George Fox University

Digital Commons @ George Fox University
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    23194 research outputs found

    First Methodist Church, Newberg, OR

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    First Methodist Church, Newberg, Oregonhttps://digitalcommons.georgefox.edu/newberg_photos/1000/thumbnail.jp

    Newberg Friends Church

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    Newberg Friends Church, Newberg, Oregon, date unknown.https://digitalcommons.georgefox.edu/newberg_photos/1008/thumbnail.jp

    Charles Bertram Haworth Residence

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    Home of Charles Bertram Haworth in Newberg, Oregon.https://digitalcommons.georgefox.edu/newberg_photos/1020/thumbnail.jp

    Edwards, Cook, Smith, and Miles Residences

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    Sketches of the Edwards, Cook, Smith, and Miles Homes in Newberg, Oregon.https://digitalcommons.georgefox.edu/newberg_photos/1017/thumbnail.jp

    Panorama of Newberg

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    Panorama of Newberg, Oregon, date unknown.https://digitalcommons.georgefox.edu/newberg_photos/1013/thumbnail.jp

    Newberg Parade

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    Unknown Parade in Newberg, Oregon.https://digitalcommons.georgefox.edu/newberg_photos/1012/thumbnail.jp

    Newberg Residence Christmas Card

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    Newberg Residence Christmas Cardhttps://digitalcommons.georgefox.edu/newberg_photos/1019/thumbnail.jp

    Newberg Catholic Church

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    Newberg Catholic Church, date unknown.https://digitalcommons.georgefox.edu/newberg_photos/1001/thumbnail.jp

    “Frankenstein’s Nursery Rhymes” and Other Unpublished Poems by Joy Davidman

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    In 2015 I edited and published A Naked Tree: Joy Davidman’s Love Sonnets to C. S. Lewis and Other Poems. I avoided referring to this volume as the collected poems of Davidman since I decided to withhold publication of twenty-nine poems, primarily because I wanted the attention of readers to focus upon Davidman’s forty-five sonnets to Lewis as well as the poems comprising Letter to a Comrade, the only collection of her verse published during her lifetime. However, I now think it is time to bring these unpublished poems to print. With a few exceptions, I have arranged the poems in chronological order as dated by Davidman. In cases where she did not provide a date, I suggest a possible date and indicate so by use of a question mark. Rather than offer an analysis of each poem, I place them into three groupings, summarize each in a sentence or two, and then invite readers to explore on their own the ideas, images, and subtleties found in the poems

    As I was saying, as I have said,

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    severest pain will drop you to the floor; and its descent may draw you farther yet, where it reveals a neat, new aperture your pain just now has opened in your head

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