Università degli studi di Macerata: Riviste digitali
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L’ esperienza degli «Annali di storia dell’educazione e delle istituzioni scolastiche»
Get PDFThis contribution aims to reconstruct the experience of the scientific journal «Annals of History of Education and Educational Institutions» since its foundation in 1994. In particular, the most significant thematic nuclei and its main animators are highlighted. In addition, it is well specified how since its foundation the journal, even in its methodological continuity, has represented an important interdisciplinary crossroads and an important place for the valorisation of historiographic sources.This contribution aims to reconstruct the experience of the scientific journal «Annals of History of Education and Educational Institutions» since its foundation in 1994. In particular, the most significant thematic nuclei and its main animators are highlighted. In addition, it is well specified how since its foundation the journal, even in its methodological continuity, has represented an important interdisciplinary crossroads and an important place for the valorisation of historiographic sources
Letteratura per l’infanzia. Un trentennio di studi in Italia (1970-2006)
Get PDFIn Italy, critical studies on children’s literature have undergone a significant increase in quality and quantity since the 1970s. This evolutionary path of criticism has been based above all on a re-evaluation of the role of illustrations, the identity of the child reader and the opportunity to bring historical research into line with current pedagogical practices. In recent years, children’s literature as a subject of research has proven to be an extraordinary source of information for gaining a better understanding of the history of cultural processes and investigating the origins of the major issues in contemporary education.In Italy, critical studies on children’s literature have undergone a significant increase in quality and quantity since the 1970s. This evolutionary path of criticism has been based above all on a re-evaluation of the role of illustrations, the identity of the child reader and the opportunity to bring historical research into line with current pedagogical practices. In recent years, children’s literature as a subject of research has proven to be an extraordinary source of information for gaining a better understanding of the history of cultural processes and investigating the origins of the major issues in contemporary education
Da Fermo a Firenze: signacula ex aere e anuli signatorii della collezione di Raffaele e Gaetano De Minicis oggi nel Museo Archeologico Nazionale di Firenze
Get PDFThe paper examines the events that led from Fermo to Florence to move the collection of numerous signacula ex aere and some anuli signatorii, belonging to Gaetano and Raffaele De Minicis. As all of these were published in the Corpus Inscriptionum Latinarum without autopsy, a thorough review has revealed some new elements, including the identification of two unknown signacula and improvements in some readings.In questo contributo si ricostruiscono le vicende collezionistiche che hanno portato da Fermo a Firenze numerosi signacula ex aere e alcuni anuli signatorii, appartenenti alla collezione di Gaetano e Raffaele De Minicis e pubblicati nel Corpus Inscriptionum Latinarum senza riscontro autoptico. Il nuovo studio di questi reperti ha portato all’identificazione di due esemplari prima ignoti e al miglioramento di alcune letture
Dalle collezioni private alla raccolta civica: materiali iscritti nel museo di Ripatransone
Get PDFThe Civic Museum of Ripatransone was established in 1877 by several prominent citizens who donated their personal antiquities to create a civic collection for the city. Archival research has made it possible to identify the private collections from which some of the museum’s inscriptions originated.Il museo municipale ripano è stato fondato nel 1877 per iniziativa di alcuni insigni cittadini che decisero di dotare Ripatransone di una raccolta civica, donando propri reperti di antichità. Lo spoglio di documenti di archivio ha consentito di identificare da quali collezioni private provengono alcune iscrizioni del museo
Epoca, stile, campi di possibilità: la teoria di Auerbach per il poema tra Boiardo, Ariosto e Tasso
Get PDFStarting from the rare instances in which Erich Auerbach mentions Ariosto in Mimesis, particularly the notion that Orlando Furioso should be described in terms of “feats of arms” (Waffentaten) rather than “war” (Krieg), this article aims to develop an “Auerbachian” interpretation of three poems largely overlooked in the seminal work on the representation of reality in Western literature: Inamoramento de Orlando by Matteo Maria Boiardo, Orlando Furioso by Ludovico Ariosto, and Gerusalemme Liberata by Torquato Tasso. In addition to this integration of Mimesis, the essay offers a possible theoretical explanation for the absence of these poems with the insufficient consideration of the category of literary genre in favor of that of “epoch”, while maintaining Auerbach's approach of comparing stylistic choices as “fields of possibilities”
Manzoni e il realismo creaturale
Get PDFThe essay aims to address the question of Manzoni’s realism in the light of Auerbach’s categories, a topic that has already been the subject of critical discussion. Specifically, it focuses on Manzoni’s concept of ‘creaturely realism’ and its antecedents, which include 17th-18th-century painting, Porta’s poetry, and most notably Pietro Verri’s Osservazioni sulla tortura, a text with which I Promessi sposi have been in dialogue since their origin. Finally, it addresses the question of the incompatibility between the idyll and Manzoni’s realism, through a reconstruction of the early 19th-century debate on the modern idyll (Goethe, Chateaubriand, Fauriel) and a series of textual examples taken from I Promessi sposi
Forza di legge o legge della forza? Il fondamento violento dell’ordine giuridico
Get PDFThe unresolved tension between law and violence lies at the core of legal and political theory. This essay takes Rudolf von Jhering’s provocative assertion that force can exist without law, but law cannot exist without force, as its starting point to pose a foundational question: is law merely a continuation of violence by other means? Questioning the conceptual distinctions between force, violence, and legality, the work argues that while legal doctrine distinguishing legitimate force from illegitimate violence, in practice, law is inseparable from both. Starting from this hypothesis, the essay follows the interrupted paths of Michel Foucault’s, Walter Benjamin’s, and Sigmund Freud’s reflections and aims to demonstrate that law can never completely neutralize the original violence that legitimates it, on the contrary, it ends up reiterating it in an institutionalized form. But well before, the tragic imaginary of ancient Greece revealed the ambiguous relationship between law and violence, as interconnected features of the same symbolic order.Il rapporto tra diritto e violenza è da sempre una questione centrale e controversa della teoria giuridica e della filosofia politica. Questo saggio prende le mosse dalla celebre affermazione di Rudolf von Jhering, secondo cui la forza può esistere senza il diritto, ma non viceversa, per affrontare una domanda cruciale: il diritto è una prosecuzione della violenza con altri mezzi? La riflessione si sviluppa attraverso un’analisi critica dei concetti di forza, violenza e diritto, sottolineando le ambiguità e le tensioni che li attraversano. In ambito giuridico, si distingue tra una forza legittima e una violenza illegale, ma questa distinzione si rivela instabile: il diritto stesso incorpora e produce violenza. A partire da questa ipotesi, il saggio inoltrandosi sui sentieri interrotti della riflessione di Michel Foucault, Walter Benjamin e Sigmund Freud cerca di dimostrare che il diritto non riesce mai a neutralizzare del tutto la violenza originaria da cui trae legittimità, anzi, finendo per reiterarla in forma istituzionalizzata. Ma ben prima della filosofia, l’immaginario tragico dell’antica Grecia rivela il rapporto ambiguo tra diritto e violenza, essendo aspetti interconnessi di un medesimo ordine simbolico
Violenza di polizia e legittimità
Get PDFPolice institutions are uniquely authorized to use force for the containment of social violence and the maintenance of public order. However, when does police violence cease to be a legitimate exercise of force, and under what conditions does the institution itself lose its legitimacy if such force systematically exceeds the boundaries of what is socially and normatively justified?This article examines police violence focusing on the concept of legitimacy and its entanglements with democratic norms across legal, political, cultural, and individual dimensions. By analysing how the legitimacy of police action is constructed, the aim is to contribute to a more nuanced understanding of a peculiar institution of modernity, whose role is increasingly central in contemporary societies.Le polizie sono le uniche istituzioni che possono usare la forza allo scopo di contenere la violenza sociale e preservare l’ordine. Ma fino a che punto la “violenza” di polizia è “forza” legittima? E fino a che punto la stessa istituzione di polizia rimane legittima se la forza a cui ricorrono i suoi operatori eccede sistematicamente i limiti che la definiscono come giustificabile?In questo breve saggio intendo riflettere sulla violenza di polizia proprio a partire dalla messa a fuoco del concetto di legittimità nelle sue intersezioni con la questione democratica su differenti piani: ordinamentale, politico, culturale e personale. L’attesa è di migliorare la comprensione di un’istituzione peculiare della modernità, il cui ruolo è sempre più rilevante nelle società contemporanee
Sculture italiane in marmo nel Viceregno del Perù / Italian Marble Sculptures in the Viceroyalty of Peru
No full textNell’ambito del fenomeno della circolazione dell’arte tra gli Stati italiani e il Viceregno del Perù in Età Moderna, il presente contributo intende focalizzare l’attenzione sull’invio di opere scultoree italiane in marmo in America meridionale. A causa delle grandi difficoltà di trasporto e dei costi molto elevati, la presenza di opere in questo materiale è del tutto eccezionale; quindi, gli esemplari presenti nel continente meritano di essere studiati a prescindere da qualsiasi giudizio qualitativo o di natura estetica. Le opere in marmo in questione sono tutte di tema sacro, essendo per lo più sculture inserite come ornamento di arredi liturgici quali acquasantiere, pulpiti o lavabi, ma ci sono anche casi eccezionali di simulacri di grandi dimensioni come il poco noto Cristo della colonna del convento di San Domenico di Lima.
In the context of the vast phenomenon of the circulation of art between the Italian States and the Viceroyalty of Peru, this article aims to provide an initial contribution to focus attention on the shipping of Italian marble works to South America. Due to the great difficulties associated with transportation and very high costs, the presence of works in this material is quite exceptional on the continent where, in any case, some significant works commissioned by the local civil and religious elite arrived. In fact, in both Europe and America, marble represented a paradigm of value so that it was used by patrons to flaunt their power. The works examined are all related to the sacred sphere, such as holy water fonts, pulpits, washbasins and some statues. They highlight the great importance held by the religious orders, often in competition with each other, in their arrival in the Viceroyalty. The article also studies the way in which works were contracted in Genoese workshops, the difficult dynamics of their shipping, the motivations that drove patrons to purchase them, the reasons that decreed their success or failure, as well as the local alternatives to the use of marble, such as alabaster and painted faux-marble decoration