1,721,161 research outputs found
Voices Near and Far - Introduction
Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital
Adapting the Work
My focus in this piece is on the interplay between the legal concepts of work, copy and adaptation in light of the now ubiquitous ‘new’ forms or genres of works that online networks enabled. Can European copyright law accommodate the increased fluidity of some of these work genres? What avenues might be taken to attenuate the gap between legal and social practices
Creativity, autonomy and personal touch: A critical appraisal of the CJEU’s originality test for copyright
Creativity, autonomy and personal touch: A critical appraisal of the CJEU’s originality test for copyright
Reassessing the challenge of the digital. An empirical perspective on authorship and copyright
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