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    Il Gregora di Guilland

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    A Novel Strawberry Disease Associated With Leaf Spot, Crown Rot, and Root Rot Caused by Neopestalotiopsis rosae in Italy

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    In the spring of 2023 in Eboli and Caserta (Campania, southern Italy), strawberry plants (var. Marimbella) grown in organic open fields showed an outbreak of a severe and unprecedented decline (disease incidence reaching > 80%) associated with root rot, crown rot, and leaf spot and closely resembling symptoms reported previously in other countries for Neopestalotiopsis spp. infection. Therefore, the present study was undertaken with the aim of determining the aetiology of this serious disease. Fungal isolates were obtained from symptomatic strawberry plants and investigated in detail for molecular identification. Phylogenetic analysis was conducted by amplifying and sequencing three DNA barcodes: the internal transcribed spacer (ITS) region of rDNA, the β-tubulin (tub2) partial gene, and the translation elongation factor 1α (tef1) partial gene. Symptoms observed in the field were replicated in pathogenicity tests, conducted by inoculating strawberry (var. Marimbella) leaves, fruits and plants, thus satisfying Koch's postulates. Phylogenetic analyses identified the causal agent as Neopestalotiopsis rosae. To our knowledge, this is the first report of the emerging and serious fungal pathogen N. rosae infecting strawberry in Italy

    Advancing profiling of secondary antioxidant metabolites in Allium cepa PDO leaf extract: Online comprehensive two-dimensional liquid chromatography with high-resolution mass spectrometry and pre-column DPPH assay

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    The food and agricultural processing industries generate significant amounts of phenolic-rich by-products, which hold potential as natural antioxidant sources for a wide range of applications, including functional ingredients and nutraceutical formulations. Allium cepa leaves represent a promising source of bioactive compounds. However, due to the complexity of their chemical composition, advanced analytical techniques are required to fully characterize the secondary metabolite profile and identify specific phytochemical classes or fractions with high nutraceutical potential. In this context, an online comprehensive two-dimensional liquid chromatography (LC×LC) approach was developed and optimized for the in-depth characterization of the phytochemical profile of Allium cepa PDO leaf extract. Key parameters in both dimensions, including flow rate, stationary phase chemistry, and mobile phase composition, were investigated to enhance peak capacity and orthogonality. The optimized method combined reversed phase in both dimension (RP-LC×RP-LC), offering high orthogonality (A0: 70.46 %) and peak capacity (nc: 1788.88). and significantly improving the separation of multiple secondary metabolite classes by effective employment of the 2D separation space. Further hyphenation with high-resolution mass spectrometry (HRMS), enhanced compound annotation compared to mono-dimensional (1D-LC) techniques. A total of 147 compounds were tentatively annotated belonging to multiple classes such as flavonoids, saponins, phenylpropanoids, isoprenoids, terpenes, dipeptides, fatty acids, and lipids. Additionally, the antioxidant activity of Allium cepa leaf extract was assessed by coupling a pre-column 2,2-diphenyl-1-picrylhydrazyl (DPPH) assay with the LC×LC-DAD-HRMS platform. This integrated approach enabled the identification of individual contributions of flavonoids, isoprenoids, and phenylpropanoids to radical scavenging activity. The method allowed an in-depth exploration of Allium cepa phytochemical profile, demonstrating to hold significant potential for the standardization of antioxidant biomarkers, with promising applications in the nutraceutical industry

    Development of a Large Database of Italian Bridge Bearings: Preliminary Analysis of Collected Data and Typical Defects

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    This paper presents the development and analysis of a bridge bearing database consistent with the 2020 Italian Guidelines (LG2020), currently enforced by the Italian law for risk classification and management of existing bridges. The database was developed by putting together the contribution of 24 research teams from 18 Italian universities in the framework of a research project foreseen by the agreement between the High Council of Public Works (CSLP, part of the Italian Ministry of Transportation) and the research consortium ReLUIS (Network of Italian Earthquake and Structural Engineering University Laboratories). This research project aimed to apply LG2020 to a set of about 600 bridges distributed across the Italian country, in order to find possible issues and propose modifications and integrations. The database includes almost 12,000 bearing defect forms related to a portfolio of 255 existing bridges located across the entire country. This paper reports a preliminary analysis of the dataset to provide an overview of the bearings installed in a significant bridge portfolio, referring to major highways and state roads. After a brief state of the art about the main bearing types installed on the bridges, along with inspection procedures, the paper describes the database structure, showing preliminary analyses related to bearing types and defects. The results show the prevalence of elastomeric pads, representing more than 55% of the inspected bearings. The remaining bearings are pot, low-friction with steel–Teflon surfaces and older-type steel devices. Lastly, the study provides information about typical defects for each type of bearing, while also underscoring some issues related to the current version of the LG2020 bearing inspection form

    The Assumptions of the Tea Bag Index and Their Implications: A Reply to Mori 2025

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    Responding to Mori (2025), we discuss that the simplifications and implications of the Tea Bag Index are essential to its ease of use. However, they necessitate careful attention, especially regarding the appropriate incubation time. Aligning with Mori (2025), we call for a deeper understanding of the interpretation of k_TBI

    Leopardi e i classici tra filologia e traduzione. Edizione critica e commento del Volgarizzamento della Satira di Simonide sopra le donne e dei Versi morali dal greco (1823-1824)

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    Negli studi degli ultimi decenni, il ruolo della traduzione e della filologia è stato determinante per la definizione della figura letteraria e storica di Giacomo Leopardi. La riscoperta dei suoi lavori filologici, insieme con la considerazione dei volgarizzamenti compiuti dal greco e dal latino, sia in versi sia in prosa, ha senz’altro migliorato – o, meglio, completato – la ricezione della sua opera, soprattutto in Italia, rivelando lati poco conosciuti di una mente geniale. Ciò è avvenuto in particolare grazie ad alcuni studiosi che, in tempi ancora non sospetti, impiegarono le loro forze nello studio di ambiti quasi inesplorati dell’opera del poeta. A distanza di anni, lo studio delle traduzioni leopardiane ha raggiunto una sua piena maturità e ha dato, fra i suoi più validi risultati, la possibilità di raccogliere elementi di una vera e propria ‘teoria della traduzione’ leopardiana. Gli studi di filologia, di fruizione più complicata, rimangono invece in parte ancora inesplorati. Ponendosi sulla scia degli studi sul Leopardi traduttore, teorico della traduzione, nonché filologo classico, questa tesi si è posta alcuni obiettivi che abbiamo ritenuto importanti per tentare di fornire un contributo che fosse il più completo possibile sull’argomento, procedendo da un quadro generale a un esempio particolare. Per far ciò, questo lavoro è stato diviso in due sezioni. Si è cercato di raccogliere, in una Prima parte, un ampio saggio articolato in tre capitoli, che considerasse tanto l’opera filologica, quanto quella traduttiva del poeta, con l’aggiunta di un primo studio di teoria della traduzione leopardiana. Quest’articolazione cerca di soddisfare un’esigenza anche pratica: a oggi ancora non esiste una monografia che affronti l’argomento nella sua interezza. Filologia e traduzione sono state affrontate, infatti, in sedi quasi sempre distaccate, solo talvolta facendo caso alle implicazioni fra i due ambiti, in realtà molto significative. Per le opere di traduzione, invece, si è voluto guardare all’intero corpus dei volgarizzamenti poetici, dai primi esperimenti infantili fino agli ultimi esercizi più maturi, che la critica – per vari motivi – non ha mai considerato nella sua interezza, ad esempio all’interno di un unico volume, preferendo isolare casi notevoli oppure occuparsi soltanto di un periodo in particolare, a danno degli altri. Sebbene i volgarizzamenti in prosa non rientrino nell’interesse specifico di questa tesi, una loro essenziale contestualizzazione all’interno dell’esperienza letteraria e traduttiva di Leopardi ha trovato spazio accanto allo studio dei volgarizzamenti poetici. Elementi di teoria leopardiana della traduzione risiedono molto spesso nei dintorni del testo tradotto, cioè nelle introduzioni, nei discorsi, nei preamboli, ma anche in alcune lettere e negli appunti dello Zibaldone. Si è cercato a questo proposito di costruire una sorta di ‘manuale’ della traduzione leopardiana, che, tramite la proposta antologica di brani estrapolati dalle varie sedi appena menzionate, permetta di completare il quadro dell’esperienza traduttiva del poeta. La Seconda parte della tesi è interamente dedicata a un caso specifico di traduzione dal greco antico, fra gli ultimi esercizi compiuti da Leopardi. Sebbene i testi abbiano avuto storie testuali diverse, abbiamo riconosciuto nel Volgarizzamento della Satira di Simonide sopra le donne e nei Versi morali tradotti dal greco un caso di studio significativo per almeno due motivi: da una parte il valore della traduzione da un punto di vista linguistico, dall’altro la scelta dei temi, che rientrano nell’ottica della ‘scoperta’ del pessimismo degli antichi. I volgarizzamenti appartengono infatti a una stagione delicata e densa di ‘scoperte’ letterarie (1823-1824), fondamentale per lo sviluppo della poetica e della filosofia leopardiana. Anche la Seconda parte della tesi, dunque, è articolata in tre capitoli, che corrispondono a una necessaria suddivisione del nostro studio: un’introduzione critica ai testi, agli autori antichi tradotti e soprattutto alle fonti; l’edizione critica dei testi con doppio apparato, in cui si è tenuto conto degli interventi correttori e quindi delle note marginali presenti sui manoscritti autografi; un puntuale commento, verso per verso, ai testi, che analizzi le scelte traduttive e tenti di ricostruire le strategie messe in campo dal Leopardi traduttore. Gli interessi filologici, quindi, sono stati accompagnati da aspetti talvolta più teorici, che appartengono alla storia della teoria della traduzione, o da spunti comparatistici, come lo studio delle lingue e delle correnti letterarie europee: ciò era assai prevedibile, data la complessità dell’autore di cui ci occupiamo, che si curò di intersecare sempre gli ambiti di studio e di lavoro di cui si occupò: non esiste traduzione senza filologia, non esiste poesia senza traduzione, non esiste poesia senza filosofia e così via. Si è cercato, dunque, di restituire la complessità del lavoro dell’autore tramite un’articolazione editoriale schematica, che permetta, fin da subito, di guardare al rapporto di Leopardi con i classici nella sua interezza.In recent decades, scholarly research on the role of translation and philology has been instrumental in shaping the literary and historical profile of Giacomo Leopardi. The rediscovery of his philological endeavors, alongside a systematic examination of his translations from Greek and Latin—both in verse and prose—has undoubtedly enhanced, or rather completed, the critical reception of his oeuvre, particularly within the Italian scholarly tradition, by unveiling lesser-known facets of his intellectual genius. This advancement has been made possible primarily through the efforts of certain scholars who, even in an era when such inquiries were not widely pursued, dedicated themselves to exploring relatively uncharted domains of the poet’s production. Over time, research on Leopardi’s translations has attained a high degree of scholarly maturity, yielding, among its most significant contributions, the identification of key elements constituting an authentic Leopardian theory of translation. By contrast, philological studies, owing to their inherently complex nature, remain, at least in part, insufficiently investigated. Positioned within the trajectory of research on Leopardi as a translator, theorist of translation, and classical philologist, the present study sets forth a series of objectives aimed at offering a comprehensive contribution to the subject, progressing from a broad analytical framework to a focused case study. To this end, the thesis is structured into two main sections. The first part comprises an extensive essay organized into three chapters, addressing Leopardi’s philological and translation practices, with the addition of an initial inquiry into his theoretical reflections on translation. This structure also responds to a practical exigency: to date, no monographic study has examined the topic in its entirety. Indeed, philology and translation have predominantly been treated in separate contexts, with only occasional attention given to the significant interconnections between these disciplines. With regard to Leopardi’s translations, the aim has been to provide a comprehensive examination of his poetic renderings, from his earliest youthful experiments to his more refined mature compositions—texts that, for various reasons, have not been studied in their entirety by the critical tradition. Rather, scholarship has tended to isolate exemplary cases or concentrate on specific periods, often to the detriment of a holistic perspective. Although Leopardi’s prose translations do not constitute the primary focus of this study, a concise contextualization of their place within his literary and translational practice has been included, complementing the analysis of his poetic translations. Leopardi’s reflections on translation often manifest in the peritextual materials surrounding the translated texts, such as prefaces, introductions, and critical notes, as well as in his correspondence and the annotations of the Zibaldone. Accordingly, an attempt has been made to construct a vademecum of Leopardi’s approach to translation, presenting an anthological selection of pertinent excerpts from these various sources to offer a more nuanced understanding of his translational activity. The second section of the thesis is devoted to an in-depth analysis of a specific case study: one of Leopardi’s final translation exercises from ancient Greek. Despite their distinct textual histories, Volgarizzamento della Satira di Simonide sopra le donne and Versi morali tradotti dal greco have been identified as particularly significant objects of inquiry for at least two principal reasons: first, their linguistic and stylistic features; and second, their thematic content, which aligns with Leopardi’s intellectual engagement with the notion of ancient pessimism. These translations belong to a crucial phase of literary and philosophical discoveries (1823–1824), a period that proved foundational for the development of Leopardi’s poetic and speculative thought. This second section is likewise structured into three chapters, corresponding to a necessary tripartite division of the analysis: a critical introduction to the texts, their ancient sources, and the broader intertextual framework; a critical edition of the translated texts accompanied by a dual apparatus, accounting for Leopardi’s corrective interventions and the marginal annotations present in his autograph manuscripts; and a comprehensive, verse-by-verse commentary, elucidating Leopardi’s translation strategies and reconstructing the methodological principles underpinning his approach as a translator. Throughout this investigation, philological inquiries have been complemented by theoretical considerations pertaining to the history of translation theory, as well as by comparative perspectives, including analyses of linguistic structures and European literary traditions. This interdisciplinary approach is, to a significant extent, dictated by the intrinsic complexity of Leopardi’s intellectual endeavor, which consistently sought to integrate and interweave different domains of knowledge: translation is inseparable from philology, poetry cannot exist without translation, and poetry itself is inextricably linked to philosophy. The overarching objective has thus been to faithfully convey the multifaceted nature of Leopardi’s work through a systematically structured editorial approach, designed to provide an immediate and comprehensive perspective on his engagement with the classical tradition

    Percezione, Spazio, Natura. Linee guida per la biofilia e le neuroscienze applicate all'architettura

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    This research focuses on the analysis of some fields of study that are providing the basis for an important turning point in architecture: disciplines that investigate the influence of the built environment on people's psychophysical well-being. E. O. Wilson's 1984 Biophilia Hypothesis showed how humans are characterized by an innate need to be connected to natural ecosystems. It was the same year that Roger Ulrich's study, the cornerstone of scientific demonstrations on this topic, showed up: “view through a window may influence recovery from a surgery” showed with quantitative data the regenerative power of nature for our well-being. Today, exactly 40 years later, the research that followed forms a solid, structured and evolving body of studies. In the two decades at the turn of the century, another field of study has experienced a real revolution: neuroscience. With the advent of innovative technologies such as functional magnetic resonance imaging, for the first time we have been able to see how the brain works while it is in action. The ensuing studies have had such a powerful impact that many scientific disciplines, such as cultural and social anthropology, philosophy and psychology have been forced to critically reconsider their basic assumptions. Architecture, urban planning, landscape architecture, and design were at first reluctant to experiment with the implications of such findings, but since the new millennium, research in biophilic design and neuroscience for architecture has begun to develop. One of the main objectives of this paper has been to conduct a critical operation of analysis, synthesis and systemization to try to provide an integrated and shared common ground for those concerned with the relationships between space, perception, nature and well-being. These fields of study, at present, are developing in parallel, with very little consideration of possible disciplinary convergences. The points of contact between them are numerous and interesting and can be traced back to the following macro-themes: the evolutionary perspective, the need to put the human being and the perceptual phenomenon back at the center of architectural design, and the critique of the way the built environment has been conceived and realized from the early postwar period to the present. The last part presents field experiments. These are projects developed during the three-year doctoral program that apply the mentioned theories to two specific contexts: education and health. These practical tests allowed a double step between theory and practice: verifying the application of tools, methods and theories to the entire project process and, on the basis of this experience, confirming them or proposing revisions and implementations. This process led to the formulation of a new design tool: 16 patterns for the relationship between Perception, Spaces and Nature

    Cities and Landscapes: Architecture, Archaeology, Cultural Heritage, History and Resources

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    Il crescente impiego di tecnologie digitali avanzate nel campo della conservazione del patrimonio culturale ha portato all’introduzione di metodologie innovative come il Gemello Digitale che integra sistemi di monitoraggio ambientale. Questa tesi, risultato del percorso di dottorato in Cities and Landscapes: Architecture, Archaeology, Cultural Heritage, History and Resources dell’Università della Basilicata, esplora l'applicazione dei Gemelli Digitali e l’implementazione di un Sistema Informativo Integrato per la gestione, il monitoraggio e il restauro di luoghi del patrimonio culturale, con particolare attenzione alla creazione di modelli digitali dettagliati e dinamici che possano migliorare la pianificazione degli interventi di manutenzione e la conservazione preventiva. Il dottorato di ricerca ha visto impegnati diversi soggetti tra cui Digimat S.p.A., CNR-ISPC ed ENEA che hanno contribuito alla realizzazione di una metodologia scalabile e replicabile a diversi contesti culturali. In primo luogo, nel Capitolo I, è stato esaminato uno stato dell’arte sulle tecnologie per la diagnostica e la fruizione dei beni culturali con attenzione posta all'evoluzione tecnologica e i diversi ambiti applicativi. Ci si è soffermati sui concetti di Heritage Digital Twin Ontology (HDTO) e Heritage Digital Twin (HDT) grazie ai quali si progettano sistemi di compatibilità e standard relativi al patrimonio culturale, partendo da ontologie di altre discipline. La dissertazione si è indirizzata verso i concetti di interoperabilità e interdisciplinarietà che rappresentano il substrato di una ricerca metodologica dettagliata e ad hoc verso una Conservazione Preventiva e Programmata (CPP). Successivamente, il Capitolo II, analizza le caratteristiche e le trasformazioni del concetto di eXtended Reality (XR), ponendo all’attenzione esempi di utilizzo in vari ambiti quali formazione e addestramento, intrattenimento e gaming, medicina e sanità, architettura, ingegneria e costruzioni, marketing e retail, arte, cultura e turismo, fino ad arrivare ai mondi virtuali condivisi. Nel Capitolo III, viene esaminata l'evoluzione del concetto di Digital Twin (DT), partendo dal Building Information Modeling (BIM) e dall'Heritage-BIM (H-BIM) fino alle implementazioni avanzate basate su dati in tempo reale raccolti tramite sensori integrati. Vengono descritte componenti e funzionalità nell’ottica della creazione di ambienti collaborativi ed immersivi alla base del possibile paradigma DT, XR e Internet of Things (IoT). Il Capitolo IV, apre al fulcro della ricerca ed esamina il Sistema Informativo Integrato (IIS-OpenQLIVE). Si fa un importante riferimento alle norme europee e italiane orientate a minimizzare il decadimento delle collezioni museali e al monitoraggio delle condizioni climatiche di conservazione dei Beni culturali. È dedicato un paragrafo sulle potenzialità del mercato per IIS-OpenQLIVE e il patrimonio culturale, concentrandosi su strumenti e opportunità dell’IoT nell’ambito del monitoraggio. Nel Capitolo V, cuore della dissertazione, si fa riferimento a Basilicata Heritage Smart Lab (BHSL) progetto innovativo che mira alla conservazione e valorizzazione del patrimonio culturale della regione Basilicata attraverso l'integrazione di nuove tecnologie digitali. Tra le attività del progetto rientrano la prototipazione di sensori per la conservazione delle opere d'arte di alcuni luoghi della cultura tra cui la chiesa rupestre di santa Margherita a Melfi (PZ, Italia) e il palazzo Ridola sede del Museo Nazionale di Matera (MT, Italia), casi studio di questa ricerca. L'obiettivo è quello di analizzare le dinamiche ambientali attraverso il monitoraggio di variabili aleatorie e le conseguenti criticità di conservazione, aprendo le porte alla simulazione e ai modelli predittivi. L'analisi dei dati ottenuti ha dimostrato l'efficienza del sistema di monitoraggio all’interno dei due siti pilota, mostrando una coerenza tra i dati monitorati e i dati ambientali. Il Capitolo VI descrive le attività di acquisizione termografica realizzate a luglio 2024 presso il sito della chiesa rupestre, che analizzano le variazioni termiche sulle pareti affrescate, in prossimità delle quali sono installati i sensori di Temperatura a contatto. Le acquisizioni sono state mappate sulle superfici interne del modello 3D, realizzato dal CNR-ISPC di Potenza, che è stato successivamente caricato su framework ATON. La connessione tra il modello 3D e IIS ha permesso di sperimentare la creazione di un gemello digitale che permette di visualizzare informazioni grafiche (termografie) e dati di monitoraggio in tempo reale (acquisizione dati). Il Capitolo VII contiene la sintesi dei risultati raggiunti nella ricerca partendo dalla validazione del sistema di monitoraggio, passando per l’analisi preliminare dei dati e descrivendo l’interconnessione delle informazioni in ambienti collaborativi e interattivi. La ricerca asserisce che l'uso di una metodologia programmata e la creazione di sistemi di monitoraggio puntuale e intelligente non solo migliora la comprensione dello stato di salute del sito culturale, ma consente anche di simulare l'impatto di eventi futuri. Questa ricerca contribuisce all'espansione delle conoscenze nel campo delle tecnologie a servizio di una conservazione proattiva del patrimonio culturale, proponendo una valida metodologia per la salvaguardia delle risorse storiche e culturali per le generazioni future.The increasing use of advanced digital technologies in the field of cultural heritage conservation has led to the introduction of innovative methodologies such as the Digital Twin, which integrates environmental monitoring systems. This dissertation, a result of the Ph.D. program in Cities and Landscapes: Architecture, Archaeology, Cultural Heritage, History and Resources at the University of Basilicata, explores the application of Digital Twins and the implementation of an Integrated Information System for the management, monitoring, and restoration of cultural heritage sites. Special attention is given to the creation of detailed and dynamic digital models that can enhance maintenance planning and preventive conservation. The doctoral research involved multiple entities, including Digimat S.p.A., CNR-ISPC, and ENEA, which contributed to the development of a scalable and replicable methodology applicable to different cultural contexts. Firstly, Chapter I examines the state of the art in technologies for cultural heritage diagnostics and accessibility, focusing on technological evolution and various application domains. Special emphasis is placed on the concepts of Heritage Digital Twin Ontology (HDTO) and Heritage Digital Twin (HDT), which facilitate the design of compatibility systems and standards for cultural heritage, drawing from ontologies of other disciplines. The dissertation is directed toward the concepts of interoperability and interdisciplinarity, which form the foundation of a detailed, tailored methodological research approach for Preventive and Planned Conservation (PPC). Subsequently, Chapter II analyzes the characteristics and transformations of eXtended Reality (XR), highlighting its applications in various fields such as training and education, entertainment and gaming, medicine and healthcare, architecture, engineering and construction, marketing and retail, art, culture, and tourism, up to shared virtual worlds. Chapter III, explores the evolution of the Digital Twin (DT) concept, starting from Building Information Modeling (BIM) and Heritage-BIM (H-BIM) to advanced implementations based on real-time data collected through integrated sensors. The components and functionalities are described from the perspective of creating collaborative and immersive environments, which are the foundation of the possible convergence of DT, XR, and the Internet of Things (IoT) paradigm. Chapter IV, introduces the core of the research by examining the Integrated Information System (IIS-OpenQLIVE). It provides a significant reference to European and Italian regulations aimed at minimizing the deterioration of museum collections and monitoring the climatic conditions for cultural heritage preservation. A section is dedicated to the market potential of IIS-OpenQLIVE in the cultural heritage sector, focusing on IoT tools and opportunities in monitoring applications. Chapter V, the heart of the dissertation, discusses the Basilicata Heritage Smart Lab (BHSL), an innovative project aimed at the conservation and enhancement of the cultural heritage of the Basilicata region through the integration of new digital technologies. The project activities include prototyping sensors for the conservation of artworks in selected cultural sites, including the rock church of Santa Margherita in Melfi (PZ, Italy) and Palazzo Ridola, home to the National Museum of Matera (MT, Italy), which serve as case studies for this research. The objective is to analyze environmental dynamics through the monitoring of stochastic variables and related conservation challenges, paving the way for simulations and predictive models. The data analysis has demonstrated the efficiency of the monitoring system within the two pilot sites, revealing consistency between monitored data and environmental data. Chapter VI, describes the thermographic acquisition activities conducted in July 2024 at the rock church site, analyzing thermal variations on the frescoed walls, near which contact temperature sensors were installed. The acquisitions were mapped onto the internal surfaces of the 3D model, developed by CNR-ISPC in Potenza, which was subsequently uploaded to the ATON framework. The connection between the 3D model and the IIS enabled the experimentation of a Digital Twin capable of visualizing graphical information (thermographies) and real-time monitoring data (data acquisition). Chapter VII, contains a summary of the research results, starting from the validation of the monitoring system, proceeding with the preliminary data analysis, and describing the interconnection of information within collaborative and interactive environments. The research asserts that the use of a structured methodology and the creation of precise and intelligent monitoring systems not only improve the understanding of the cultural site’s health status but also allow for the simulation of the impact of future events. This study contributes to expanding knowledge in the field of technologies serving proactive cultural heritage conservation, proposing a robust methodology for safeguarding historical and cultural resources for future generations

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