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Conductance control of a shunt active power filter and active energy buffer
There are many types of control method for shunt active power filter (SAPF) investigated up until now. The authors describe complex methods of determining active filter reference currents or powers. This paper is dedicated to a simple, but universally used control algorithm based on the load equivalent conductance approach. This method allows for non-active current compensation, energy buffering, and energy redistribution among loads under compensation. It is also useful for voltage-source as current source inverter based active filters, and for DC system as well as for AC single or three-phase filters
The significance of drawing and painting in architectural design (as exemplified by Le Corbusier’s sacred architecture)
Looking at Le Corbusier’s works one cannot fail to notice how his drawings and paintings transformed into architectural projects to become the foundations for new objects, including the sculpted forms of sanctuaries which have a permanent place in the tradition of sacred architecture. He centered his original ideas on visions of his works which he put down on paper in an unconstrained manner as sketches and drawings. Le Corbusier proved that drawing and painting can be used as support for and in collaboration with the architectural design process in pursuit of an architecture that would satisfy the user’s need for aesthetic value and appeal to their senses. He introduced the two into the design process leaving behind abundant documentation
The role of the CFD modelling in the shape optimization of the pressure pulsations dampers
Pressure pulsations in volumetric compressors systems have an important influence on the compression power and reliability. This problem occurs not only in huge compressor systems, as in the natural gas piping, in gas mines or national transport systems, but also in a small refrigeration compressors in domestic applications. Nowadays, it is necessary to develop pressure pulsation damping elements which will be effective for different mass flow rate values. One of the solutions are passive damping elements in the form of various types of nozzles. In addition to the decrease of pressure pulsations value, the result is also an increase in power consumption of the compression. Therefore, shape optimization is necessary. In the article the possibility of optimizing the shape of such elements using computational simulations is discussed
Drawing – the art of portraying space
Drawing is the easiest language to communicate. It is the fastest and most personal way to write down fleeting thoughts, creative plans, ideas, impressions, or momentary revelations. It is also a tool needed for shaping sensitivity – a long-lasting process, irreplaceable with any computer. This sensitivity is needed to read works of art. Architectural masterpieces are also read through images - while images are captured in our memory with drawings. The author reflects on the role of drawing in recording and memorizing space in all of its scales: from the landscape interior to the architectural detail
Odmiany doświadczenia religijnego w Soli ziemi Józefa Wittlina
The aim of the article is to present the individual and intense experience of sensing the world, whose account can be found in the novel Salt of the Earth. The term “religious experience” was taken from William James. The author of the article first mentions the interpretative difficulties connected with the structural irony, which calls into question the statements verbalized in the novel. Taking into account this complexity, he points out four elements which justify talking about a religious experience in the Salt of the Earth. Firstly, he points up the title, which evokes a religious perception of the world and assumes a response to a calling which comes from God. Secondly, he refers to the Prologue (which does not contain structural irony), which contains the motif of war as a blasphemy. Thirdly, he analyses those passages in which the narrator weakens their distance towards Piotr Niewiadomski’s point of view and favourably assumes the magical interpretation of natural phenomena. Lastly, he refers to the Christian-Orphic-Hutsul motif of the immortality of the soul and contact with the dead
Faire rêver le discours, avec Jean-François Lyotard et Jean-Luc Nancy
In one of his major works, Discourse, figure, Jean-Francois Lyotard opens up the space of structured speech, the discourse, to the „figure” as narrative of its becoming that focuses on the endless transformation of formes. The figural space would be active in all coming to presence, int he becoming of any form of thought or object. Such a figural field opens up ontology to the arts. Thinking through the figural implies an artistic approach, that we can find in Jean-Luc Nancy’s fictionnal ontology – his philosophy can be read as representative of this figural approach to thinking, where thought as creation exceeds all created structure of human thinking
Ni texte, ni image : la narration après le cinéma
This article reviews what remains of the text as narrative logic in the contemporary cultural context where visual media prevail. Considering the relation of French contemporary writers to the gaze, the traditional duality of the text as discursive chain and the image as sensible fragment is compromised. In order to conceive of a new form of text-image relationship, Jacques Rancière has introduced the concept of the sentence-image. In this article, I explore the limits of the sentence-image in order to think through the whys and wherefores of the reconfigurations within the central categories of the visible and the sayable. From this perspective, the dialogue between writing and cinema can no longer be conceived in terms of correspondence or influence. Rather, the synthetic dimension of the literary narrative is determined by its availability to incorporate the narrative devices updated by the art of film
La narration et le corps dans Il faut beaucoup aimer les hommes de Marie Darrieussecq
This paper aims at examining the paradox expressed by Marie Darrieussecq when she states that “even in [her] novels of absence, there is material” in Il faut beaucoup aimer les hommes. The narrative takes shape around Solange, an actress, whose existence is threatened as her own physique decays, consumed by her passion for Kouhouesso which makes her a fading ghostly figure. The storytelling of the organic body has to be considered under three aspects : phenomenology, deterritorialization and representation
Le fruit de mes entrailles…, la typologie embryonnaire de l’« extrême contemporain »
The pregnancy considered as a physiological psychosis reveals the dichotomy of the unity and the duality. Therefore the relationship between the psychoanalytic concept of objet and subject is disturbed. The process is close to the mechanism of abjection defined in 1980 by Julia Kristeva. The possession and the separation are two perspectives for analyze the embryo typology in some examples of contemporary feminine literature (Dominique Mainard, Eliette Abécassis, Chloé Delaume, Valentine Goby, Annie Ernaux, Lorette Nobécourt, Nancy Houston)
The composition game
In architecture, the word play is synonymous with composition, the object of which, as Le Corbusier wrote, is the “play of volumes seen in light”. His definition, actually more articulate, precisely defines how this game should be played. An important, implied element is missing. The goal of the composition game, and of architectural design, is always and primarily the definition of places, which is the first and foremost goal of architecture. An educational experiment was devised to explore how the composition game can be used to achieve this goal