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Recent results from the INDRA Collaboration
No full textInternational audienceIn this conference proceeding we introduce the last results obtained by the INDRA Collaboration. Those results will be better explained and more detailed in the following report presentations of this issue and just a brief overview will be mentionned here, with only the main conclusions addressed. This summary is divided into two parts. The first one is devoted to systematic studies on heavy-ion collisions around Fermi energy with the INDRA multidetector array. Analyses of nuclear reactions in term of dissipation, reaction mechanisms, decay modes, isospin diffusion, excitation energy and calorimetry will be discussed. This has been done thanks to the large INDRA data base, collected over most than twenty years now. The second part of this proceeding concerns analyses of data with a specific set-up: INDRA coupled with the VAMOS spectrometer. Complementary studies with full determination of all the particles event by event (Z, A, E, θ, φ) has been performed to access important parameters like symmetry energy, level density parameters, full decay channels (partitions), E∗, temperature wich are the main ingredients in the decay of hot heavy ions
Recent results from the INDRA Collaboration
Full text linkIn this conference proceeding we introduce the last results obtained by the INDRA Collaboration. Those results will be better explained and more detailed in the following report presentations of this issue and just a brief overview will be mentionned here, with only the main conclusions addressed. This summary is divided into two parts. The first one is devoted to systematic studies on heavy-ion collisions around Fermi energy with the INDRA multidetector array. Analyses of nuclear reactions in term of dissipation, reaction mechanisms, decay modes, isospin diffusion, excitation energy and calorimetry will be discussed. This has been done thanks to the large INDRA data base, collected over most than twenty years now. The second part of this proceeding concerns analyses of data with a specific set-up: INDRA coupled with the VAMOS spectrometer. Complementary studies with full determination of all the particles event by event (Z,A,E,θ,φ) has been performed to access important parameters like symmetry energy, level density parameters, full decay channels (partitions), E∗, temperature wich are the main ingredients in the decay of hot heavy ions
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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