Tokyo Polytechnic University Repository / 東京工芸大学学術リポジトリ
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Detecting Code Clone Using Maximal Frequent Sequence Mining
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Comparison of policy reusing mechanisms in transfer reinforcemnet learing
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Learning in school education on Identity in adolescence and roles of teachers
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Visualization and analysis of automobile travel speed in Atsugi City, Kanagawa
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Development and Verification of Educational Tool Employing Robot Competition
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Dynamics of maps on R^2 associated with unicritical polynomials
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Applying the Theory of Prehensions by Whitehead to Photography : Subjects and Good Opportunities and Photographs as Propositional Feelings
Get PDFThis paper aims to clarify the meaning of “photography” using the theory of prehensions by Alfred North Whitehead. It could be said that “photography” was generalized and became a theoretical matter in the field of art theory or media theory in the 1960s. However, the goal of discussing photography in this context has not been achieved. Thus, the author attempts to reconsider “photography” on the basis of individual experience as a person who takes or views photographs. When a person expects to photograph an event, he or she considers two aspects: “subjects (that are photographed)” and “good opportunities (for the photo shoot)”. These aspects mean that the subject aims to prehend some data, as propositional feelings, with the datum “photography”. If a subject similarly prehends as the datum “a photo” from another datum, which may be prehended as “a pattern” on a paper or monitor, this datum is connected with the datum “photography” as a potentiality. Moreover, any datum felt by a subject is never primarily the same in the theory of prehensions. Although the technology of making still pictures has completely shifted from analog to digital, the datum “photography” continues to exist even today. Thus, it could be said that the datum “photography” comprises multiple discontinuous data – and not merely the experiences of technology – prehended as a single continuous datum by a subject.5Vol.23 5P論文Paperdepartmental bulletin pape
In the Glory and the Darkness of Lindberg; Kon Ichikawa's Alone Across the Pacific (1963) and The Inugami Clan (1976) under the Influence of Foreign Films
Get PDFKon Ichikawa, a prolific director who made over 80 films in his life, was under the influence of foreign films including The Spirits of St. Luis (1957) and Murder on the Orient Express (1974). Both of them are connected with an American hero Charles Lindberg who flew over the Atlantic Ocean alone and whose little daughter was kidnapped and killed. Comparing Ichikawa's Alone Across the Pacific (1963) and The Inugami Clan (1976) with those films, we might find out the specific characters of his films.6Vol.23 6P論文Paperdepartmental bulletin pape