1,725,503 research outputs found
Venus Virgo/Venus Magistra. Lettura della figura femminile in trono negli affreschi di Botticelli di Villa Lemmi, alla luce del montaggio di Mnemosyne Atlas, Tavola 46
No full textIn this essay, Perfetti gives a reading of the historical and allegorical characters in Botticelli’s frescoes at Villa Lemmi through the study of Table 46 of the Mnemosyne Atlas, in particular of Giovanna di Maso degli Albizzi as Venus-virgo and Venus-magistra in the frescoes and her medals
Testori. Scrittura e figura
No full textThe first meeting between La Rivista di Engramma and Giovanni Testori focuses on two typical themes for the journal: writing and figure. Testori. Scrittura e figura is Engramma's portrait dedicated to Testori 100 years after his birth and 30 years after his death. It takes as its reference Willy Varlin's portrait of Testori chosen as the issue's cover. The issue includes a first part centred on Testori's writing: Chiara Pianca in “Quasi fudesse ecce homo de paese” writes an in-depth and detailed essay on the complex drafting of Ambleto. Alongside this, Luca D'Onghia in his article Lettera luterana su Edipus gives a possible identification of the “scarrozzante” king of Thebes. The remainder of the issue is dedicated to art and the figure. Primarily Testori. Figure dell'informe, by Arturo Mazzarella, which links Testori's thought to 20th-century aesthetic philosophy and the notion of formlessness. This is followed by Apostasia della carne. Fatica e liberazione della materia in Giovanni Testori e Francis Bacon, by Filippo Perfetti: a contribution that reveals some traits of Testori's and Bacon's conception of painting, and how pictorial matter is linked to human life and biology. Davide Dall'Ombra, with Nell'anno del libro su Giovanni Testori e Roberto Longhi, talks about the Testori-Longhi relationship through their exchange of letters, an anticipation that introduces his forthcoming publication Con Roberto Longhi. Lettere e scritti. 1951-1990. The section is closed by the republication of a writing by Giovanni Testori (for which we thank the Associazione Giovanni Testori, and in particular Giuseppe Frangi): Grünewald, il trionfo e la bestemmia. In its concluding part, the issue focuses on the theatrical version of “In exitu”. Here we give for the first time an edition of the reduction used by Testori on his novel for the script. Accompanying the text and the reader is Piermario Vescovo, author of a brief Nota, which briefly attempts to indicate the relevance and further possibility of interrogation of the theatrical script. The conversation “In piena luce, in piena ombra” is a dialogue between Franco Branciaroli, the actor for whom the text of "In exitu" was cut, and Piermario Vescovo. Maestro no, incipit and title of the interview conducted by Antonio Ria with Testori, closes (provisionally) this issue through the voice of its protagonist
Live in Berlin! CCCP in DDDR Astra Kulturhaus, Berlin, 24, 25, 26 Februar 2024 e una nota sul prossimo concerto in Piazza Maggiore
No full textCCCP in DDDR, where DDDR stands for ‘Dismantled German Democratic Republic’. Filippo Perfetti and Giulia Zanon publish a series of interwoven notes on the three CCCP – Fedeli alla linea’s concerts that took place on 24th, 25th and 26th February at the Astra Kulturhaus in Berlin. Beginning with an impressionistic account, the reflection extends to a reflection on the controversy that arose from the announcement of the band’s summer tour, in particular about the first date in Bologna’s Piazza Maggiore
Aristotle's Zoology and its Renaissance Commentators (1521-1601)
No full textAlmost neglected in the Middle Ages, Aristotle's libri de animalibus received increasing attention in the Cinquecento, and were often commented on by several professional Aristotelians. Dr. Perfetti reconstructs this commentary tradition: a parabola that goes from Pomponazzi's lessons on the De partibus animalium (held in Bologna, 1521-23) up to the publication of Cristoforo Guarinoni's Commentaria in primum librum De historia animalium, Frankfurt 1601, and includes other bright lights of the Aristotelian scene, such as Niccolo Leonico Tomeo, Agostino Nifo, Julius Caesar Scaliger, Simone Porzio, Francesco Vimercato, Cesare Cremonini, and Theodore Gaza. The author pays special attention to the peculiar techniques of analysis employed by each commentator and to the balance between philology, erudition, and natural philosophy. This study also provides a reading key that explains the reasons for this renewed interest for philosophical zoology in the first half of the century and explains why commentators transformed their use of Aristotle's zoology throughout the second half of the century, to reach, eventually, the extinction of exegesis per modum commenti
Ontodinamica dell’evento musicale: le interazioni costitutive nella musica improvvisata
No full textLo studio valuta l’applicabilità alle pratiche dell’interplay jazzistico di criteri ontologici e cognitivi (come l’identità formale di una struttura ripetibile in occorrenze diverse o la costruzione percettiva dell’oggetto musicale come ens successivum della memoria), ma anche relativi al campo dell’azione e dell’interazione (come le interazioni gestuali, il ruolo della memoria musicale culturale, della memoria muscolare individuale e le strategie di decisione interattiva). Inoltre mostra l’inadeguatezza di ogni ‘platonismo’ in filosofia della musica (testo come archetipo ed esecuzioni come copie) ponendo a confronto le pratiche jazzistiche di rielaborazione tematica e improvvisazione collettiva con esempi storici di redazioni multiple e riscritture di autore di musiche scritte (ad es. Le Sacre du Printemps di Stravinskji)
Método Perfetti en el paciente pediátrico hospitalizado
Full text linkThe Perfetti method is known as a therapeutic tool, implemented in the rehabilitation processes of patients with neurological involvement, who faces a problem that can be solved only through the perception of the body, considering possible alterations in sensitivity, mobility and cognitive processes (perception, attention, memory), as mentioned by Breghi, I. (2012). The purpose of this informative note is to publicize how the cognitive exercise from the perfetti method, allows intervention from Occupational Therapy with pediatric patients within a hospital environment, demonstrating the effectiveness of the activities that allow the development of skills, favoring interaction and adaptation with the environment during the hospital stay from the training practice.El método Perfetti es conocido como una herramienta terapéutica, implementada en los procesos de rehabilitación del paciente con afectación neurológica, quien enfrenta un problema que puede resolver únicamente mediante la percepción del cuerpo, considerando las posibles alteraciones en la sensibilidad, la movilidad y en los procesos cognitivos: percepción, atención, memoria, como menciona Breghi (2013).
El propósito de esta nota divulgativa es dar a conocer cómo el ejercicio cognoscitivo desde el método Perfetti permite realizar intervención desde Terapia Ocupacional con pacientes pediátricos dentro de un ambiente hospitalario, demostrando la eficacia de las actividades que permiten el desarrollo de habilidades, favoreciendo la interacción y adaptación con el entorno durante la estancia hospitalaria desde la práctica formativa
Le alternative del Moderno, Raffaello e Manet : Lettura di Mnemosyne Atlas, Tavola 55
No full textIn this contribution Filippo Perfetti and Giulia Zanon present the result of the research of Seminario Mnemosyne on Mnemosyne Atlas, Panel 55, The Judgement of Paris: Rise and Fall of the Gods. Starting from Warburg’s texts, this essay aims to reconstruct the genealogy that, from the Roman sarcophagi representing the Judgement of Paris, leads to Manet’s Déjeuner sur l’herbe, passing through Marcantonio Raimondi’s engraving Judgement of Paris from Raphael’s lost original. This reading opens up to fundamental issues in Warburg’s thought, such as the study of clothing as a symptom of a certain historical era and the warburgian concept of Pathosformel
Commento sub art. 52, in Perfetti L.R. (a cura di), Codice dei contratti pubblici, Ipsoa, 771 ss.
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