1,720,964 research outputs found
Teaching licence renewal and the professional development of Japanese primary school teachers of English
In 2013, the Japanese government announced the “English Education Reform Plan Corresponding to Globalisation,” which was to be fully implemented in 2020, the year of the Tokyo Olympics. The replacement of the existing “foreign language activities” offered in Grades 5 and 6 with “foreign languages” as a compulsory subject was part of this plan. According to the plan, homeroom teachers without any qualifications in foreign language teaching must teach English, possibly with the support of external personnel such as native speakers. Training teachers to improve their proficiency is not acknowledged, as the government’s responsibility, but “English language teaching” is one of the topics covered by the teaching licence renewal courses that teachers must take every ten years. This chapter examines the way PD for primary school teachers is addressed in educational policies and public documents, and argues that it embodies the problems surrounding primary English language teaching, and at the same time is constructed by the particular nature of PD within the Japanese education system
Professional development of English language teachers in Asia: lessons from Japan and Vietnam
The cross-cultural analysis of the metaphorical conceptualization of happiness in English and Vietnamese
Emotion Expressing Idioms in English and Vietnamese: A Contrastive Analysis
Abstract Language is a repertoire of culture and a powerful and versatile medium in communication. Idioms mirror human wisdom in the process of conceptualization of the world. Idioms have interlocked and grown into records of a community’s past culture. Idioms therefore constitute a rich, but at the same time elusive, area of cross-cultural exchanges. Idioms reflect the colour and variety of human social activities, and so play an important role in the linguistic ontologization of emotions. The vocabulary of emotions has been the object of intensive investigations in many languages, but bibliographical exploration reveals that idioms as a component of the lexicon are not yet part of the main field of theoretical interest. In particular, while there have been studies of idioms of emotion in English, there have been few on emotion idioms in Vietnamese, and very few systematic investigations of emotion idioms (EIs) across English and Vietnamese. Hence, our linguistic study of the conceptualization of emotions in English and Vietnamese will significantly contribute to the development of this research domain with data from a language other than English. The study undertakes a contrastive investigation of idioms that express the seven basic emotional concepts of HAPPINESS, SADNESS, ANGER, DISGUST, LOVE, FEAR, and DESIRE in English and Vietnamese. There are three foci: (1) similarities and differences in formal structure between the EIs in English and Vietnamese; (2) similarities and differences in semantics between such idioms; and (3) an investigation of the patterning and regularities of the established similarities and differences between the EIs in the two languages. To the end, we have conducted a hand search approach of the dictionaries in both languages, which has enabled the establishing of a corpus of 1065 entries (603 for English and 462 for Vietnamese). As regards the formal structure, the study sets up the lexicogrammatical frames for the canonical forms and variation patterns of the idioms, and interrelates quantitatively and quantitatively the relationship of the idioms’ variant form vis-à-vis the canonical form. In light of the findings, the study has shown that a high level of canonicity is observed in the idioms in both English and Vietnamese. In general, they conform to a restricted number of construction types: verbal, nominal, adjectival, prepositional, and sentential. Nevertheless, many other idioms permit variable flexibility in their composition: the substitutability of their component parts, insertion of lexical items, and some variation in syntactic patterning. For the idioms which are logged as canonical and variant, we have suggested rules to cover the patterns. As regards the semantic features of the idioms, the study is substantially reliant on the theory of conceptual metaphor (CMT) and metonymy, as first developed by Lakoff & Johnson (1980), to analyze the data. The data analysis leads to the discovery of conceptual mappings/correspondences from the various source domains on to the target domains of emotions, which are very productive of idioms. An in-depth analysis of cross-linguistic and cross-cultural aspects in the idioms is provided to determine similarities and differences in terms of conceptualization of the emotions between the two languages. The contrastive analysis of idioms reported in the traditional literature is usually the comparison of idioms with body-part terms: e.g., mát mặt (‘cool face’) ‘HAPPINESS’ in Vietnamese; lose one’s head in English, animals: e.g., gầm như hổ đói (‘roar like tiger hungry’); go ape ‘ANGER’, and colours: e.g., đỏ mặt tía tai (‘red face purple ear’); blue in the face ‘ANGER’. The present analysis seeks greater explanatory depth and theoretical grounding in the framework of cognitive linguistics. We present the semantic patterning of the idioms, and the patterning in turn reveals how English and Vietnamese people talk about and structure the abstract conceptual domains (i.e., emotions) (Gibbs & Wilson, 2002). In light of the findings, this research has revealed both commonalities and differences in the conceptualization of the emotions in English and Vietnamese. The affinities are grounded in common bodily experiences. On the other hand, cross-cultural variations are also obvious. The most important conclusion that can be drawn for the study is that metaphors and metonymies involved in emotion-expressing idioms are not only heavily subject to physiological basis (Solomon, 1984), but also to cultural influences on the basis of the cultural image schemas (Dobrovol'skij & Piirainen, 2006; Emanatian, 1995; Geeraerts & Grondelaers, 1995; Ungerer, 1993). The thesis also presents implications concerning the linguistic ontologization of emotions, and their application to second language learning and the translation of idioms
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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