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重塑「我城」: 可洛《鯨魚之城》與西西《我城》的互文分析 Reshape My city : on the intertextuality between Xi Xi\u27s My city and Ke Lok\u27s Whale city
No full textMobile robot = 機械人
No full textThe development of artificial intelligence drives the use of mobile robots in the industrial and commercial sectors. A simulated mobile robot competition is conducted at this booth where visitors can experience operation of mobile robots. Visitors can also understand how a robot executes designated tasks through the simulated competition. In real competition, players are required to programme robots to accomplish different tasks. They are also expected to adjust the sensor, assemble and connect peripheral equipment, and complete final test runs. Each team must be able to handle troubleshooting, repair the hardware and address connection issues
The aesthetic experience of product design : a case study of the consumption of earphones in Hong Kong
No full textAesthetics is omnipresent in all aspects of our life, and an aesthetic perspective of design concerns the living emotions, feelings, and shared passions among consumers and designers. We empirically investigate how the meanings that consumers infer from earphone designs reveal their personal notion of the ‘aesthetic’ in everyday life and how this notion affects the aesthetic judgement of consumers and their preferences for product designs. This study provides product designers with the implications of comprehensive knowledge behind the design in the form of a story to engage consumers into learning, understanding, and associating their consumption experience with both private and social meanings that constitute the aestheticization of everyday life
“The Parisian Light?” The myth of superiority signified by the imagery of the fashion cities
No full textParis, the capital of fashion world, has long been a signification of stylishness and sophistication in relationship to fashion, where a sense of ‘superiority’ will emerge with endless fascinations for the imaginary of the city. The myth of such \u27superiority\u27 association with Paris, or namely the fashion cities, has a predominant influence to the fashion image production elsewhere such as Hong Kong. Numerous images produced by Hong Kong fashion media portray the impression of a ‘Western look’, or the ‘Parisian light’, a jargon coined by local fashion media for the metaphor of the ‘light’ shedding from Paris that instantly upgrades an image with superiority. Hence, the ‘Parisian light’ implies a hidden code of practice for the local fashion media, as if the impression of Western fashion imagery represents a higher standard for aesthetic expression and creative value, and serves as an inspiration for fashion image production. Given numerous previous studies discussed on the influence of Paris on fashion, it is a neglected area in the academic field on the discourse of linking fashion cites to fashion image production especially in the local context; and how the rePresentation of \u27Western look\u27 is achieved through the re-interpretation during the local fashion image production process. This study discusses the cultural interpretation of the fashion cities as symbolic icons of high fashion from the perspective of local fashion media; and how the local fashion brands, editors, image producers negotiate to an agreement, taking the metaphor of \u27Parisian light\u27, to create cultural meaning to the readers of the local markets. This study adopted participant observation approach of two fashion shoot projects in Paris, and followed by the in-depth interviews with fashion image producers, to investigate the notion of the recreating a Western fashion image by the fashion media in Hong Kong. The researcher has been appointed by a local fashion magazine, MilkX, as the fashion stylist to manage two fashion shoots in Paris. The fashion shoots were commissioned by two brands, a French contemporary fashion label and a leading jewellery brand in Hong Kong. Data were collected during the fieldwork from the pre-production negotiation with the brands and the production team, during the fashion shooting in Paris, and the post-production interviews. The observations were interpreted in terms of cultural and fashion theories to unveil the myth of the ‘Parisian light’. The research findings indicated that the practice of shooting projects in Hong Kong fashion media follows some conventional codes of cultural rePresentation of Paris. The notion of Paris as ‘the fashion city’ is deeply rooted in image producers\u27 mind in Hong Kong. The negotiation process between the image production team and the two brands\u27 representatives revealed a power hierarchy influencing the creativity of image production. The finding is significant to both branding and academic fields. From branding perspective, the finding provides insight from insiders\u27 view in understanding the power of cultural meaning in the creative process of brand images. On academic side, this is a pioneering study to examine the cities\u27 identity on the influence of fashion image production in Hong Kong. This result lays a foundation for further study on the site of image production in visual communication for fashion from the Eastern perspective
Distribution patterns of heritage trees in a rapid urbanization city: a case study of Shenzhen, south China
No full textElectron rising
Get PDFA source of wonder since the dawn of civilisation, amber seems to have lost its lustre. But as Daisy Zhong discovers, a group of contemporary Polish artists are bringing fresh vibrancy to amber design
Mythic moments
Get PDFAn exhibition at HKDI this autumn aimed to introduce the power of photography through a series of family portraits that combined simplicity and emotional depth
The great communicator
Get PDFA retrospective of works of George Nelson (1908-1986) at HKDI Gallery from March through June shows that a great designer should be an original thinker as well as a master of words and images
Brand awareness
Get PDFHKDI\u27s Successful Brand Journey seminars in Spring 2014 provided a number of insights into the creation of successful brands. Naturally, a number of differing perspectives were evident from the brand gurus; but Summer Cao heard that there are common themes, too