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Coseriu on metaphor
This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a ”cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive.This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a “cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive.This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a “cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive.This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a “cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive.Este artículo examina el enfoque de Eugenio Coseriu sobre la metáfora en el lenguaje natural. En primer lugar, se revisan las observaciones ocasionales sobre la metáfora que se hallan dispersas a lo largo de la obra de Coseriu, en textos que abarcan desde la década de 1960 hasta el final de su vida. Estas observaciones pueden clasificarse, en términos generales, en tres categorías.
A la primera pertenecen las referencias a instancias metafóricas del uso habitualizado del lenguaje (“discours répété”), que a menudo poseen historias lingüísticas y culturales complejas. La segunda categoría está formada por observaciones dispersas sobre los diversos elementos y niveles de la estructura de la metáfora desde un punto de vista lingüístico. De especial importancia son los comentarios según los cuales las metáforas son “usos” más que “funciones” específicas de una lengua (es decir, significados). Una metáfora presupone la relación bilateral entre significado y significante, pero no altera el significado del signo lingüístico. Además, una metáfora puede surgir de la mera discrepancia entre una relación paradigmática y una sintagmática y, aunque las metáforas no deben confundirse con la neutralización léxica ordinaria, pueden producir lo que Coseriu denomina “neutralización metafórica”.
La tercera categoría reúne observaciones sobre el papel de la metáfora en la configuración del “sentido” (lingüístico y translingüístico) en distintos ámbitos de la cultura (arte, ciencia, filosofía, religión). Resultan especialmente instructivas las breves observaciones de Coseriu sobre el uso metafórico de elementos procedentes de estratos semánticos anteriores (procedimientos y funciones propios de una lengua, así como contextos de habla) para producir valores de sentido específicos del texto, y sobre la función constitutiva de las metáforas en los textos poéticos (en sentido amplio).
Para concluir el artículo, se analiza en detalle el único estudio de envergadura de Coseriu dedicado a la metáfora, “La creación metafórica en el lenguaje” (Coseriu 1956). La importancia de este estudio radica en que la metáfora —o, más precisamente, la creación metafórica— se conceptualiza explícitamente sobre el trasfondo de la teoría general del lenguaje de Coseriu. Si bien anticipa una perspectiva “cognitiva” sobre el lenguaje y la metáfora, la propuesta de Coseriu va más allá de los enfoques actuales, pues concibe la metáfora, al igual que el lenguaje en su conjunto, como una actividad continua, dinámica y en constante transformación (enérgeia), en la que las metáforas son tan comunes como constitutivas.This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a “cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive.This article examines Eugenio Coseriu’s approach to metaphor in natural language. We first review occasional observations on metaphor scattered throughout Coseriu’s scholarly work, in texts spanning from the 1960s to the end of his life. These observations can be broadly classified into three categories. Into the first one fall references to metaphorical instances of habitualized language use (“discours répété’), which often have complex linguistic and cultural histories. The second category is made up of dispersed remarks on the various elements and levels of the structure of a metaphor from a linguistic point of view. Of particular importance are the comments that metaphors are “usages” rather than language-specific “functions” (i.e. signifieds). A metaphor presupposes the bilateral signified-signifier relation, but does not alter the signified of the linguistic sign. A metaphor can moreover arise from the mere discrepancy between a paradigmatic and a syntagmatic relation, and although metaphors must not to be confused with ordinary lexical neutralization, they can produce what Coseriu calls “metaphorical neutralization”. The third category gathers observations on the role of metaphor in shaping (linguistic and trans-linguistic) “meaning” across various domains of culture (art, science, philosophy, religion). Notably instructive are Coseriu’s concise remarks on the metaphorical use of elements from previous semantic layers (language-specific procedures and functions, as well as contexts of speaking) to produce text-specific sense values, and on the constitutive function of metaphors in poetic texts (broadly construed). To conclude the article, we zoom in on Coseriu’s single major study on metaphor, “La creación metafórica en el lenguaje” (Coseriu 1956). The significance of this study lies in the fact that metaphor, or better still: metaphorical creation, is explicitly conceptualized before the background of Coseriu’s general theory of language. While anticipating a “cognitive” perspective on language and metaphor, Coseriu’s account goes beyond current approaches in that metaphor, like language overall, is conceived as an ongoing, dynamic and ever-changing activity (enérgeia) in which metaphors are as common as they are constitutive
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Adaptionen des Friedensbegriffs in Caesars Kriegsberichten
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Examining exposure diversity on Google News in Australia
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