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\u3ci\u3eCross Impression\u3c/i\u3e
No full textWHY THIS SUBJECT?: I\u27m seeking to capture the ethereal/ephemeral phenomena of Covid (and life) utilizing lofi impressionism.
STAYING INDOORS THOUGHTS: I\u27m fine with it, I just hope nature preserves stay open where I\u27m at.
WHAT TO KNOW ABOUT THE IMAGE: All images were shot from brief walks from car to destination.https://digitalcommons.colum.edu/stuckindoors/1027/thumbnail.jp
Interview With Ryan Pollock
Get PDFRyan Pollock was raised in Jefferson City, Missouri. He was educated at Helias Catholic High School from 2012 to 2016. After graduating, he attended McNally Smith College of Music in St. Paul, Minnesota, from 2016 to 2017 and majored in both guitar performance and music composition. When the school closed down unexpectedly in 2017, Ryan continued his degree at Columbia College Chicago. Currently, Ryan is a senior and majoring in music composition. Ryan has worked as a guitar instructor since 2014. In 2018, Ryan worked with Big Ten Today Show, MissouriNet/Learfield Communications as an assistant director. Between 2018 to 2020, Ryan worked with 88.1 WCRX-FM as a public affairs coordinator. He even hosts a radio show, “The Ryan Pollock Show,” every Wednesday evening, where he interviews local musicians. Also, he is currently working with WGN Radio as a producer and videographer. Ryan also created his recording company, “Kind of Red Records.” In 2020, when the Coronavirus pandemic forced Columbia to lockdown and transfer to remote learning, Ryan could no longer continue to earn his education and host the radio in-person. He presently resides back in his apartment in the South Loop of Chicago to continue his education and work digitally.https://digitalcommons.colum.edu/capturingquarantine/1002/thumbnail.jp
South Africa: 27 April 1994 Calendar
No full textThis item is part of the Chicago Anti-Apartheid Movement collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.https://digitalcommons.colum.edu/cadc_caam_posters/1096/thumbnail.jp
Guide to the William A. Brown Collection
Get PDFWilliam A. Brown was a founding member of the Center for Black Music Repertory Ensemble and a Distinguished Professor of Voice at the University of North Florida. He was a tenor and a recitalist and his collection includes concert programs, promotional materials, photographs, correspondence, and media chronicling his career.https://digitalcommons.colum.edu/cmbr_guides/1005/thumbnail.jp
Guide to the Sue Cassidy Clark Collection
Get PDFSue Cassidy Clark is a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s and the collection contains her recorded interviews, interview transcripts, and other research materials for her interviews of the musical pioneers she interviewed.https://digitalcommons.colum.edu/cmbr_guides/1006/thumbnail.jp
Guide to the Anna Gardner Goodwin Collection
Get PDFAnna Gardner Goodwin was a composer of classical music. Her compositions include “Adelene” and “Freedom to All March.” and the collection also contains biographical and genealogical documents, musical scores, and other material related to her family.https://digitalcommons.colum.edu/cmbr_guides/1018/thumbnail.jp
Guide to the Robert A. Harris Collection
Get PDFRobert Allen Harris is a composer, conductor of choral music, and choir clinician. The collection reflects his work as a choir director and professor as well as his published and unpublished compositions, primarily of choral music, recordings, and works from other composers are also present.https://digitalcommons.colum.edu/cmbr_guides/1022/thumbnail.jp
Guide to the Melba Liston Collection
Get PDFThe Melba Liston Collection primarily documents her careers as arranger, composer, and educator rather than her accomplishments as a trombonist. It contains lead sheets to her own and other people’s compositions and manuscript scores of many of her arrangements for Duke Ellington, Dizzy Gillespie, Clark Terry, and Mary Lou Williams, among others. One extensive series contains numerous arrangements for Randy Weston, and her late computer scores for him are also present.https://digitalcommons.colum.edu/cmbr_guides/1025/thumbnail.jp
Guide to the Richard E. Stamz Collection
Get PDFRichard E. Stamz was a broadcast pioneer and active member of Chicago’s Englewood community. His 1950s radio show on WGES, “Open the Door, Richard,” helped promote and popularize urban black musical genres such as soul, blues, and gospel, and was an outlet for advertisers to reach African American audiences. The collection includes material from his broadcasting career, his involvement in the Englewood community, and his personal life.https://digitalcommons.colum.edu/cmbr_guides/1036/thumbnail.jp
Guide to the Evelyn Davidson White Collection
Get PDFEvelyn Davidson White, a professor of music at Howard University, was an educator, choral instructor, scholar, clinician, mezzo-soprano vocalist, and author who authored Choral Music by African-American Composers. The collection contains published and unpublished choral music by Black composers.https://digitalcommons.colum.edu/cmbr_guides/1041/thumbnail.jp