Università degli studi di Torino: [email protected] - SIstema RIviste Open access
Not a member yet
8504 research outputs found
Sort by
The Violence of Hospitality and Exophonic Practices
No full textThis paper discusses the notion of linguistic hospitality and its often-overlooked relationship with violence. While hospitality and violence are commonly perceived as opposing phenomena, this contribution reveals their intricate entanglement. The first part of the article examines key theoretical perspectives on hospitality, drawing on the works of Benveniste, Ricoeur, and Derrida. Particular emphasis is placed on Paul Ricoeur’s notion of linguistic hospitality and its implications. The connection between violence and hospitality within the realm of language is further elucidated through an analysis of Walter Benjamin’s reflections on translation and communication. In the final section, the paper investigates alternative practices of translational experience, defined as exophony, which challenge and go beyond the model of hospitality
Antonio Gargano, Con aprendido canto. Tradiciones poéticas y perspectivas ideológicas en el cancionero amoroso de Garcilaso de la Vega: Madrid, Biblioteca Áurea Hispánica/ Iberoamericana, 2023
No full textReseña del volumen.Recensione del libro
Antonio Enríquez Gómez, Política angélica: sobre el gobierno que se debe tener con los reducidos a la fe católica y con los que se apartaron de ella, edición crítica, estudio y notas de Felice Gambin: Huelva, Universidad de Huelva (Bibliotheca Montaniana), 2024
No full textReseña del volumen.Recensione del volume
Gracia Morales, Cattivo odore, Introduzione e traduzione a cura di Enrico Di Pastena: Imola, Cue Press (Collana I Testi), 2024
No full textReseña de la traducción italiana de la pieza teatral Cattivo odore (2019) de la dramaturga andaluza Gracia Morales. Análisis de los rasgos del texto, del que se enfocan el tema, el mensaje, el tratamiento del eje espacio-temporal, de la costrucción de los personaje y otras características típicas de la dramaturgia de la autora.Review of the Italian translation of the play Cattivo odore (2019) by the Andalusian playwright Gracia Morales. Analysis of the features of the text, focusing on the theme, the message, the treatment of the spatio-temporal axis, the construction of the characters and other typical characteristics of the playwright's dramaturgy
Mountain Therapy as a support in breast cancer treatment: A pilot study in Southern Italy
No full textThis paper offers a pilot study on Mountain Therapy (MT) as a therapeutic-rehabilitative and/or socio-educational methodological approach aimed at the secondary prevention, treatment and rehabilitation of people with different pathologies. The study was conducted in 2021 in the Sila National Park in the Calabria region (Southern Italy) and involved a group of 19 breast cancer patients after surgery, chemotherapy and radiotherapy. The main results show that the patient’s quality of life improved after the MT approach, reducing stress and anxiety levels. These effects were measured by the submission of the HADS - Hospital Anxiety and Depression Scale - questionnaires at time 0 (start) and time 1 (end) of the treatment and by an NCCN Distress Thermometer. The study confirms the regenerative capacity of the natural environment in people suffering from a disabling disease, monitored through the assessment of psycho-physical parameters, helping to improve their quality of life and reduce hospitalisations
From Discourse to Figure. Plasticity and Mimesis in Disrupted Realism
No full textGrounded in the philosophical discourse mainly articulated by Catherine Malabou and Nidesh Lawtoo, this study posits that the so-called Disrupted Realism, a distinct tendency within contemporary representational painting as proposed by writer and curator John Seed, and exemplified by the works of Antonio López Garcia, Jenny Saville, Alex Kanevsky, Ann Gale and others, actively embodies and interrogates the concept of plasticity in relation to mimesis, with its receptive, creative and destructive capacities manifested in the painting practices and conceptual connotations. Through their distinctive approaches to depicting the natural world, these painters not only reflect, but also expand upon the nature of plasticity — engaging in a (trans)formative process that challenges traditional notions of mimesis, representation and realism, showing them to be “plastic” concepts. This dynamic, dialectic interaction often filled with contradictions, illuminates how this type of contemporary painting, often termed “realist”, contributes to and reshapes philosophical discussions on subjectivity, identity, form, essence and transformation.Grounded in the philosophical discourse mainly articulated by Catherine Malabou and Nidesh Lawtoo, this study posits that the so-called Disrupted Realism, a distinct tendency within contemporary representational painting as proposed by writer and curator John Seed, and exemplified by the works of Antonio López Garcia, Jenny Saville, Alex Kanevsky, Ann Gale and others, actively embodies and interrogates the concept of plasticity in relation to mimesis, with its receptive, creative and destructive capacities manifested in the painting practices and conceptual connotations. Through their distinctive approaches to depicting the natural world, these painters not only reflect, but also expand upon the nature of plasticity — engaging in a (trans)formative process that challenges traditional notions of mimesis, representation and realism, showing them to be “plastic” concepts. This dynamic, dialectic interaction often filled with contradictions, illuminates how this type of contemporary painting, often termed “realist”, contributes to and reshapes philosophical discussions on subjectivity, identity, form, essence and transformation.Grounded in the philosophical discourse mainly articulated by Catherine Malabou and Nidesh Lawtoo, this study posits that the so-called Disrupted Realism, a distinct tendency within contemporary representational painting as proposed by writer and curator John Seed, and exemplified by the works of Antonio López Garcia, Jenny Saville, Alex Kanevsky, Ann Gale and others, actively embodies and interrogates the concept of plasticity in relation to mimesis, with its receptive, creative and destructive capacities manifested in the painting practices and conceptual connotations. Through their distinctive approaches to depicting the natural world, these painters not only reflect, but also expand upon the nature of plasticity — engaging in a (trans)formative process that challenges traditional notions of mimesis, representation and realism, showing them to be “plastic” concepts. This dynamic, dialectic interaction often filled with contradictions, illuminates how this type of contemporary painting, often termed “realist”, contributes to and reshapes philosophical discussions on subjectivity, identity, form, essence and transformation
Fairness, Digital Markets and Competition Law – Reconciling Fairness Norms in Digital Markets Act, Data Act and AI Act with Competition Law
No full textThe present article explores the implication of fairness as a regulatory and competition law concept applied to digital and Artificial Intelligence markets, in light of recent law and policy developments targeting the interaction between data, market power and competition law. Much of the policy discussions, legislative proposals as well some emerging case law elevate the matter of “fairness” in the context of digital markets and AI, creating both a novel regulatory framework as well as encouraging competition law to curb “unfairness” of said markets and related “unfair practices”. The interface between intellectual property rights and competition law is of utmost importance in this context, where we might find similar analogous insights as we can find regarding the matter of fairness within traditional EU competition law. Further, the question remains whether the “fairness norm” expressed in regulatory acts such Digital Markets Act, EU AI Act and the EU Data Act are akin to the “fairness” norms found in Union competition law, mainly under Article 102 Treaty on the Functioning of the European Union (TFEU)
Editoriale Re|Cibo 5
No full textIn questo quinto numero della rivista Re|Cibo continuiamo a esplorare temi attuali e innovativi che spesso rimangono fuori dal dibattito pubblico e accademico
Experimenting with urban food governance. Ambitions, limits, directions, problems, trajectories
No full textBetween 19 and 22 June, the 11th AESOP Sustainable Food Planning Conference 'Building Movement, Achieving Transformation' was held in Brussels and Ghent. The conference provided a valuable opportunity for geographers, planners and public policy analysts to gain insight into the potential for movements to incorporate and champion sustainable food planning, as well as the capacity of communities to propose alternative food strategies. Within the conference, the authors of the paper had the pleasure of chairing a thematic session dedicated to 'innovative governance and policy frameworks'. The following contribution aims to provide a compendium of what emerged from the thematic session to offer new insights for future research
Interview with Daniel López García, former coordinator of the Spanish food network Red de Municipios por la Agroecología
No full textIntervista effettuata il 4 ottobre 2024, a cura di Egidio Dansero (Università di Torino) e Joel Solé Lamich (Università di Cordoba)