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Miriam Pimentel García, Catálogo-índice de romances y canciones narrativas de tradición oral: Anejo 5 del Boletín de Literatura Oral (Universidad de Jaén), 2020
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Some new remarks on the Egyptian loss of ḳ
No full textIn this contribution, the Egyptian loss of ḳ is tackled again. The phenomenon can be considered well known. It has been firmly established in research for half a century. The evidence is increased here by three new examples, stemming from the Middle and New Kingdom as well as the Greco-Roman Period
La poesía de rasgos ecofeministas a la luz del pensamiento de Gianni Vattimo
No full textThis article explores poetry with ecofeminist traits in light of Gianni Vattimo’s thought, particularly his notion of "weak thought." It examines how ecofeminism, by challenging hegemonic metanarratives, shares with Vattimo’s hermeneutics an openness to multiple meanings and a resistance to power structures that subordinate both women and nature. Through the study of poems by various authors, four key interpellations of ecofeminist poetry are identified: political, ecological, poietic, and ethical-spiritual. The article highlights how poetry not only gives voice to silenced experiences but also serves as a tool for resistance and transformation, promoting an ethics of care and a reconfiguration of our relationship with nature
Boris Johnson’s Narrative of the 2016 Brexit Referendum: A Counter-discourse on the European Union
No full textThis paper seeks to argue that Boris Johnson, one of the most prominent leaders in the Leave campaign during the 2016 Brexit referendum succeeded in persuading British voters to be on his side and choose to leave the European Union (EU). One of the arguments advanced by Johnson during the referendum campaign was that leaving the EU would allow Britain to regain its sovereignty as well as its role in the world. This study is focused on Johnson’s two speeches, one on the Brexit referendum and one on the Brexit result, given their significance in manipulating British public opinion in relation to their stance on the EU. The analysis is based on Obeng’s (1997) indirectness strategies and Fairclough’s and Fairclough’s (2012) practical reasoning framework. The central argument is that Johnson’s verbal strategies have been influential in the results of the referendum, putting an end to a long partnership between the EU and the UK. Such a split ushered in a new era for both partners in the aftermath of Brexit, putting EU’s integrity at stake, raising concern about more frictions within such an institution.
Keywords: Brexit, Britain, Discourse, EU, Johnso
Représenter l’Europe dans un divertissement télévisuel. Entre marque et programme : la mise en scène des frontières au Concours eurovision de la chanson 2023
No full textThe Eurovision Song Contest is organized annually by the European Broadcasting Union (EBU). This article aims to analyze the changes made to the stage design in the specific context of the 2023 edition, organized by the BBC on behalf of the Ukrainian broadcaster Suspilne, due to the war in Ukraine. This particular configuration highlights the porosity between the EBU's corporate discourse on union and the entertainment program that symbolically creates competition between nations. The approach combines media strategies and television programs studies based on the work of François Jost and Jean-Claude Soulages in the field of information and communication sciences. The transfer of an institutional decision into entertainment is analyzed through the relationships between genres, enunciation, tones, and strategic uses of eight excerpts taken from the three shows that make up the 2023 edition of the contest. The article explores this question through the metaphor of the border. Its various visual and discursive manifestations deepen the meaning of unity in a strategy to reinforce the EBU's message in a sensitive context. The article thus provides further reflection on the discursive saturation of unity, expressed in a variety of content and conveyed through a polyphonic discourse. It therefore examines how entertainment negotiates external events to consolidate its functioning, its own language, and the promotion of the EBU as a media player.Keywords: Apparatus, Border, Corporate Discourse, Entertainment, Europe, EurovisionLe concours Eurovision de la chanson est organisé annuellement par l’Union européenne de radiodiffusion (UER). L’article vise à analyser les variations apportées au dispositif scénique dans le contexte particulier de l’édition 2023, organisée par la BBC au nom du média ukrainien Suspilne, en raison de la guerre d’Ukraine. Cette configuration particulière met en effet en avant la porosité entre le discours institutionnel de l’UER sur l’union et le programme de divertissement qui met symboliquement en concurrence des nations. L’approche conjugue stratégies médiatiques et discours des programmes télévisés à partir des travaux en sciences de l’information et de la communication de François Jost et Jean-Claude Soulages. Le transfert de la décision institutionnelle de l’UER dans le format du divertissement est analysé à travers les relations entre genres, énonciation, tons et usages stratégiques de huit passages tirés des trois émissions qui composent l’édition 2023 du concours. Le fil rouge exploratoire identifié est celui de la métaphore de la frontière. Ses différentes manifestations visuelles et discursives approfondissent le sens de l’union dans une stratégie de renforcement du message de l'UER en contexte sensible. L’article apporte ainsi des éléments de réflexion sur la saturation du message de l’union décliné dans une variété de contenus et porté par une énonciation polyphonique. L’article interroge donc comment le divertissement négocie les évènements extérieurs pour consolider son fonctionnement, son langage propre et la valorisation de l’UER comme acteur médiatique. Mots-clés : Divertissement, Dispositif, Europe, Eurovision, Frontière, discours institutionne
Disuguaglianze territoriali nell’insicurezza alimentare: implicazioni per la Food Policy di Roma
No full textAttraverso il caso empirico della città di Roma, l’articolo si pone l’obiettivo di comprendere le interazioni tra i fattori culturali e socio-economici che caratterizzano un territorio e il livello di insicurezza alimentare della sua popolazione, al fine di contribuire ad effettuare efficaci previsioni politiche sul tema. La povertà alimentare si inserisce, infatti, nel più ampio spettro della condizione di precarietà multilivello, che include ulteriori situazioni di potenziale vulnerabilità come quella abitativa, educativa o economica. L’approfondimento delle condizioni multiple di vulnerabilità socio-economica attraverso una prospettiva locale vuole dunque contribuire a formulare politiche che siano il più possibile allineate al fabbisogno reale di ciascun territorio
Terra Madre 2024 a Torino
No full textDal 26 al 30 settembre 2024 si è tenuto presso il parco Dora a Torino il Salone del Gusto “Terra Madre” promosso da Slow Food, la città di Torino e la Regione Piemonte
L’oblio dei traduttori, dei canonici e dei faraoni: Intorno all’Ozymandias di Percy Bysshe Shelley in Italia
No full textOzymandias è uno dei testi di Percy Besshy Shelley più presenti nelle antologie scolastiche inglesi. Il sonetto, per la chiarezza anche sintattica e lessicale con cui affronta il tema della vanitas vanitatum, sembrerebbe non porre particolari problemi ai traduttori. L’analisi delle traduzioni che hanno segnato la ricezione italiana di Shelley mostra come invece le scelte e le strategie traduttive abbiano ricreato testi molto diversi fra loro, coerenti con l’idea di traduzione e di poetica dominante in un certo periodo della storia del gusto e dello stile o profondamente influenzate dalla poetica del traduttore, in alcuni casi egli stesso poeta. Dopo essersi soffermato su quattro versioni pubblicate del sonetto (Carlo Faccioli 1902, Adolfo De Bosis 1928, Giuseppe Conte 1989, Francesco Rognoni 2018) e su alcune traduzioni inedite, attribuibili ad autori canonici della letteratura italiana come Leopardi e Ungaretti, il saggio si conclude con alcune considerazioni sulla traduzione letteraria e l’intelligenza artificiale.
Ozymandias is one of Percy Bysshe Shelley’s most frequently anthologized texts in English school curricula. Owing to its lexical and syntactic clarity in addressing the theme of vanitas vanitatum, the sonnet would appear to pose no significant challenges for translators. Yet, this essay, by examining a range of translations that have shaped the Italian reception of Shelley, reveals how translation choices and strategies have resulted in markedly different texts. These variations often reflect the prevailing theories of translation and dominant poetic norms of a given period, or are deeply influenced by the translator’s individual poetics—who is, in some cases, a poet themselves. The essay focuses on a comparative analysis of four published versions of the sonnet (Carlo Faccioli 1902, Adolfo De Bosis 1928, Giuseppe Conte 1989, and Francesco Rognoni 2018), along with previously unpublished translations possibly attributable to canonical Italian authors such as Leopardi and Ungaretti. The essay concludes with reflections on literary translation in the age of artificial intelligence
La riflessione neoplatonica sul dinamismo della natura. Damascio a confronto con Proclo
No full textThe present study analyses Damascius’ naturalism in the light of the definition of the activities attributed to φύσις. This subject will be examined both by reference to Galen’s physiology and by comparison with Proclus’ naturalistic doctrine, which is characterised in a theological sense. Like Galen, Proclus and Damascius reject the autonomistic and mechanistic conception of nature, and to varying degrees they are critical of Aristotelian naturalism and psychology. Instead, the three thinkers considered propose an interpretation of natural phenomena that is firmly centred on the causal and finalist function of the principles governing the physical domain. In particular, it is emphasised that, in the case of the two Neoplatonists studied, this aetiological and teleological approach to physical research is transformed into a structured metaphysical theorisation of causality that transcends the empirical realm
