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Michele Ardengo e l'antieroe moraviano
No full textIl saggio analizza la figura di Michele Ardengo in Gli indifferenti (1929) di Alberto Moravia come archetipo dell’antieroe novecentesco, indagandone la funzione strutturale e simbolica nella rappresentazione della crisi dell’individuo borghese. Il personaggio di Michele si delinea come figura liminale, dotata di una lucida coscienza del vuoto morale che permea il microcosmo familiare e sociale in cui è immerso. Tale consapevolezza, tuttavia, non si traduce in un’azione efficace, ma resta confinata nel dominio dell’intenzione, dando luogo a una non-azione, declinata al tempo stesso come fallimento esistenziale e come forma autentica di rivolta negativa. Il contributo colloca così Gli indifferenti nel passaggio tra modernismo e postmodernismo, evidenziando il ruolo decisivo della centralità della coscienza dei personaggi e del narratore onnisciente eterodiegetico nella costruzione di una rappresentazione critica e intelligibile del reale. Ne risulta il ritratto di un personaggio emblematico dell’inquietudine novecentesca, in cui il desiderio di autenticità si scontra con l’impossibilità dell’azione, confermando Gli indifferenti come testo fondativo della narrativa italiana del Novecento
El modelo antropomórfico en la traducción de las locuciones prepositivas en dos romanceamientos bíblicos del siglo XIII
No full textResumen
En este trabajo se realiza un estudio contrastivo de las locuciones prepositivas somáticas en dos libros bíblicos, el Libro de Daniel y el Eclesiástico, presentes en dos traducciones coetáneas, la Biblia escurialense I.i.6 y la cuarta parte de la General Estoria. El objetivo es determinar cuál es la dinámica traductora de las locuciones prepositivas somáticas, qué versiones traducen con más propiedad los esquemas latinos y qué soluciones ofrecen los romanceamientos medievales y de qué dependen los cambios morfosintácticos y la variación que manifiestan.Abstract
This paper presents a contrastive study of the somatic complex prepositions in two biblical books, the Book of Daniel and the Ecclesiasticus, present in two contemporary translations, the Bible preserved in the codex Escorial I.i.6 and the fourth part of the General Estoria. Our goal is to determine what the translation dynamics of somatic complex prepositions are, which versions most appropriately translate the Latin schemes and what solutions the vernacular translations offer and what the morphosyntactic changes and the variation they manifest depend on
Chinese thought in the writings of Simone Weil: Encounter and translation
No full textSimone Weil (1909-1943) was a French philosopher who left many writings addressing issues in philosophy, mysticism, theology, social science, political activism, and many other fields. Her Notebooks (1941-1942) include frequent references to the Chinese thought in different sections of the text, yet rarely explored to date. The aim of this paper is to detect and analyze these references, with a particular focus on keywords such as Dao, Daoism, Laozi, wu wei, the water metaphor. What proves to be remarkably interesting in the presence of the frequent references to Chinese thought in the writings of Weil is the general association of these elements with Christian concepts.
After a brief outline of the life and activity of Simone Weil, the paper will present the sources and translations through which Weil encountered Chinese philosophy, and the role she gave it in her thought and her writings. A comparison with the extracts of the Chinese texts addressing the issues quoted will also be included. To conclude, some features of the studies by Chinese scholars on Simone Weil will be presented, to explore the eventual importance given to this particular aspect of her thought and the corresponding translating issues concerning the Chinese edition of her works
Del relato a la escena. Sobre la transcodificación de La verdadera historia de la muerte de Francisco Franco en la adaptación teatral de José Ramón Fernández
No full textLa versión escénica de La verdadera historia de la muerte de Francisco Franco realizada por José Ramón Fernández plantea significativas reflexiones críticas sobre los procedimientos de transcodificación del relato de Max Aub. De hecho, la adaptación teatral utiliza y desarrolla la estructura oral propia del cuento, corroborando la idea de una teatralidad connatural al texto original. Además, en un sentido más amplio, la dramaturgia del relato aubiano puede interpretarse como un eslabón más en el proceso de incorporación de la escritura de Aub en el contexto literario español actual.The stage version of La verdadera historia de la muerte de Francisco Franco by José Ramón Fernández raises significant critical reflections on the transcoding procedures of Max Aub's story. In fact, in the theatrical adaptation Fernández uses and develops the oral structure proper to the story, and that confirms the idea of a dramatic dimension innate to the original text. In a broader sense, the dramaturgy of the tale can be interpreted as a further link in the inclusion process of Aub's writing into the current Spanish literary context.
“I am not writing about sex but of human nature:" Pornography, sex and human nature in the Untold Trilogy of Feng Tang
No full textSince the early 1990s, sexuality has emerged as an increasingly significant theme in Chinese literature and popular culture. In contrast to earlier works that suppressed sexuality in favor of political fervor, authors like Wang Xiaobo (1952-1997) introduced a completely fresh perspective on sexuality, emphasizing its individual significance (Larson 2003). Two decades after the release of Wang Xiaobo’s renowned novel The Golden Years (1991), Feng Tang (1971) astonishes Chinese readers with his unconventional treatment of sex in his novel Bu’er, the first of the so-called “Unspeakable Trilogy.” Beyond the controversies often surrounding Feng Tang for his unreserved approach to discussing sexuality, particularly male sexuality, this article aims to provide reflection on his poetics of sex, which often appear to aim for higher, sometimes philosophical, ends rather than merely seeking to shock or disturb the reader
Body, cross-dressing, identity: Mulan "in his shoes” in Xu Wei’s play
No full text“Four Cries of a Gibbon” (Si sheng yuan) by Xu Wei (1521-1593) presents four plays with varying outcomes that are nevertheless united by the common thread of fluctuating identity. In the last two works, the playwright focuses on the ideas of gender and cross-dressing. In fact, the stories of two heroines are told who, denying their bodies and concealing their identities, don men’s clothing in order to take on more masculine features and thus attempt to participate in activities normally considered purely within the realm of men: wu (martial arts) and wen (literature and the arts). Focusing on wu, this paper examines the work entitled “The Female Mulan Joins the Army in Place of Her Father” (Ci Mulan tifu congjun), inspired by the famous 6th-century poem Mulan shi. Xu Wei builds a narrative plot on Mulan’s transition from woman to man through a series of scenes highlighting her undressing, her unclad body, and the idea of disguising it with a new identity. The denouement is, however, exactly the opposite process, a reacquisition of her feminine looks and role in the family and society. This paper pays particular attention to the unbinding and rebinding of her feet and the preservation of virginity. These elements are crucial to the heroine’s “Confucian” (xiao and jie) character. “In his shoes,” Mulan demonstrates her talent and skills. Her story shows that it is the clothes that make the difference, not the body wearing them. Hinged on the contrast between being and appearing, between what is seen and what is not, this paper reflects on the presentation of the body on stage and the relative audience reaction
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No full textFunctions of Surrealism.Fonctions du Surréalism.Functions of Surrealism
Historikà XIV - Introduzione e Indice
No full textHistorikà XIV - Introduction and Table of ContentsHistorikà XIV - Introduzione e Indic
La terminología marinera en diccionarios de la RAE. Estudio diacrónico
No full textEste estudio se ha llevado a cabo mediante una metodología empírica de corte mixto y se han recogido datos tanto cualitativos como cuantitativos. Se presenta como una investigación diacrónica o evolutiva que analiza las unidades pluriverbales verbales de ámbito náutico o marítimo en los diccionarios de la Academia desde principios del siglo XVIII hasta el siglo XX. Asimismo, estos artículos lexicográficos se comparan con los ofrecidos por los diccionarios de la Real Academia Española de 2001 y 2014 y se obtienen unos resultados que permiten comprobar la evolución terminológica y la sanción lexicográfica de estas voces de especialidad marítima en tales diccionarios. Por otro lado, se hallará el origen de cada una de las unidades y se comprobará cómo numerosas de las unidades pluriverbales verbales marinas han extendido su significado hasta el lenguaje común o incluso se han llegado a perder. Los datos cuantitativos revelan que el Diccionario de la Academia Usual de 1884 es aquel que más voces registra por primera vez con la etiqueta de especialidad marítima. También se ha conocido que la categoría gramatical del sustantivo es la predilecta en la lematización de las voces, pues la mayoría se recogen bajo un lema perteneciente a esta clase de palabra. Por último, se ha obtenido un mayor número de voces de especialidad registradas con la marca técnica Mar. Se trata, por tanto, de estudiar por individual cada una de las expresiones y analizar el proceso de lematización, las definiciones y su evolución a lo largo de los diccionarios de la Academia.This study has been carried out using a mixed empirical methodology and both qualitative and quantitative data have been collected. It is presented as a diachronic or evolutionary research which analyses the pluriverbal verbal units of nautical or maritime scope in the Academy's dictionaries from the beginning of the 18th century to the 20th century. Likewise, these lexicographical articles are compared with those offered by the dictionaries of the Royal Spanish Academy of 2001 and 2014 and results are obtained that allow us to verify the terminological evolution and the lexicographical sanction of these maritime speciality words in these dictionaries. On the other hand, the origin of each of the units will be found and it will be shown how many of the marine pluriverbal verbal units have extended their meaning to the common language or have even been lost. The quantitative data reveal that the Diccionary of the Usual Academy of 1884 is the one that records the most words with the label of maritime speciality for the first time. It is also known that the grammatical category of the noun is the preferred one in the lemmatisation of words, as most of them are collected under a lemma belonging to this word class. Finally, a greater number of speciality terms registered under the technical brand name Mar. have been obtained. It is therefore a question of studying each of the expressions individually and analysing the process of lemmatisation, the definitions and their evolution throughout the Academy's dictionaries