Columbia College Chicago

Columbia College Chicago: Digital Commons
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    WHY THIS SUBJECT?: [images taken outdoors from safe distances] ]https://digitalcommons.colum.edu/stuckindoors/1020/thumbnail.jp

    Guide to the Eddie Memphis Curtis Collection

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    Eddie Curtis (Memphis E. Curtis) was a composer, arranger, and singer. The collection consists primarily of manuscript lead sheets for his original compositions, manuscript scores and parts, and other materials relating to his musical career.https://digitalcommons.colum.edu/cmbr_guides/1009/thumbnail.jp

    Guide to the Caleb Dube Collection

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    Caleb Dube was an ethnomusicology scholar and teacher who studied blues music through an anthropological framework. The Caleb Dube Collection primarily contain general research in the fields of cultural anthropology and ethnomusicology, along with more narrow research linking these two fields of study to Chicago, and the blues.https://digitalcommons.colum.edu/cmbr_guides/1013/thumbnail.jp

    Guide to the Charles E. Hamm Collection

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    Charles E. Hamm was a musicologist, composer, author, and educator, The collection centers around his research trips to South Africa in the early 1980s to study and collect materials for is unfinished book on the history of jive. Present in the collection are notes, clippings and other research materials on South African popular music and South African radio, including a manuscript of a book on township jive.https://digitalcommons.colum.edu/cmbr_guides/1021/thumbnail.jp

    Guide to the Hale Smith and Melba Liston Recordings

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    This set of five recordings were taped in Hale Smith’s Black Studies class at University of Connecticut- Storrs and include class lectures by Melba Liston as well as tapes from a WKCR radio program, and a studio track of “The Marijuana Affair” by Melba Liston, conducted by Hale Smith. These recordings were received from Randy Weston, who worked closely with Melba Liston, and Juanita Smith, wife of Hale Smith.https://digitalcommons.colum.edu/cmbr_guides/1033/thumbnail.jp

    Guide to the Patsy Ford Simms Collection

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    Patsy Ford Simms is an internationally recognized arranger, composer and clinician who began writing and arranging out of necessity due to the lack of choral octavos for the junior high/middle school voice during the first decade of her teaching career. The collection contains original sheet music, arrangements, concert programs, press clippings, catalogues, and recordings.https://digitalcommons.colum.edu/cmbr_guides/1039/thumbnail.jp

    Guide to the Wendell Wright Collection

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    The Wendell G. Wright Collection consists primarily of materials relating to the Lois J. Wright Memorial Concert Series as well as programs and correspondence. Also included are several published musical scores by Black composers and manuscript and facsimile manuscripts of Gerald Burks Wilson.https://digitalcommons.colum.edu/cmbr_guides/1043/thumbnail.jp

    I Can\u27t Breathe!

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    WHY THIS SUBJECT? This poster was made to tackle the appropriation of the “I Can’t Breathe!” phrase used by the anti-mask protests despite it originating in the Black Lives Matter movement due to George Floyd’s death. It is very insensitive and ignorant of the anti-mask protestors to compare the death of a man to the legal safety procedure usage of masks. The phrase appropriation of anti-mask communities is unacceptable and is not limited to only this phrase, as they have appropriated My Body My Choice as well. WHAT SHOULD WE KNOW ABOUT THE WORK? This poster was made for an assignment in the Art, Design, and Change CCCX class at Columbia College Chicago. The quote is directly from Shauna Kinville, a white woman in Utah who took part in an anti-mask protest. WHAT WAS YOUR PROCESS? This piece was made on the iPad Pro 10.5 inch 2017 model with an Apple Pencil on the Procreate App. In terms of the style, I went for caricature as it would appeal more to the millennial/younger community, essentially people who are most active in this digital time. I did include ink texture in the shading to add a semi-traditional feel to the image. Amid 2020, the Karen figure has been extremely prominent as white privilege has been called out and many have displayed the “Karen behavior” with the BLM movement. The character in the poster was inspired by the Karen-type people out there and she is wearing her mask wrong, therefore missing the entire point of the phrase and purpose of the mask. The style of the text was to match the illustration itself as well as the “mocking text” used in memes to essentially deem something as stupid. The color scheme was made to be able to accommodate those who cannot afford to print with color, as it does not call for that much ink as well.https://digitalcommons.colum.edu/capturingprotest/1013/thumbnail.jp

    Interview with Kelso Antoine

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    Alessia Antoine (she/her) was born and raised in Miami, Florida. Antoine was born in 2000 and during her early childhood shared a home with her extended family. Antoine attended high school at Dr. Michael Krop Senior High. During her high school year Antoine worked babysitting jobs and participated in robotics club. In 2018 Antoine moved to Chicago to attend Columbia College Chicago to study filmmaking. Antoine was excited to move and to attend the collection due to the diversity of the student population. As the coronavirus pandemic worsened in March 2020, Antoine was forced to evacuate her dorm and move back to Miami to finish the spring semester. Online learning affected Antoine’s motivation in her schoolwork and being back in Miami made it challenging to participate in school. In the fall of 2020, Antoine returned to Chicago and moved into her first apartment off-campus in the South Loop.https://digitalcommons.colum.edu/capturingquarantine/1023/thumbnail.jp

    Interview with Caity Gee

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    Caitlyn Gee (She/Hers) was born in Memphis, Tennessee in 1999. She grew up in Memphis and moved to Indiana to study at the Indiana Ballet Conservatory with her mentor. She attended Carmel High School and her sophomore year St. Mary’s Episcopal School. During the first semester of her junior year, she decided to study dance abroad, in Marbella, Spain, for the first half of the school year. After her first semester, she returned to Indiana, attended Laurel Springs School, and finished her high school degree online. After graduating from high school, she decided to take a gap year to join Hubbard Dance Street Chicago in their Professional Program and began interning at the Buckman Theatre. After living in Chicago for a little while, she decided to apply to Columbia College Chicago for Arts Management in order to stay active in the management side of the dance community. During her freshman year in college, she worked as the Children’s Dance Director at the Woman’s Athletic Club and as a Special Events Intern at the Lyric Opera. After Coronavirus caused the school to switch to online learning, she moved back in with her parents for a month and a half to quarantine before moving back to her Chicago apartment. Currently she is doing school remotely and is working as a campus ambassador at Columbia College Chicago. She is expected to graduate in 2023.https://digitalcommons.colum.edu/capturingquarantine/1027/thumbnail.jp

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