1,721,011 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Anatomical Theatres of the University of Pisa.

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    This article is dedicated to the anatomical theaters of the University of Pisa. The long tradition of anatomical studies began with the presence in Pisa of the famous anatomist Andreas Vesalius (1514-1564), upon the invitation of Cosimo I de’ Medici. Vesalius, considered the father of modern anatomy and author of De Humani Corporis Fabrica, revolutionized the approach to the study of the human body. It is precisely with Vesalius's presence that we have the first documentation of a university anatomical theater. With the development of surgery and the increased number of students, the theater was moved to the hospital at the end of the eighteenth century, undergoing many changes and restorations over time. When it later became inadequate, a new theater was set up in the Medical School, built in 1874. Unfortunately, no anatomical theater has survived to this day

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Gabriele Falloppio a Pisa nel cinquecentenario della nascita del grande anatomista

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    On the occasion of the fifth centenary of his birth, the figure of the great anatomist Gabriele Falloppio (1523-1562) is examined, with particular reference to his Pisan period. After spending the first years of his research activity in Modena, his hometown, and Ferrara, he was called Studio Pisano by Cosimo I de' Medici in 1548 to remain there until 1551, when he moved to Padua. The Pisan period was particularly fruitful, thanks also to his friendship with the botanist Luca Ghini, with whom he had the opportunity to deepen his interests in medicinal plants. Studies on the human body, also conducted with controversial dissections on persons sentenced to death subjected to experiments with opium, allowed many discoveries and anatomical observations. Among these, there is the description of the uterine tubes and the facial canal that bear his name. His research was collected in the famous Observationes anatomicae, the only work published when the author was still alive, in 1561. Many other works were published posthumously, thanks to the initiative of colleagues and above all students who had followed his innovative lessons
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