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légende musicale
No full textIn diesem Auszug aus »Le Crabe qui jouait avec la mer« zu und mit einem Text von Rudyard Kipling (»Histoires comme ca«) wollte P. Arthuys im Bereich der 'musique concrète' die Atmosphäre des Märchens - der Schöpfungsgeschichte - nachempfinden. Dans cet
Tag der offenen Tür 2020
No full textAm 6. Januar laden wir mit einem abwechslungsreichen Programm und bei freiem Eintritt herzlich zum Tag der offenen Tür am ZKM ein. Dieses Jahr dreht sich alles um das Thema Nachhaltigkeit
Plastic Recollections 6
No full text"Plastic Recollections series"is the sound project Junya Oikawa has started since 2004, to find various "sound world" produced from the noises of a single object, and structure them organically in the space. He has presented several compositions made with clattering sound of MD, noises of a piano, friction of a cement block, melting sound of polystyrene foams and so on. This work was composed at the ZKM for his soloconcert at the Fohhn IOSONO LAB with its 3D system, commissioned by Kunststiftung Baden Württemberg in April 2015.
It is composed by the sound of a snare drum. Sound texture produced by the attack of this snare drum repeats both static and dynamic transformation instantaneously as if sound cells are split up in the space. It is an attempt to redefine the relationship between the fragments of sound and development of the work as an organic structure to create spatial punctuation and paragraph in the form of sound, and arrange them in the stereophonic space of the Fohhn using IOSONO system. In June and October, he performed this work using stereo mix sound for the Bremer Lautsprecher- Orchester in the REM Festival in Bremen and AKOUSMA Festival in Montreal
Buchveröffentlichung: From Xenakis’s UPIC to Graphic Notation Today - mit elektronischen Konzerten und Gesprächen (Online)
No full textVorstellung des vom Hertz-Labor und dem Centre Iannis Xenakis herausgegebenen Buches mit moderiertem Gespräch mit den HerausgeberInnen Peter Weibel, Ludger Brümmer und Sharon Kanach und anschließendem Konzert mit einem Werk von Julia Jasmin Rommel, das im Rahmen der Künstlerresidenz »Graphical Notation« entstanden ist, sowie einer Softwarepräsentation
Subnormal Europe: Óscar Escudero und Belenish Moreno-Gil - Uraufführung zur Münchener Biennale mit Noa Frenkel und Sebastian Schottke
No full textDie Komponisten, Multimedia-Künstler und Performer Óscar Escudero und Belenish Moreno-Gil schufen eine Performance, die audiovisuellen Fragmenten nachgeht und den Spuren europäischer Gemeinschaft folgt.Instituto Cervantes Münche
Tragoida/Komoidia
No full textArmando TRANQUILINO / James AIKMAN : Tragoidia
1) A dramatic or literary work depicting a protagonist engaged in a morally significal struggle ending in ruin or profound disappointment.
2) 2) Any dramatic, disastrous event.
Komoidia :
We now and now enter the region of a big guy who eats pies and does not lie in the sun but always tells the truth without shades. With his mephitic breath he sings for night watchmen who intrepidly become character traits as they watch him introduce the players. There are buzzards, there are children, there are musics, always accompanied by their mother who works at the borderline for the mentally accelerated. A magical disarray fills all space with its space, where Haydn melodies metamorphize into exotic modes as Dionysus rejoices in Bacchanalian rumpus. All is well