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BRUSOV AND D’ANNUNZIO: ON THE HISTORY OF THE TRANSLATION “FRANCESCA DA RIMINI”
No full textThe article analyzes the reasons Valery Brusov translated Gabriele D'Annunzio’s tragedy “Francesca da Rimini”. It should be noted that if the formal reason for it was Vera Komissarzhevskaya’s suggestion to translate it, the main motivation was: Russian creative intelligentsia’s longtime interest in the plot of the tragedy, known by the great poem by Dante, interest in the work of D'Annunzio wich was “trendy” in Europe, the talent and experience of Brusov as a translator
BRUSOV – A GYMNASIUM PUPIL: ABOUT THE ORIGINS OF THE POET'S IMAGE SYSTEM
No full textThe author examines the training program for the gymnasium where Brusov studied and also analyzes the textbooks and training material. The author considers the works of the young poet who wrote them in accordance with the curriculum
THE SPECIFIC FEATURES OF THE DYSTOPIAN SPACE-TIME (EXAMPLE – VALERY BRUSOV’S STORY «THE REPUBLIC OF THE SOUTHERN CROSS»
No full textThe author of the article analyzes the specific features of the dystopian space-time in Valery Brusov’s story «The Republic of the Southern Cross». The means for organization of artistic time and space come to light
NONFATAL TRIANGLE
No full textThe article is aimed at revealing the drama of the personal life of Nina Petrovskaya, focusing on the period when her longtime relationship with Valery Brusov was coming to an end. The comparison of the facts presented in her letters to the poet with her biography demonstrates not only the particularities of the Symbolist concept of the creation of life, but also Brusov’s and Petrovskaya’s principles of modeling the identities of themselves and other
A PUBLICATION OF S. LISICIAN’S UNKNOWN TRANSLATION OF «ABU LALA MAHARI», A POEM BY A. ISAHAKYAN
Get PDFUnpublished Heritag
Les usages adoptés dans les traités conclus entre les sultans mamelouks et les doges vénitiens (XIIIe-XVe siècles)
No full textVenice's economic and diplomatic relationship with the Mamluk sultanate dated back to the thirteenth century. It became the Mamluk's main and favorite European trading partner during the fourteenth and the fifteenth centuries. As international trade grew and commercial exchange intensified, Venice concluded treaties with the sultans and obtained privileges for its nationals. These privileges were at least equal and often superior to those adopted in trade among European merchant cities. The Venetian privileges in Egypt and Syria did not mean an agreement between two States, but a concession made by the sultan for a group of foreign traders living on his territories. This concession protected them as far as it recognized them legally, not only granted the protection, but especially gave a legal and social existence to the traders. Regular negotiations became established and embassies were sent to Cairo to protect a climate of good agreement indispensable to the realization of fruitful exchanges between Venice and the East. If the claims of the Venetians did not stop from the thirteenth till the fifteenth centuries and occupied the largest part of treaties with the sultans, it was because they constituted means to exercise a certain pressure on the sultan and to oppose to his commercial policy
Livres arabes chrétiens imprimés avec l’aide des Principautés Roumaines au début du XVIIIe siècle. Un répertoire commenté
Get PDFEn Europe de l'Est et au Proche-Orient, l'histoire de l'imprimerie arabe débuta par l'activité conjointe d'Athanase III Dabbâs, Patriarche d'Antioche, et d'Anthime d'Ivir, un lettré et un imprimeur de génie qui allait devenir Métropolite de l'Hongrovalachie (1708-1716). Deux livres en grec et en arabe furent imprimés en 1701 et 1702 à Snagov et à Bucarest, à la demande d'Athanase Dabbâs. Ce fut le premier pas vers l'accomplissement d'une ancienne aspiration du clergé de l'Église d'Antioche, celle de mettre à la disposition des prêtres de Syrie et du Liban actuels des livres de culte dans la langue du peuple, l'arabe, imprimés à partir des versions traduites et revues par des érudits arabes chrétiens, notamment par 'Abdallah Ibn al-Fadl et par Mélèce Karma
Principes fondamentaux et techniques de la construction en Irak. Une étude archéologique
No full textتعنى هذه الورقة بالتصاميم الأساسية التي تخص العمارة العراقية في مختلف العصور، وتعالج جانبا من تقنيات البناء. وذلك من خلال دراسة بعض الأمثلة الهامة التى تعكس التقدم الكبير الذي شهدته المدن ومنشاتها في وسط العراق وجنوبه. والتي راعت كفاءة الموقع على ضفاف الأنهار، مع وجوب الحماية، كما راعت خصوصية البيئة والمناخ. القدمة وتخطيط المدن والمعسكرات فحسب، بل تعداها إلى المنحوتات، لا سيما تلك التي خلصت إلينا من العصر الأشورى والتى كانت تغلف الجدران الداخلية للقصور والمعابد، إذ تعد من أهم الدلائل التى تعكس الخبرات فى هذا المجال. ومعظم تخطيطها بيضوي أو دائري بوصفه الأجدى من الناحية الاقتصادية والأفضل من الناحية الدفاعية.This paper deals with the principal designs of Iraqi architecture in diverse eras, and addresses the aspect of building techniques through the study of some important examples, which reflect the evolution of cities and their facilities in the centre and south of Iraq. It considers the link between their location on the banks of rivers and the necessity for protection, as well as the singularity of the environment and climate. Our study covers city planning, the sculptures, especially those of Assyrian origins which covered the internal walls of the palaces and temples
La critique arabe et la problématique du premier roman de la littérature moderne
No full textتتوقف هذه الدراسة عند كتاب رضوى عاشور، («الحدائة الممكنة» (٢٠٠٩)، لتبيان مساعي الدارسين العرب المتأخرة في نشر الأعمال الروائية الأولى، موضحة الاختلافات فيها، بهدف التعرف المعمق على هذا النتاج المغمور في جانب كبير كما تعالج عمل أحمد فارس الشدياق السردي الاستثنائي، ((الساق على الساق...»، ملاحظة الاجتهادات والفروقات فى فهم هذا العمل بين دارسين مختلفين، ولا سيما في التمييز بين السيرة الذاتية المتخيلة وبين الرواية وفق النسق الأوروبي.Based on Radwa Ashur's book «Al-Hadatha al-Mumkina» (2009), this paper discusses the efforts of the late Arab researchers to publish the early Arabic novels. Discrepancies thus appear in these considerably unknown works. The paper also discusses Ahmad Fares A1-Shidyaq's narrative work «Al-Saq 'ala al-Saq...», showing the ef- forts and variations in evaluating and understanding this work by many researchers, especially in differentiating between the imagined autobi- ography and the novel following the European model