UIN (Universitas Islam Negeri) Sunan Kalijaga, Yogyakarta: E-Journal Fakultas Adab dan Ilmu Budaya
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Resepsi Al-Qur’an di Pondok Modern Darussalam Gontor Putri 1 Mantingan, Ngawi, Jawa Timur
Full text linkAbstract: This research is a qualitative study aimed at understanding how the reception of the Quran is actualized in the form of calligraphy, the factors underlying it, the process of creating the calligraphy, and the meaning of the calligraphy for Pondok Modern Darussalam Gontor Putri 1. The analytical method used in this research is descriptive-analytical research, which describes the main issues comprehensively and then analyzes them in detail, thus obtaining a deep understanding of the reception of the Quran in the form of calligraphy at Pondok Modern Darussalam Gontor Putri 1, Mantingan, Ngawi, East Java. The results of this research indicate that Quranic calligraphy is one form of the reception of the Quran. There are several Quranic verses that form the basis of Gontor\u27s education, and some verses are personally selected by the first guardian of Gontor Putri 1, Ust. Ahmad Hidayatullah Zarkasyi. From the calligraphy, two types of receptions are found at Pondok Pesantren Gontor Putri 1: 1) Aesthetic Reception, where the Quran is accepted by female students and teachers of the school in the form of beauty and made the main decoration of the school 2) Functional Reception, where the Quran is accepted in the form of paintings and installed in prominent places in the school as visual educational aids for female students.Abstrak: Penelitian ini adalah penelitian kualitatif yang bertujuan untuk mengetahui bagaimana aktualisasi resepsi Al-Qur’an dalam bentuk kaligrafi, hal-hal yang melatarbelakanginya, proses kaligrafi tersebut dibuat dan makna dari kaligrafi tersebut bagi Pondok Modern Darussalam Gontor Putri 1. Metode analisis yang digunakan dalam penelitian ini yaitu penelitian deskriptif-analitis, yaitu metode analisis yang mendeskripsikan pokok permasalahan secara utuh dan kemudian dianalisis secara rinci, sehingga diperoleh gambaran secara mendalam resepsi Al-Qur’an dalam bentuk kaligrafi di Pondok Modern Darussalam Gontor Putri 1 Mantingan, Ngawi, Jawa Timur. Hasil dari penelitian ini menunjukkan bahwa kaligrafi Al-Qur’an merupakan salah satu bentuk resepsi Al-Qur’an. Terdapat beberapa ayat Al-Qur’an yang merupakan landasan dasar pendidikan Gontor, dan beberapa ayat merupakan ayat yang terpilih secara pribadi oleh pengasuh pertama Gontor Putri 1, Ust. Ahmad Hidayatullah Zarkasyi. Dari kaligrafi tersebut, terdapat 2 jenis resepsi yang ditemukan di Pondok Pesantren Gontor Putri 1: 1) Resepsi Estetis, yaitu Al-Qur’an diterima oleh santriwati dan pengajar pondok dalam bentuk keindahan dan menjadikannya dekorasi utama pondok 2) Resepsi Fungsional, yaitu Al-Qur’an diterima dalam bentuk lukisan dan dipasang di tempat-tempat utama pondok sebagai saran pendidikan visual santriwati
The Symbols of Inculturation and Interfaith in The Demak\u27s Great Mosque
Full text linkThis research presents a reinterpretation of the Lawang Bledheg ornamentation found in the Great Mosque of Demak, Central Java, Indonesia. The study explores the profound connections between architectural ornamentation and the message conveyed in the referenced Quranic verses through an interdisciplinary approach combining aesthetic and symbolic analysis. By conducting on-site observations, examining historical records, and analyzing Islamic artistic conventions, the research unveils the symbolic meanings embedded within the Lawang Bledheg ornaments. The findings demonstrate that the ornaments represent a fusion of local Javanese artistic traditions and Islamic influences, creating a unique cultural synthesis. The research also highlights the symbolism of unity, tolerance, and religious harmony depicted through the motifs, patterns, and decorative elements of the Lawang Bledheg ornament. These symbols resonate with the themes present in Surah Ali Imran verses 133-136, emphasizing the inclusive nature of the Great Mosque of Demak as a sacred space. By shedding light on the aesthetic and symbolic aspects of the Lawang Bledheg ornamentation, this research contributes to a deeper understanding of the mosque\u27s cultural significance, encourages interfaith dialogue, and inspires contemporary architectural designs. The findings enrich art history, architecture, and religious studies, offering valuable insights into the intricate relationship between art, spirituality, and cultural heritage
LABPSA: Youth Expression and Tolerance Practices Digitalization to Prevent Religious Disputes in Aceh
Full text linkThis article begins with an academic discourse on tolerance campaign strategies as a new form of conflict resolution. This strategy focuses on how young people optimize social media to campaign for tolerance issues. The research used virtual ethnographic methods and online documentation to collect data. This step examined the landscape of religious conflicts in Indonesia, especially in Aceh province. What is the role of the Aceh government in resolving religious conflicts in Aceh? What is the form of young people’s active participation when voicing the issue of tolerance through LABPSA? The research results are that the presence of young people under the LABPSA institution is a new way to voice acts of tolerance and resolve religious conflicts in Aceh. They also criticize the Aceh government in response to the issue of intolerance. The presence of young people in LABPSA is also part of helping the Aceh government resolve conflicts in Aceh, especially religious conflicts, and eradicate intolerance issues
