University of Shimane Academic and Global Institution repository / 島根県立大学学術機関リポジトリ
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    “The Struggle of the Gods and the Rebirth of Political Philosophy : The Political Philosophy of Leo Strauss,” by Tetsuya Matsuo

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    書評departmental bulletin pape

    Demonstrating the significance of the existence as prefectural university

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    Hirabayashi Taiko and her “Manchuria” experience story : focused on the meaning and function of space in her novels

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    論文This paper discusses Hirabayashi Taiko’s self-representation novels of "Nagesuteyo!"(Throw it away!, 1927) and "Seryōshitsu nite" (In the Charity ward, 1927) which reproduce her Manchuria experience, by analyzing through a compound-eye perspective of gender, class, and ethnicity. Considering the two novels as a continuous story, this study pays attention to the arrangement of the space and protagonist’s movement between different spaces described in fictions. It declares 3 aspects about the meaning and function of space in her works. Firstly, the space of railroad company in "Nagesuteyo!" symbolizes an obvious colonial space, in which the protagonist was oppressed by class and gender, and coolies were oppressed by class and ethnicity. In this space, the representation of coolies interlocks to the representation of Hirabayashi Taiko herself. Secondly, the space of Charity ward in "Seryōshitsu nite" implies the potential colonial space within the Japanese, in which the protagonist was treated like an animal, and this is similar to the coolies’ situation in the obvious colonial space mentioned above. Thirdly, the scenes of intercultural encounter and movement between different spaces promote the change of protagonist’s identity from an inferior female labor / wife / mother to be a socialist warrior. In her works, it shows a complex composition about imperialism and colonialism which are inherent in capitalism and patriarchy. It is apparent that Hirabayashi Taiko demonstrated a critical attitude to the framework of the empire, and represented the subalterns who were sacrificed and excluded from this framework. Thus, Hirabayashi Taiko’s self-representation novels are not only a self-speaking work, but also a work for the subalterns such as coolies and female labors. Her Manchurian experience story is a subaltern rewrite of a female writer with a compound eye of ethnicity, class, and gender, requesting the unequally allocated framework itself. The Manchuria experience in the 1920s was an opportunity for Hirabayashi Taiko to discover the subalterns, and the starting point for her to create subaltern stories.departmental bulletin pape

    The degree of achievement of practical training goals and the contents experienced in public health nursing practice -Secondary analysis from report collections-

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    2011 年度から2020 年度までの島根県立大学における公衆衛生看護学実習実施報告集をもとに,学生の実習目標到達度と実習体験内容の実態を明らかにし,新カリキュラムの始動に向けた保健師教育のあり方について検討した。本学の学生は,個人・家族・集団・地域の力量を引き出すケアシステム化と,ケアマネジメントやケアコーディネーションの基本を身につける実習目標に対する到達度が低く,これらを高める教育内容の充実が必 要である。公衆衛生看護学実習での学生一人あたりの保健活動体験数は,この10 年で有意に減少傾向にあるが,実習目標の到達度には変化は見られなかったことから,今後も実習では,体験数を重視するのではなく,体験した保健師活動で得た知識を関連づける指導や教育内容の工夫が求められる。departmental bulletin pape

    What Kind of Things is Kawaii?:Syojo no Tomo and Comparison of Shojo Sekai

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    Quantitative analysis of historical change of main streets in Hamada city, Japan, using Zenrin residential maps

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    研究ノートdepartmental bulletin pape

    The discourse on politics and life in 1920’s colonial Korea

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    論文departmental bulletin pape

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    University of Shimane Academic and Global Institution repository / 島根県立大学学術機関リポジトリ
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