140 research outputs found
Old Polish Single Author Anthologies: From Jan Kochanowski to Samuel Twardowski
No full textArtykuł przybliża swoistość powstawania i funkcjonowania staropolskich antologii jednoautorskich Jana Kochanowskiego, Mikołaja Sępa Szarzyńskiego, Stanisława Grochowskiego, Kaspra Miaskowskiego i Samuela Twardowskiego. Badaniami objęto genezę, układ, przeznaczenie i elementy recepcji twórczości autorów, których teksty wydawano w formie antologii.The article presents the individual nature of the creation and functioning of the old Polish single author anthologies of Jan Kochanowski, Mikołaj Sęp Szarzyński, Stanisław Grochowski, Kasper Miaskowski, and Samuel Twardowski. The research covers the genesis, arrangement, purpose, and elements of the reception of the works of authors, whose texts were published in the form of an anthology
From "Carmina" III 16 by Horacy to "Przeważna legacyja" by Samuel Twardowski. Between lyrics and epic poetry
No full textThis text presents relations between Horacy’s Carmina III 16 and two short parts The
important Mission of His Grace Duke Krzysztof Zbaraski Samuel from Skrzypną Twardowski.
Author tries to present the role of the lyric text in the long epic story. Very important is
a role of Jan Kochanowski’s Song II 4. He unites mythological and Horatian themes Danae
and gold. In the Iwardowski’s text exists myth in the Kochanowski’s version. Twardowski
alludes to situation at the Turkey’s court and emperors love of gold, because he describes
duke’s visit, presents dangerous situation of legate and behaviour of Turkey ruler. In The
important Mission author carries on an intertekstual game with the reader, he directs him to
mythological, Horatian and Kochanowski’s texts. He is going to presents behaviour type of ruler.Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 zostało dofinansowane ze środków MNiSW w ramach działalności upowszechniającej nauk
Some comments on metaethical views of Kazimierz Twardowski
No full textThe paper deals with some ambiguities in Twardowski's account of ethics. The author focuses
on finding more accurate interpretation of Twardowski's views on values. In )1is attempt at fulfilling the task author quotes and later comments on some ways of understanding Twardowski's views. His major concern is with answering the question whether Twardowski finds value (good) a specific feature of an object, or rather its mode of being. He also considers the consequences of Twardowski's standpoint about the kind of feature value represents. According to the author most difficulties in Twardowski's conception have been interestingly resolved by Tadeusz Czeżowski, whom he finds the most original successor of Twardowski's beliefs, especially on objectivity of good, philosophical independence from religions etc
Between erotic and venerability (in poetry of Kasper Twardowski and Hieronim Morsztyn)
No full textStudie se zabývá podobnými prvky v poezii dvou čelných představitelů tzv. druhé generace polských barokních autorů, Hieronyma Morsztyna a Kaspera Twardowského. Všímá si výrazných konvergencí zvláště v jednom ryse - zásadní proměně charakteru jejich tvorby. Záliba v tělesných rozkoších se s postupem času mění v kajícnost, kterou lze považovat z a jistý druh zpytování svědomí. Na příkladu konkrétních Morsztynových a Twardowského děl je představena jejich rozdílná koncepce lásky, konflikt tělesnosti a duchovnosti i návaznosti na středověkou a renesanční erotickou poezii.The study deals with the similarities in the poetry of two leading representatives of so-called second generation of the Polish baroąue authors, Hieronim Morsztyn and Kasper Twardowski. The author analyzes the marked upturn in Morsztyn\u27s and Twardowski\u27s poetry as the main convergence. Differences in the authors\u27 conception of Love, conflict between spirituality and sensuality as well as their relationship to the Medieval and Renaissance erotic poetry are discussed
About Paradoxes and Not Only. A Contribution to the Characteristics of the Style of Jan Twardowski Religious Lyrics
No full textThe author of the study analysis the genesis and stylistic functions of the figure called paradox, which is recognized as one of the most important features of Jan Twardowski lyrics. The author indicates that beside proper paradoxes the lyrics contains many antitheses. This kind of poetic practice is derived from the Bible. The most important occurrence domains of analyzed paradoxes are: faith, love, death, and interpersonal relations
Kontrowersje wokół społecznego modelu niepełnosprawności
No full textTwardowski Andrzej, Controversies around the social model of disability. Culture – Society – Education no 2(16) 2019, Poznań 2019, pp. 7–21, Adam Mickiewicz University Press. ISSN 2300-0422. DOI: 10.14746/kse.2019.16.1
The aim of the article is to present a critical analysis of the social model of disability.In the first part, the author discusses the genesis, essence and basic advantages of the social model of disability. Next, five major disadvantages of this model are analysed:/1/ avoiding dealing with impairment as an important aspect of the lives of people with disabilities, /2/ separating impairment from disability, /3/ assuming that all people with disabilities are exposed to social oppression, /4/ postulating the creation of an environment without barriers and /5/ assuming that disability is the basis of the identity of people affected by it. In the final part of the article, the author presents reflections on the possibility of creating a new, more holistic model of disability.Twardowski Andrzej, Controversies around the social model of disability. Culture – Society – Education no 2(16) 2019, Poznań 2019, pp. 7–21, Adam Mickiewicz University Press. ISSN 2300-0422. DOI: 10.14746/kse.2019.16.1
The aim of the article is to present a critical analysis of the social model of disability.In the first part, the author discusses the genesis, essence and basic advantages of the social model of disability. Next, five major disadvantages of this model are analysed:/1/ avoiding dealing with impairment as an important aspect of the lives of people with disabilities, /2/ separating impairment from disability, /3/ assuming that all people with disabilities are exposed to social oppression, /4/ postulating the creation of an environment without barriers and /5/ assuming that disability is the basis of the identity of people affected by it. In the final part of the article, the author presents reflections on the possibility of creating a new, more holistic model of disability
From "Carmina" III 16 by Horacy to "Przeważna legacyja" by Samuel Twardowski. Between lyrics and epic poetry
No full textThis text presents relations between Horacy’s Carmina III 16 and two short parts The important Mission of His Grace Duke Krzysztof Zbaraski Samuel from Skrzypną Twardowski. Author tries to present the role of the lyric text in the long epic story. Very important is a role of Jan Kochanowski’s Song II 4. He unites mythological and Horatian themes Danae and gold. In the Iwardowski’s text exists myth in the Kochanowski’s version. Twardowski alludes to situation at the Turkey’s court and emperors love of gold, because he describes duke’s visit, presents dangerous situation of legate and behaviour of Turkey ruler. In The important Mission author carries on an intertekstual game with the reader, he directs him to mythological, Horatian and Kochanowski’s texts. He is going to presents behaviour type of ruler
The psychomachia of the Sarmatian Faust : "Mistrz Twardowski" by Józef Ignacy Kraszewski in the context of medieval and early modern morality plays and their literary transformations
No full textThe medieval and early modern morality plays took a great part in educating
people about the benefits of living a good life and dangers of living a bad one. The
psychomachia - a battle between the personified agents of good and evil with the
human soul as the stake - was one of the most inspiring elements of such plays.
We can find it in subsequent representations of modern drama, e.g. in Christopher
Marlowe’s Doctor Faustus. The aim of the article is to analyze the psychomachia
depicted in the 19 -century Polish variation on the Faustian legend - Mistrz
Twardowski (Master Twardowski) by Józef Ignacy Kraszewski. The author examines
ties between the morality plays, Marlowe’s tragedy, and Kraszewski’s novel,
showing similarities and inspirations as well as discussing how and for what purpose
they were used in subsequent works of culture
Tema con variazioni by Romuald Twardowski — a contribution to the history of organ music in the Polish People’s Republic
No full textThis paper discusses Tema con variazioni by Romuald Twardowski, composed in 1981, which deserves special attention as an example of breaking with the main stream of organ music of the era. Polish organ music history has largely remained unexamined, mainly due to the shortage of sources — handwritten pieces have either been destroyed or hard to find, whereas the number of printed works is quite small. More organ pieces appeared at the end of the 19th century, thanks to Stefan and Mieczysław Surzyński. The interwar period did not bring significant interest in or-gan music — the major composers were Feliks Nowowiejski and Aleksander Karczyński living in America; the only younger composer of achievement was Kazimierz Jurdziński. A quite large number of important organ works appeared during the Nazi occupation. The paper is divided into two parts. In the first part the author discusses the condition and typical features of organ music in the years of the Polish People’s Republic, i.e. after the 2nd World War, when professional organ music was separated from its natural background, i.e. performance in the church. As a symptomatic example Zbiór preludiów na organy bez pedału by Feliks Rączkowski is indicated — one of the only two books published then containing church cere-mony organ music. The article also provides information on R. Twardowski — a leading Polish composer of the 2nd half of the 20th century, born in 1930 in Wilno, with critical attitude towards the avant-garde trends. The main part of the paper deals with Tema con variazioni. After the presentation of its sec-tions, devices used by the composer are discussed. Special attention is paid to the harmony deriving from the late-Romantic tradition. Finally, the author tries the “economical” approach to the organ concert repertoire and under-lines the advantages of the piece which, although short and simple, deserves attention
The place and role of artistic definition in a poetic text (as exemplified by the poetry of Jan Twardowski)
No full textThe artistic (or poetic) definition is one of the components of the world created by the author. It is usually in the formal shape of syntactic structure, typical of definitions, however, it does not meet the requirements of classic or colloquial definition. The artistic definition is subjective in as much as it is a personal suggestion of the author how to define an object or a phenomenon in a particular text. The aim of my study was to establish the linguistic form and the function of poetic definitions in the poems by Jan Twardowski. The analysis, which has been carried out from this angle, provokes some general reflections: 1. In the poetry by Jan Twardowski we can frequently see the poetic definitions in the form of three-piece structures: definiendum, linking device (function words such as is, which is, which means or a dash) as well as definiens; 2. The meaning of both definiendum and definiens needs to be interpreted in the context of whole poem; 3. In many definitions there is no reference to genus proximum or it is untypical, surprising; 4. In the poems by Twardowski the poetic definitions are usually related to the fundamental issues, important to human existence: faith, death, emotions (love), mental states (despair, loneliness); 5. The poetical definitions in the poems by Jan Twardowski are one of the important components of the created world. They indicate the importance of the distinguished as well as characterized objects and phenomena from the viewpoint of a man of faith.Uniwersytet GdańskiChojak J., 2010, Kilka pytań o definicję poetycką, [w:] Człowiek, słowo, świat, red. J. Chojak, T. Korpysz, K. Waszakowa, Warszawa, s. 124–137.Korpysz T., 2001, Definicje poetyckie jako problem badawczy, [w:] Semantyka tekstu artystycznego, red. A. Pajdzińska, R. Tokarski, Lublin, s. 333–346.–, 2006, Kilka uwag o definicji poetyckiej Cypriana Norwida (na przykładzie „Sfinksa III”), „Poradnik Językowy”, z. 10, s. 77–85.–, 2007, Cyprian Norwid – „poeta definicji”. Kilka problemów teoretycznych, [w:] Poeta i sztukmistrz. O twórczości poetyckiej i artystycznej Norwida, red. P. Chlebowski, Lublin, s. 249–286.–, 2009, Definicje poetyckie Norwida, Lublin.Kowalewska-Dąbrowska J., 2002, Gdy milczenie jest mową... – Kilka uwag o pojęciu milczenia w języku potocznym i w poezji Jana Twardowskiego, „Poradnik Językowy”, z. 9, s. 24–38.–, 2008, Problem wartości w poezji Jana Twardowskiego (na przykładzie obrazu samotności, [w:] Współczesna polszczyzna: stan, perspektywy, zagrożenia, red. Z. Cygal-Krupa, Kraków–Tarnów, s. 325–332.Krzyżanowski P., 1993, O rodzajach definicji i definiowaniu w lingwistyce, [w:] O definicjach i definiowaniu, red. J. Bartmiński, R. Tokarski, Lublin, s. 387–400.Pajdzińska A., 1993, Definicje poetyckie, [w:] O definicjach i definiowaniu, red. J. Bartmiński, R. Tokarski, Lublin, s. 221–236.Tokarski R., 1987, Znaczenie słowa i jego modyfikacje w tekście, Lublin.–, 1990, Prototypy i konotacje. O semantycznej analizie słowa w tekście poetyckim, „Pamiętnik Literacki”, z. 2, s. 117–137.25926
- …
