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Quelques aspects de la littérature arabe revisités
Get PDFL'histoire de la littérature arabe couvre une période de près de 2000 ans, depuis les inscriptions des déserts d'Arabie jusqu'aux œuvres contemporaines. II ne saurait êÙe ici question d'en faire une étude exhaustive. Notre objet est plutôt de fournir un cadre correspondant à la recherche moderne. En effet, du fait de l'histoire particulière des Arabes, qui a connu près de cinq siècles de stagnation voire de décadence, depuis la chute de Bagdad sous les coups des Mongols, en 1258 jusqutà l'avènement de Muhammad Ali (1769-1849), vice-roi de l'Egyptel, la littérature arabe reste mal connue de son peuple qui a perdu. dans sa majorité, le contact direct avec son prestigieux héritage
“Oh! Je ne suis donc pas civilize” de Khalil El-Khoury, le premier roman arabe
No full text١. الرواية بين الراوي والقارىء يتحقق القارىء، منذ "مقدمة المقدمة"، من أن الرواية احتاجت إلى ما يسوغها، إلى ما يمهد لبنائها المخصوص؛ وهو ما أجمعه في الحديث بل في التمييز، في نص الرواية، بين: الخطاب عن الرواية، والرواية نفسها. وهو ما أراه ماثلا، ابتداء، في فصول الرواية، إذ تنقسم في صورة بينة إلى جزئين: - الخطاب عن الرواية: من "مقدمة المقدمة" حتى مطالع الفصل الخامس، كما الفصل السادس، فضلا عن "الخاتمة" و"خاتمة الخاتمة"؛ - الرواية: الفصل الخامس، ثم من الفصل السابع حتى الفصل الثاني عشر. فماذا عن الخطاب عن الرواية؟This article particularly emphasizes the "seminal" trait of this novel. To that end, the author conducted a critical research by primarily referring to the version published in “Hadiqat al-Akhbar” newspaper in Beirut (owned by Khalil El-Khoury, the author), and then to its first edition published in a book issued by “the Syrian Printing Press” in 1960
CONCEPT OF TIME IN THE POETRY OF VALERY BRUSOV
No full textSpecial attention is given to the analysis of the notions of “moment” and “eternity” in the poetry of Brusov, conceptualizations of the aspects of the past, the present and the future the notion of time dimentions adopted in culture (an hour, a day, a century), the image of the beginning and ending of the time and the notion of its rhythm. A topic of time is a very productive way of transmission for many ideas peculiar to the works by the author of the “Dreams of Humanity”. Immanent and worded poetics of time in the poetry of Brusov is the indicator of the writer’s worldview evolution
"ALEXANDER THE GREAT AS CHARISMATIC LEADER IN THE V.BRUSOV’S CREATIVE PERCEPTION"
No full text"The article views the peculiarities of the Valery Brusov’s creative perception of the personality of Alexander the Great. The main components of the charismatic leadership of the ancient commander are analyzed on the material of Brusov’s two poems. The article substantiates the interest of the Russian poet-symbolist to the personality of Alexander the Great and his doings
"ONCE AGAIN ABOUT FUKS: PARODY AND IMITATION IN BRUSOV’S EARLY WORKS"
No full text"The importance of both literary novelty and its parody can be witnessed in the strange interplay between two books published in 1895: Aleksandr Emel’ianov-Kokhanski’s Bared Nerves (Obnazhennye nervy) and the third issue of Russian Symbolists (Russkie simvolisty). The potentially ambivalent reading strategy that these works provoke demonstrates the indeterminate quality of Decadence in early russian modernism. Parody will be the key means to introduce and explain a new artistic mode.
THE TRANSLATIONS BY ELLIS, A. GLOBA AND S. GOLOVACHEVSKY FOR THE ANTHOLOGY «THE POETRY OF ARMENIA»
No full textThe article refers to the analysis of the translations of verses by R. Patkanyan, I.Ioannisyan and Sipil in the anthology «The Poetry of Armenia». The above-mentioned verses were translated by Ellis, A.Globa and S.Golovachevsky. The author of the article made an attempt to reveal whether the translators had managed to preserve the Armenian national spirit and the emotional mood of the originals
ON SOME TRANSLATIONS OF SHAKESPEARE'S 60TH SONNET INTO RUSSIAN
No full textThis article deals with some translations of Shakespeare’s 60th sonnet into Russian. There are over 30 different translations of this sonnet so far. Here we examine only the most famous ones. It may be concluded that the Russian translations are quite accurate
THE FIERY ANGEL BY BRUSOV AND FAUST BY GOETHE
No full textThe author of the article compares «The Fiery Angel» – Brusov’s first novel – with the tragedy «Faust». The comparison revealed deliberate antipodal binding to Goethe. The traditional wandering through the world (Faust) is replaced with the path to inner soul. The greed for everything is replaced with the desire for love. According to the author the adept´s initiation leads just to wisdom and not to love
VALERY BRUSOV’S POETIC «FAUSTIANA»
No full textThe present article is devoted to the issue of perception and lyrical transformation of Faust’s image in Brusov's poetry of the 1890-1900th. The Faustian beginning performs the modeling function and is directly connected with the idea of a creative way as a spiritual feat of overcoming «the limits» and the constraint of human life in the poet’s early lyrics
