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Estudio histórico del proceso de pragmatización de construcciones fraseológicas con los esquemas Voto a… y Voto va… en español
No full textA finales de la Edad Media, el acto verbal del voto pierde su valor comisivo y se convierte en instrumento verbal que expresa refuerzo de la aserción y, tras un proceso de subjetivización y pragmatización, pasa a mostrar valores interjectivos sintomáticos. En este artículo se estudia el proceso de gramaticalización y pragmatización de tres construcciones fraseológicas, que se forman a partir del esquema canónico del voto. y que irán modificándose a lo largo de los siglos en su forma y en su función. El slot o casilla vacía se cubre en primer lugar con elementos nominales de índole religiosa característicos de su origen y, posteriormente, tras los cambios sociales y las condiciones sociopragmáticas, por elementos eufemísticos, jocosos, propios de las comedias áureas o de la poesía burlesca, o por pronombres indeterminados, tal como se registra también en los diccionarios contemporáneos. En ese momento, se gramaticaliza la construcción y sufre un proceso de pragmatización que la hace equivalente a una interjección sintomática ‘Voto a tal’, y en menor medida ‘Voto a Dios’, que expresa valores de cólera, enojo, enfado, admiración o sorpresa. A partir del siglo xviii, se encuentra en los textos una nueva construcción fraseológica, ‘Voto va’ que adquiere los mismos valores y que quedará registrada en los corpus hasta el siglo xx.
At the end of the Middle Ages, the verbal act of the vow loses its commissive value and becomes a verbal instrument that expresses reinforcement of the assertion and, after a process of subjectivization and pragmatization, it starts to show symptomatic interjective values. This article studies the process of grammaticalization and pragmatization of three phraseological constructions, which are formed from the canonical scheme of the vow, and which will be modified over the centuries in their form and function. The slot is first covered by nominal elements of a religious nature characteristic of its origin and, later, after social changes and socio-pragmatic conditions, by euphemistic, jocular elements, typical of the golden comedies or burlesque poetry, or by indeterminate pronouns, as is also recorded in contemporary dictionaries. At that time, the construction is grammaticalized and undergoes a process of pragmatization that makes it equivalent to a symptomatic interjection 'Voto a tal', and to a lesser extent 'Voto a Dios', which expresses values of anger, admiration or surprise. From the 18th century onwards, a new phraseological construction 'Voto va' is found in the texts, which acquires the same values and will be recorded in the corpora until the 20th century.At the end of the Middle Ages, the verbal act of the vow loses its commissive value and becomes a verbal instrument that expresses reinforcement of the assertion and, after a process of subjectivization and pragmatization, it starts to show symptomatic interjective values. This article studies the process of grammaticalization and pragmatization of three phraseological constructions, which are formed from the canonical scheme of the vow, and which will be modified over the centuries in their form and function. The slot is first covered by nominal elements of a religious nature characteristic of its origin and, later, after social changes and socio-pragmatic conditions, by euphemistic, jocular elements, typical of the golden comedies or burlesque poetry, or by indeterminate pronouns, as is also recorded in contemporary dictionaries. At that time, the construction is grammaticalized and undergoes a process of pragmatization that makes it equivalent to a symptomatic interjection 'Voto a tal', and to a lesser extent 'Voto a Dios', which expresses values of anger, admiration or surprise. From the 18th century onwards, a new phraseological construction 'Voto va' is found in the texts, which acquires the same values and will be recorded in the corpora until the 20th century.
A finales de la Edad Media, el acto verbal del voto pierde su valor comisivo y se convierte en instrumento verbal que expresa refuerzo de la aserción y, tras un proceso de subjetivización y pragmatización, pasa a mostrar valores interjectivos sintomáticos. En este artículo se estudia el proceso de gramaticalización y pragmatización de tres construcciones fraseológicas, que se forman a partir del esquema canónico del voto. y que irán modificándose a lo largo de los siglos en su forma y en su función. El slot o casilla vacía se cubre en primer lugar con elementos nominales de índole religiosa característicos de su origen y, posteriormente, tras los cambios sociales y las condiciones sociopragmáticas, por elementos eufemísticos, jocosos, propios de las comedias áureas o de la poesía burlesca, o por pronombres indeterminados, tal como se registra también en los diccionarios contemporáneos. En ese momento, se gramaticaliza la construcción y sufre un proceso de pragmatización que la hace equivalente a una interjección sintomática ‘Voto a tal’, y en menor medida ‘Voto a Dios’, que expresa valores de cólera, enojo, enfado, admiración o sorpresa. A partir del siglo xviii, se encuentra en los textos una nueva construcción fraseológica, ‘Voto va’ que adquiere los mismos valores y que quedará registrada en los corpus hasta el siglo xx
La ficción: baluarte de la memoria en Max Aub y Antonio Muñoz Molina
No full textEl presente trabajo desea destacar cómo las narrativas de Max Aub y Antonio Muñoz Molina actúan como instrumento de resistencia contra la desmemoria impuesta por el franquismo. Tomando como referencia las novelas que componen el Laberinto mágico aubiano y Beatus Ille, La noche de los tiempos, El jinete polaco, y Sefarad de Muñoz Molina, se afrontará el análisis de los recursos y estrategias empleados por ambos autores para recrear la guerra, el franquismo y el exilio dando una versión de los hechos que refleje la verdad, huya de simplismos maniqueos y rinda homenaje a todas aquellas víctimas que la historiografía no recoge. En definitiva, se tratará de demostrar que la ficción puede revelarse una herramienta crucial para recuperar y transmitir aquellas verdades que fueron silenciadas y construir una memoria histórica más inclusiva, justa y democrática.
This paper aims to highlight how the narratives of Max Aub and Antonio Muñoz Molina serve as instruments of resistance against the amnesia imposed by Francoism. Using as reference the novels that make up Aub's Laberinto mágico and Muñoz Molina's Beatus Ille, La noche de los tiempos, El jinete polaco, and Sefarad, the analysis will focus on the resources and strategies employed by both authors to recreate the war, Francoism, and exile, providing a version of events that reflects the truth, avoids simplistic manicheism, and pays tribute to all those victims not acknowledged by historiography. Ultimately, this paper seeks to demonstrate that fiction can prove to be a crucial tool for recovering and transmitting those silenced truths and for building a more inclusive, just, and democratic historical memory.This paper aims to highlight how the narratives of Max Aub and Antonio Muñoz Molina serve as instruments of resistance against the amnesia imposed by Francoism. Using as reference the novels that make up Aub's Laberinto mágico and Muñoz Molina's Beatus Ille, La noche de los tiempos, El jinete polaco, and Sefarad, the analysis will focus on the resources and strategies employed by both authors to recreate the war, Francoism, and exile, providing a version of events that reflects the truth, avoids simplistic manicheism, and pays tribute to all those victims not acknowledged by historiography. Ultimately, this paper seeks to demonstrate that fiction can prove to be a crucial tool for recovering and transmitting those silenced truths and for building a more inclusive, just, and democratic historical memory.
El presente trabajo desea destacar cómo las narrativas de Max Aub y Antonio Muñoz Molina actúan como instrumento de resistencia contra la desmemoria impuesta por el franquismo. Tomando como referencia las novelas que componen el Laberinto mágico aubiano y Beatus Ille, La noche de los tiempos, El jinete polaco, y Sefarad de Muñoz Molina, se afrontará el análisis de los recursos y estrategias empleados por ambos autores para recrear la guerra, el franquismo y el exilio dando una versión de los hechos que refleje la verdad, huya de simplismos maniqueos y rinda homenaje a todas aquellas víctimas que la historiografía no recoge. En definitiva, se tratará de demostrar que la ficción puede revelarse una herramienta crucial para recuperar y transmitir aquellas verdades que fueron silenciadas y construir una memoria histórica más inclusiva, justa y democrática
Aspetti storici ed etici del rapporto tra medici e farmacisti. La Convenzione di Bologna del 1606
No full textIn 1606 in Bologna a document titled Conventioni fra l’eccellentissimo Collegio dei Medici et l’honorabile Compagnia delli Speciali Medicinalisti di Bologna was drafted. It established regulations for the preparation, preservation, and sale of medicines, also regulating the relationship between doctors and pharmacists. The text emphasized the ethical value of collaboration between doctors, responsible for diagnoses and prescriptions, and pharmacists, who prepared and administered the medicines. Indeed, the cooperation between these two professional roles was seen as essential for ensuring effective patient treatment.Nel 1606 a Bologna fu redatto un documento intitolato Conventioni fra l’eccellentissimo Collegio dei Medici et l’honorabile Compagnia delli Speciali Medicinalisti di Bologna, che stabiliva le normative per la preparazione, la conservazione e la vendita dei medicinali, regolando anche il rapporto tra i medici e gli speziali. Il testo evidenziava il significato etico della collaborazione tra i medici, responsabili delle diagnosi e delle prescrizioni, e gli speziali, che preparavano e dispensavano i farmaci. Infatti, la cooperazione tra queste due figure professionali era vista come fondamentale per garantire un trattamento efficace dei pazienti
Il corpus di bolli su terra sigillata italica da Tindari. Un aggiornamento e qualche nota
No full textFor a long time, the site of Tindari, an important city on the northern coast of Sicily that has been the subject of investigation since the 1950s, has seen scholars focus more on defining the urban structure and analysing the city's monumental findings, reserving less space for aspects of the centre's material culture in the Hellenistic and Roman periods. The recent resumption of investigations has given new impetus to the studies, offering an opportunity to deepen our knowledge in this regard. The present paper focuses on the attestations of stamps on Italic Terra Sigillata pottery, starting from an unpublished nucleus of finds from the revision of the materials from the Lamboglia 1950-1952 excavations and from the more recent investigations carried out by the University of Turin in the Cercadenari district, analysed in relation to the already known attestations: the census of the identified potters, almost all of whom are still unknown in the Tindaritan panorama, opens the way to interesting considerations on the variety of production attested, on the city's main supply channels, on the commercial circuits in which it was involved and above all on the possibility of its insertion into a Mediterranean network, evaluating the role of Tindari within the broader framework of the conspicuous imports of Italic terra sigillata to Sicily between the late Republican age and the early Imperial period.Il sito di Tindari, importante città sulla costa settentrionale della Sicilia oggetto di indagine a partire dagli anni Cinquanta del Novecento, a lungo ha visto una maggiore attenzione degli studiosi rivolti alla definizione della struttura urbana e all'analisi dei rinvenimenti monumentali della città, riservando meno spazio agli aspetti propri della cultura materiale del centro in età ellenistica e romana. La recente ripresa delle indagini ha dato nuovo impulso agli studi, offrendo l'occasione per un approfondimento delle conoscenze in proposito. Il presente contributo si focalizza sulle attestazioni di bolli su ceramica in terra sigillata italica partendo da un nucleo inedito di reperti, provenienti dalla revisione dei materiali degli scavi Lamboglia 1950-1952 e dalle più recenti indagini dell'Università di Torino in contrada Cercadenari, analizzati in rapporto alle attestazioni già note: il censimento dei ceramisti identificati, quasi tutti ancora sconosciuti nel panorama tindaritano, apre la strada a interessanti riflessioni sulla varietà delle produzioni attestate, sui principali canali di approvvigionamento della città, sui circuiti commerciali in cui era coinvolta e soprattutto sulla possibilità di inserirsi all'interno di una rete mediterranea, valutando il ruolo di Tindari nel più ampio quadro delle cospicue importazioni di terra sigillata italica in Sicilia fra tarda età repubblicana e primo periodo imperiale
Leggende marittime portoghesi di epoca antica e moderna
No full textAbstract:The aim of the present work is to highlight some Portuguese maritime legends which are still part of the popular tradition. These legends are strongly connected to Portugal and its maritime history in the period of the voyages of discovery and we will start our study with the most ancient legend regarding the founding of Lisbon by the quintessentially voyager, Ulysses.
Keywords: legends, sea, Lisbon, Ulysses, voyages of discoveryRiassuntoIl presente lavoro intende mettere in risalto alcune delle leggende marittime portoghesi, ancora oggi vive nella tradizione popolare, collegate al Portogallo e alla sua storia marittima durante l’epoca dei viaggi di scoperta, a partire dalla leggenda più antica relativa alla fondazione della città di Lisbona per conto del navigatore per eccellenza, Ulisse.
Parole chiave: leggende, mare, Lisbona, Ulisse, viaggi di scopert
El ser humano y el mar: análisis de una selección de cuentos de Emilia Pardo Bazán y Vicente Blasco Ibáñez: Español
No full textA finales del siglo XIX, célebres escritores españoles relacionados con el naturalismo, como Emilia Pardo Bazán y Vicente Blasco Ibáñez, cultivaron el cuento para describir costumbres, tipos y entornos de su región, Galicia y Valencia. En ambos autores el mar emerge como un elemento significativo en sus relatos, ejerciendo una influencia inevitable en la vida de los habitantes costeros y los marineros que desarrollan sus vidas en las barcas. El objetivo de este trabajo es el análisis de una selección de cuentos de los dos autores atendiendo principalmente a la relación entre el hombre y el mar. Se examinará la forma de describir el ambiente marino de los dos escritores desde la mirada naturalista y cómo el mar influye en el carácter de los personajes y sus destinos. Además, se comparará el papel del mar en sus relatos, ya que le otorgan distintas significaciones debido a su diferente ideología. A través del análisis, se evidencia la influencia del naturalismo en ambos autores, pues tanto el mar gallego como el valenciano pueden presentarse como fuerzas implacables y destructivas. No obstante, en ciertos momentos, el mar gallego asume un rol maternal, nutriendo y abrigando a los personajes, mientras que el mar valenciano se convierte en un aliado eficaz de las clases bajas, apoyando sus luchas y aspiraciones.At the end of the 19th century, renowned Spanish writers associated with naturalism, such as Emilia Pardo Bazán and Vicente Blasco Ibáñez, used short stories to depict the customs, characters, and environments of their regions, Galicia and Valencia. In both authors, the sea emerges as a significant element in their narratives, exerting an inevitable influence on the lives of coastal inhabitants and sailors who spend their lives in boats. The objective of this study is to analyze a selection of short stories from these two authors, focusing mainly on the relationship between man and the sea. The study will examine how both writers describe the marine environment from a naturalist perspective and how the sea influences the characters’ personalities and destinies. Additionally, the role of the sea in their stories will be compared, as they assign different meanings to it due to their different ideology. Through this analysis, the influence of naturalism on both authors becomes evident, as the Galician and Valencian seas can be portrayed as relentless and destructive forces. However, at certain moments, the Galician sea takes on a maternal role, nurturing and sheltering the characters, while the Valencian sea becomes an effective ally of the lower classes, supporting their struggles and aspirations
"Bendiciones del mar” en la época moderna: El papel de las imágenes aparecidas en el sur de España
No full textEl extremo occidental del Mar Mediterráneo atraviesa una coyuntura muy especial a comienzos de la Edad Moderna. Es un espacio de frontera, donde se concreta el enfrentamiento entre Cristiandad e Islam. Es además un espacio natural sujeto a fenómenos físicos adversos. Por eso, en el mundo del mar fluyeron leyendas e historias de intervenciones celestiales, que calaron en las mentalidades colectivas e influyeron en la psicología de las gentes de la mar. Entre los prodigios más señalados está la aparición de imágenes sagradas entre las olas del mar, testigos del mundo paleocristiano. En la mayoría de los casos son efigies de la Virgen María y los testimonios literarios relatan esas historias. La protección de María sobre navegantes, marineros y pescadores se mantiene actualmente alrededor de la Virgen del Carmen, pero muchas otras advocaciones marianas mostraron su protección cotidiana en el mar.The western end of the Mediterranean Sea is going through a very special situation at the beginning of the Modern Age. It is a border space, where the confrontation between Christianity and Islam takes place. It is also a natural space subject to adverse physical phenomena. For this reason, legends and stories of celestial interventions flowed into the world of the sea, which permeated the collective mentalities and influenced the psychology of the people of the sea. Among the most notable prodigies is the appearance of sacred images among the waves of the sea, witnesses of the early Christian world. In most cases they are effigies of the Virgin Mary and literary testimonies tell these stories. Mary's protection over merchants, sailors and fishermen is currently maintained around the Virgin of Carmen, but many other marian devotions showed her daily protection at the sea
Roma y el control de las rutas marítimas del Noroeste del Mediterráneo (s. II a.C.)
No full textLa publicación de obras como The Corrupting Sea: a Study of Mediterranean History de P. Horden & N. Purcell (Oxford 2000, pp.124-126) o Globalisation and the Roman World. World History, Connectivity and Material Culture de M. Pitts & M.J. Versluys (eds.) (Cambridge 2015, pp.107, 244, 248 etc.) han vuelto a señalar la importancia de la conectividad en la antigüedad. Hasta la construcción de la Via Domitia (últimas décadas del siglo II a.C.), dicha conectividad se materializó en el Noroeste del Mediterráneo a través de rutas marítimas que conectaban Roma con la Península Ibérica, la región más occidental del Mediterráneo. Las naves que realizaban la travesía dependían de los vientos que regían la navegación y de los puntos seguros de fondeo ubicados a lo largo de la ruta. El control de las islas Baleares, el golfo de Roses, la costa ligur, además de Córcega y Cerdeña, eran vitales para garantizar el tráfico seguro a través del golfo de León (Oros.1.66)The publication of works such as The Corrupting Sea: a Study of Mediterranean History by P. Horden & N. Purcell (Oxford 2000, pp. 124-126) or Globalization and the Roman World. World History, Connectivity and Material Culture by M. Pitts & M.J. Versluys (eds.) (Cambridge 2015, pp.107, 244, 248 etc.) have once again pointed out the importance of connectivity in ancient times. Until the construction of Via Domitia (last decades of the 2nd century BC), this connectivity materialized in the Northwest of the Mediterranean through sea routes that connected Rome with the Iberian Peninsula, the westernmost region of the Mediterranean. The ships that made the crossing depended on the winds and currents that governed navigation and on the safe anchoring points located along the route. Control of the Balearic Islands, the Gulf of Roses, the Ligurian coast, as well as Corsica and Sardinia, were vital to ensure safe traffic through the Gulf of Lion (Oros.1.66)
Moby-Dick como desempeño natural
No full textLa obra de Hermann Melville (1819-1891) ha sido estudiada desde numerosas perspectivas, dando lugar a extensos estudios sobre el autor estadounidense. Sin embargo, existen escasos trabajos específicos acerca de su visión de la naturaleza. El presente artículo investiga este aspecto, vinculándolo a las preocupaciones ecológicas y medioambientales del momento actual. Para ello nos servimos de su célebre novela Moby-Dick (1851), contextualizándola dentro del enorme cambio social, económico y político del mundo de entonces. En esta obra, Melville se interroga sobre la continuidad entre historia natural e historia humana, adoptando como elemento central para su narración la persecución de un cetáceo que muestra analogías en relación con la sociedad humana y su destino.
The work of Hermann Melville (1819-1891) has been studied from numerous perspectives, giving rise to extensive studies on the American author. However, there is little work specifically on his view of nature. This article investigates this aspect, linking it to current ecological and environmental concerns. To do so, we use his famous novel Moby-Dick (1851), placing it in the context of the enormous social, economic and political change in the world at the time. In this work, Melville questions the continuity between natural history and human history, adopting as a central element of his narrative the pursuit of a cetacean that shows analogies in relation to human society and its fate.The work of Hermann Melville (1819-1891) has been studied from numerous perspectives, giving rise to extensive studies on the American author. However, there is little work specifically on his view of nature. This article investigates this aspect, linking it to current ecological and environmental concerns. To do so, we use his famous novel Moby-Dick (1851), placing it in the context of the enormous social, economic and political change in the world at the time. In this work, Melville questions the continuity between natural history and human history, adopting as a central element of his narrative the pursuit of a cetacean that shows analogies in relation to human society and its fate