbasis Budaya Cirebon
This study aims to produce teaching materials for BIPA learning based on Cirebon culture. The method used is 4D which includes: Define or define, Design or design, Develop or develop, and Disseminate or disseminate. The definition stage is carried out by conducting Focus Group Discussions (FGD). The design stage refers to the results of the DKT. The development phase includes: validation of content and media experts, limited trial, and DKT. The research period is from July 2020 to November 2021. After going through four stages, it can be concluded that the teaching materials that have been prepared can be used for BIPA students, especially in Cirebon. Further research can be in the form of updating these teaching materials, for example in the form of e-books or others to make them easier to use. AbstrakPenelitian ini bertujuan untuk menghasilkan bahan ajar pembelajaran BIPA berbasis budaya Cirebon. Metode yang digunakan adalah 4D yang meliputi: Define atau pendefinisian, Design atau perancangan, Develop atau pengembangan, dan Disseminate atau penyebaran. Tahap pendefinisian dilakukan dengan melakukan Diskusi Kelompok Terpumpun (DKT). Tahap perancangan mengacu pada hasil DKT. Tahap pengembangan meliputi: validasi pakar konten dan media, uji coba terbatas, dan DKT. Waktu penelitian dari Juli 2020 sampai November 2021. Setelah melalui empat tahap dapat disimpulkan bahwa bahan ajar yang telah disusun dapat digunakan bagi pembelajar BIPA, khususnya di Cirebon. Penelitian selanjutnya dapat berupa pemutakhiran dari bahan ajar ini, misalnya dalam bentuk e-book atau lainnya supaya lebih mudah digunakan
Project Based Learning dalam Pembelajaran Bahasa Indonesia di Perguruan Tinggi Pada Masa Pandemi
Learning during the pandemic is changing from face-to-face to distance learning (PJJ). The system changes learning, including Indonesian language in universities, which has an impact on students and lecturers. For this reason, in addition to being supported by adequate infrastructure, PJJ must use an appropriate model so that learning is effective so that learning objectives are achieved. During the pandemic, Indonesian language learning at the Universtas Pembangunan Nasional (UPN) Veteran Jakarta used the project based learning model. With this model, not only learning becomes effective but also increases student creativity so that they can produce various products in the form of writings in scientific publications and various mass media articles. Each student is not only able to write one article but two or three articles during the lesson. This model is expected to continue to be used and developed so that Indonesian language learning becomes interesting and of high quality. AbstrakPembelajaran selama pandemi mengubah dari tatap muka langsung menjadi PJJ (Pembelajaran Jarak Jauh). Perubahan tersebut mengubah sistem pembelajaran termasuk bahasa Indonesia di perguruan tinggi yang berdampak pada mahasiswa dan dosen. Tujuan penelitian ini adalah membuat pembelajaran menjadi lebih efektif sebab kreativitas mahasiswa didorong untuk menghasilkan berbagai produk tulisan yang bisa dipublikasikan di media massa. Melalui PJJ selama pandemi, maka project based learning menjadi model yang tepat dalam melakukan metode penelitian di Universitas Pembangunan Nasional Veteran Jakarta. Hasil penelitian menunjukkan bahwa hampir semua mahasiswa bisa mempublikasikan produk tulisannya berupa artikel selama pembelajaran. Dengan demikian, ketersediaan infrastruktur pada perguruan tinggi ini dapat mewujudkan pembelajaran bahasa Indonesia di perguruan tinggi menjadi lebih berkualitas
NARASI SEJARAH KAUM EKSIL 1965 DALAM NOVEL PULANG (2012) KARYA LEILA S. CHUDORI: KAJIAN SOSIOLOGI SASTRA (Narrative History of Exiled 1965 in Pulang (2012) by Leila S. Chudori: A Study of Literature Sosiology)
The novel Pulang (2012) by Leila S. Chudori presents the narrative of the victims of the 1965 tragedy. The historical facts presented the mentality of the author who presents the struggles of the exiles as a result of the 1965 tragedy. This paper aims to trace the historical narrative of the victims of the 1965 tragedy, as exiles. political. This paper used a sociological point of view, as expressed by Georg Lukacs. The object of this research is the text Pulang (2012) by Leila S. Chudori and the historical narrative in the text. The kind of data used by researcher are subjective historical narratives, the background of the spirit of the times, and descriptions of historical events. Data interpretation is carried out to find historical authenticity, historical fidelity, and local color. The results obtained are as follows (1) historical narrative from the psychological and traumatic side of the victims of the 1965 tragedy who did not receive justice, (2) historical events in the form of the spirit of the times that accompanied the change of power in Indonesia, and (3) efforts to defend and demand justice for the victims of the 1965 tragedy who were removed and not written in Indonesian conventional history. Novel Pulang (2012) karya Leila S. Chudori ini menampilkan narasi korban tragedi 1965. Fakta sejarah yang ditampilkan merupakan gagasan mentalitas dari pengarang yang menghadirkan perjuangan kaum eksil akibat tragedi 1965. Tulisan ini bertujuan untuk melacak narasi historis para korban tragedi 1965, sebagai kaum eksil politik. Tulisan ini menggunakan sudut pandang sosiologis, seperti ynag diungkapkan oleh Geogry Lukacs. Objek penelitian ini adalah teks Pulang (2012) karya Leila S. Chudori dan narasi sejarah dalam teks tersebut. Data penelitian adalah narasi historis subjektif, latar semangat zaman, dan pendeskripsian peristiwa sejarah. Interpretasi data dilakukan untuk menemukan keaslian sejarah, kesetiaan sejarah, dan warna lokal. Hasil yang diperoleh adalah sebagai berikut (1) narasi sejarah dari sisi psikologis dan traumatis para korban tragedi 1965 yang tidak memperoleh keadilan, (2) peristiwa sejarah yang berupa semangat zaman yang menyertai perubahan kekuasaan di Indonesia, dan (3) upaya pembelaan dan menuntut keadilan bagi korban tragedi 1965 yang disingkirkan dan tidak ditulis dalam sejarah konvensional Indonesia