1,722,331 research outputs found
HIV/AIDS demonstration at the Columbus Dispatch offices
No full textIn 1991, the HIV/AIDS organization ACT UP New York declared January 23rd as a national “Day of Desperation.” In response, Ohio activists began planning a demonstration in the state capital. About 30 ACT UP activists convened at the Columbus Dispatch’s main offices on January 23, 1991. They protested what they saw as the newspaper's limited and biased coverage of the AIDS epidemic, contributing to the fear and confusion that impeded the fight against the disease. The photographer, Therese Frare, was a graduate student at Ohio University in Athens, Ohio. Frare created physical prints, from her negatives, and donated the photographs to the Ohio History Connection
HIV/AIDS demonstration at the Columbus Dispatch offices
No full textIn 1991, the HIV/AIDS organization ACT UP New York declared January 23rd as a national “Day of Desperation.” In response, Ohio activists began planning a demonstration in the state capital. About 30 ACT UP activists convened at the Columbus Dispatch’s main offices on January 23, 1991. They protested what they saw as the newspaper's limited and biased coverage of the AIDS epidemic, contributing to the fear and confusion that impeded the fight against the disease. The photographer, Therese Frare, was a graduate student at Ohio University in Athens, Ohio. Frare created physical prints, from her negatives, and donated the photographs to the Ohio History Connection
HIV/AIDS demonstration at the Columbus Dispatch offices
No full textIn 1991, the HIV/AIDS organization ACT UP New York declared January 23rd as a national “Day of Desperation.” In response, Ohio activists began planning a demonstration in the state capital. About 30 ACT UP activists convened at the Columbus Dispatch’s main offices on January 23, 1991. They protested what they saw as the newspaper's limited and biased coverage of the AIDS epidemic, contributing to the fear and confusion that impeded the fight against the disease. The photographer, Therese Frare, was a graduate student at Ohio University in Athens, Ohio. Frare created physical prints, from her negatives, and donated the photographs to the Ohio History Connection
HIV/AIDS demonstration at the Columbus Dispatch offices
No full textIn 1991, the HIV/AIDS organization ACT UP New York declared January 23rd as a national “Day of Desperation.” In response, Ohio activists began planning a demonstration in the state capital. About 30 ACT UP activists convened at the Columbus Dispatch’s main offices on January 23, 1991. They protested what they saw as the newspaper's limited and biased coverage of the AIDS epidemic, contributing to the fear and confusion that impeded the fight against the disease. The photographer, Therese Frare, was a graduate student at Ohio University in Athens, Ohio. Frare created physical prints, from her negatives, and donated the photographs to the Ohio History Connection
Alessandro Manzoni, Opere in prosa. antologia commentata a cura di Pierantonio Frare
No full textManzoni non ha smesso di produrre opere significative dopo I promessi sposi e la Storia della colonna infame. Attraverso una antologizzazione e un esame puntuale dei suoi testi in prosa - dai romanzi ai saggi politici, dalle riflessioni storiche e filosofiche alle lettere - questa raccolta testimonia un'attività intellettuale, costante, profonda e animata da una visione etica della parola. La letteratura, nella visione manzoniana, non è esercizio dell'immaginazione ma "arte del dire", che si propone di rinvenire, attraverso il linguaggio, ciò che è più vero, più efficace in ogni ambito delle scienze morali. La sua lingua, precisa, varia, eticamente orientata, si configura come strumento di verità e, allo stesso tempo, di piacere estetico: dimensioni inseparabili nell'opera manzoniana.Manzoni continued to produce significant works after The Betrothed and The Story of the Column of Infamy. Through an anthology and a detailed examination of his prose—from novels to political essays, from historical and philosophical reflections to literature—this collection demonstrates a constant, profound intellectual activity, driven by an ethical vision of the word. Literature, in Manzoni's view, is not an exercise of the imagination but the "art of speaking," which seeks to discover, through language, what is most true and most effective in every area of moral science. His language, precise, varied, and ethically oriented, is both an instrument of truth and, at the same time, of aesthetic pleasure: inseparable dimensions in Manzoni's work
Alessandro Manzoni, Inni Sacri e odi civili, Introduzione e commento di Pierantonio Frare
No full textEdizione commentata degli Inni Sacri, di altre posie religiose e delle odi civilli di Alessandro Manzon
Introduzione. Manzoni nel mondo, oggi
No full textBased on the contributions of the conference and supported by additional data, the text reflects on the critical and cultural reception of Alessandro Manzoni, particularly The Betrothed, analyzing how it has evolved over time and across different countries. In Italy specifically, after a period of ideological prejudice, the 2000s marked a renewed interest in the author. The year 2023, rich in commemorations, further reinforced interest in his work, with conferences, translations, and new readings in many languages. The Betrothed remains a relevant masterpiece, capable of addressing themes of justice and humanity. The "Manzoni in the World" conference highlights the enduring relevance of the author, who continues to offer insights into the present
Giuseppe Gorini Corio, Le Cerimonie, Commedia. Presentazione di Giovanna Zanlonghi, Edizione critica e commento di Pierantonio Frare
No full textedizione critica e commento della commedia di Giuseppe Gorini Corio Le Cerimoni
Un’analisi genetica della scrittura e dell’evoluzione poetica nei Quaderni in Ottavo di Franz Kafka
Full text linkThe eight Octavo Notebooks, written by Kafka in the crucial months between the end of 1916 and the beginning of 1918, represent for many reasons a precious and partially still unexplored source for Kafka studies. Not only do they include some of the greatest and most representative short prose works of the author (as The Great Wall of China, the Gracchus’ fragments, The Bucket Rider, A Report to an Academy), but they also bear witness to a highly creative and experimental writing phase, in which short stories, diary records, aphorisms and moral reflections come together as fragments and rough drafts. Far from considering the heterogeneity and fragmentary nature of these notebooks as an obstacle to a systematic interpretative analysis of the texts, this article will show how this extraordinary stylistic and thematic variety, as well as the private character of the drafts, provides useful elements for a textual-genetic approach and offers the perfect opportunity to reflect upon the relationship between ‘life’ and ‘writing’. The article intends to bring to light the peculiarity and the research potential of the Octavo Notebooks considered as a whole, which will be done through a comprehensive and chronological examination of the eight notebooks on the one hand, and a comparison with the other private documents of the author on the other. This kind of approach will enable to gain a careful insight into Kafka’s writing process and into his characteristic metaphorical system
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