1,720,997 research outputs found
sj-docx-1-jom-10.1177_01492063231151637 - Supplemental material for Now It Makes More Sense: How Narratives Can Help Atypical Actors Increase Market Appeal
Supplemental material, sj-docx-1-jom-10.1177_01492063231151637 for Now It Makes More Sense: How Narratives Can Help Atypical Actors Increase Market Appeal by Donato Cutolo and Simone Ferriani in Journal of Management</p
How Outsiders Become Game Changers
Coco Chanel, Steve Jobs, and Katalin Karikó were outsiders who defied the odds and produced revolutionary innovations. How do such outsiders succeed when so many others fail? The authors’ research uncovered four factors: (1) The outsiders were not outliers; they belonged to the system but hadn’t lost touch with its fringes. (2) An outsider had at least one insider who was willing to vouch for his or her ideas or abilities. (3) Outsiders leveraged “fracture points” — such as the death of a major gatekeeper. (4) Instead of just viewing their innovation as a technical challenge, they see it as a marketing challenge
L'imprenditore sociale
Nelle economie più avanzate l’accesso a servizi di base (ad esempio la cura della
persona) e avanzati (ad esempio servizi legati al tempo libero) è divenuto sempre meno
avvicinabile sia da parte delle classi sociali più bisognose ma anche del ceto medio che per
anni è stato visto come il pilastro del mondo occidentale mentre nelle economie meno
avanzate si è reso sempre più necessario garantire l’accesso ad alcuni servizi di base in modo
più diffuso. Questi ostacoli hanno posto nuove sfide per gli imprenditori e dato loro
l’opportunità di lasciare un segno tangibile rendendosi non solo partecipi del cambiamento
necessario per l’uscita dalla crisi ma anche protagonisti di questo. Scopo di questo lavoro è
fornire quindi una spiegazione del significato d’imprenditore sociale e di imprenditorialità
sociale mediante un breve inquadramento teorico di tali concetti e di una narrazione di casi di
successo a livello globale e italiano
When Pitching an Idea, Should You Focus on “Why” or “How”?
Framing your message is the essence of targeting a communication to a specific audience. It is the art of pitching an idea to get the broadest possible support. Although conceptually intuitive, the reality is that most of us don’t think strategically enough about how to properly frame our ideas to maximize impact because we take communication for granted. This can be an especially severe limitation for entrepreneurs and innovators striving to get their projects off the ground
Aesthetics and Style in Strategy
Scholarship in management and strategy is paying increasing attention to the domain of aesthetics. Companies routinely make aesthetic choices and there is growing recognition that aesthetic considerations are fundamental for successful performance in competitive markets. Stylistically sophisticated products may appeal to demanding customers, yielding higher profit margins. Style and beauty can also be applied toward enriching organizational cultures, informing leadership visions or motivating employees to defy conventions in designing new products.
Aesthetics and Style in Strategy constitutes the first systematic survey of the interface between the aesthetic and strategic domains. Motivated by the rise of aestheticism in contemporary culture, it lays the foundations for an “aesthetic” turn in strategy, which interrogates the use of aesthetic features as a source of competitive advantage and provides examples of connecting design and engineering, style and technology. The “aesthetic turn” is not simply about creating value, but about sharing value among employees and infusing organizational activities with a purpose that transcends principles of efficiency.
Volume 42 of Advances in Strategic Management documents the variety of ways in which the useful and the beautiful can be brought together, making a valuable contribution to the sustainability of business in the 21st century.Scholarship in management and strategy is paying increasing attention
to the domain of aesthetics. Companies routinely make aesthetic
choices and there is growing recognition that aesthetic considerations
are fundamental for successful performance in competitive markets.
Stylistically sophisticated products may appeal to demanding
customers, yielding higher profit margins. Style and beauty can also be
applied toward enriching organizational cultures, informing leadership
visions or motivating employees to defy conventions in designing new
products.
Aesthetics and Style in Strategy constitutes the first systematic survey of
the interface between the aesthetic and strategic domains. Motivated
by the rise of aestheticism in contemporary culture, it lays the
foundations for an “aesthetic” turn in strategy, which interrogates the
use of aesthetic features as a source of competitive advantage and
provides examples of connecting design and engineering, style and
technology. The “aesthetic turn” is not simply about creating value, but
about sharing value among employees and infusing organizational
activities with a purpose that transcends principles of efficiency
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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