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    Charles B. Moore Family papers, 1832-1917

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    Letter from Julia L. Rucker to Charles B. Moore discussing news of family and friends. The letter is dated January 21 and 24. There is an envelope addressed to Mr. Charles Moore in Paris, Lamar County, Texas. There is a note written at the top that says it was sent from Rocky Bayou, Arkansas January 25, 1861

    Charles B. Moore Family papers, 1832-1917

    No full text
    Letter to Charles B. Moore from Julia L. Rucker regarding daily events. In the second half of her letter, she mentions an expedition into Indian Territory and the Sons of Temperance

    Charles B. Moore Family papers, 1832-1917

    No full text
    Transcript of a letter to Charles B. Moore from Julia L. Rucker regarding daily events. In the second half of her letter, she mentions an expedition into Indian Territory and the Sons of Temperance

    John L. Moore Interview, 13 January 2009

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    Artist John L. Moore discusses his life and art. Born on the east side of Cleveland, Ohio in 1939, Moore attended East High School and took art classes at the Cleveland Museum of Art before attending Cuyahoga Community College, and later Kent State University, where he received his Bachelor of Fine Art. The artist discusses his experiences at these institutions in some detail, including information about numerous individuals who had an impact on his artistic development. After high school, Moore joined the Army, where he served in the 101st Airborne Division - an experience that he credits for advancing his personal and artistic development. As a non-traditional student of art, Moore also worked at Cleveland\u27s General Motors (GM) plant to support his family and to pay for school. While employed at GM, Moore initiated an employee art program to highlight artistic works by GM employees; the program evolved into an annual judged exhibit. Moore estimates that some 10% of his co-workers at GM self-identified as artists. The artist also discusses his teaching career, as well as the impact of Cleveland on his own art. Moore left Cleveland in 1985 to continue his career in New York City. throughout the interview, Moore shares his observations and insights on the dynamics of race in the art world, providing detailed examples that illustrate the meaning of race in the conception, production, and consumption of artistic works by African-Americans. This interview was recorded over a telephone connection

    Charles B. Moore Family papers, 1832-1917

    No full text
    Transcript of a letter from Julia L. Rucker to Charles B. Moore discussing news of family and friends. The letter is dated January 21 and 24. There is an envelope accompanying the original letter, which is addressed to Mr. Charles Moore in Paris, Lamar County, Texas

    John L. Moore Interview, 13 January 2009

    No full text
    Artist John L. Moore discusses his life and art. Born on the east side of Cleveland in 1939, Moore attended East High School and took art classes at the Cleveland Museum of Art before attending Cuyahoga Community College and later Kent State University, where he received his Bachelor of Fine Art. The artist discusses his experiences at these institutions, including information about numerous individuals who had an impact on his artistic development. After high school, Moore joined the Army, serving in the 101st Airborne Division, an experience he credits with advancing his personal and artistic development. As a non-traditional art student, Moore also worked at Cleveland\u27s General Motors (GM) plant to support his family and to pay for school. While at GM, he initiated an employee art program to highlight artistic works by GM employees; the program evolved into an annual judged exhibit. The artist also discusses his teaching career, as well as the impact of Cleveland on his art. Moore left Cleveland in 1985 to continue his career in New York City. Throughout the interview, Moore shares observations and insights on the dynamics of race in the art world, illustrating the meaning of race in the conception, production, and consumption of artistic works by African Americans. This interview was recorded by telephone
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