1,722,053 research outputs found
On the non-existence of homoclinic orbits for a class of infinite dimensional Hamiltonian systems
No full textIntroduction In a recent paper Cl'ement, Felmer and Mitidieri [2] studied the existence of homoclinic orbits of the following infinite dimensional Hamiltonian system: (H) 8 ? ? ? ? ? ? ? ! ? ? ? ? ? ? ? : \Gamma @v @t \Gamma \Deltav = juj p\Gamma1 u; in\Omega \Theta R; @u @t \Gamma \Deltau = jvj q\Gamma1 v; in\Omega \Theta R; u(x; t) = v(x; t) = 0; on @\Omega \Theta R; lim t!\Sigma1 u(t; x) = lim t!\Sigma1 v(t; x) = 0; uniformly in x 2\Omega ;<
French Analytic predicates with Event nouns in "-ement"
No full textThe main topic of this thesis is the analytic predicate with event nouns with the suffix -ement in French. It is divided into two parts, the theoretical and the practical one. In the first theoretical part we concentrate on the description of the analytic predicate and we also introduce some test for its identification. The next parts are dedicated to the particular components of this predicate: to the light verb and the predicative noun with a particular emphasis on event nouns, for which we examine their possible typologies. After this we focus on the suffix ement itself, its characteristics as well as the characteristics of nouns, which are created by this suffix. The last topic which we cover is the concurrence between suffixes -ement and age. In the practical part, we begin by describing used methods thanks to which we received needed data as well as our instruments. Then we divided the extracted nouns with the suffix ement according to their meaning into a few groups and we continued by verifying their eventive meaning. Subsequently we concentrated on the collocability of chosen nouns with verbs and we finished by comparing the suffix ement with suffix -age
Amus(é)ement : du musée pop à l’artialisation populaire
No full textLe Mans Université, Jeudi 28 mars 2024 Amus(é)ement propose d’interroger les mécanismes à l’œuvre qui tendent d’une part, à populariser le musée et, d’autre part, à valoriser artistiquement la culture populaire. C’est par ce biais que l’artialisation populaire prend forme et que la culture participative telle qu’envisagée entre autres par Henry Jenkins, aboutit à la volonté de certain·es de faire par et pour eux-mêmes, devenant ainsi consommacteur·ices de leur culture. « Amus(é)ement..
Une illustration d'étude formelle des noms : charg(-e, -er, -ement)
No full textDanlos Laurence. Une illustration d'étude formelle des noms : charg(-e, -er, -ement). In: Langue française, n°69, 1986. Syntaxe des noms, sous la direction de Gaston Gross et Robert Vivès. pp. 28-48
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Amus(é)ement : du musée pop à l’artialisation populaire
No full textAmus(é)ement entend interroger les mécanismes à l’œuvre qui tendent d’une part, à populariser le musée et, d’autre part, à valoriser artistiquement la culture populaire. Si son entrée dans l’espace muséal procède à une artification de la culture pop (Shapiro, 2004), la démocratisation des savoirs et savoir-faire liés aux compétences artisanales entraîne, de son côté, une artialisation de la culture populaire, évolution naturelle s’il en est du paysage culturel contemporain. C’est par ce biais que l’artialisation populaire prend forme et que la culture participative telle qu’envisagée entre autres par Henry Jenkins, aboutit à la volonté de certain·es de faire par et pour eux-mêmes, devenant ainsi consommacteur·ices de leur culture
Amus(é)ement : du musée pop à l'artialisation populaire
No full textVictor -Arthur Piégay organise avec Charles Joseph une seconde journée d'études dans le cadre du projet (Im)matéréalités. Intitulée AMUS(É)EMENT. DU MUSÉE POP À L’ARTIALISATION POPULAIRE, elle se tiendra au Mans Université le 28 mars 2024. Dans son investigation du monde de l’art contemporain, Catherine Millet pose la question suivante : « l’art est-il dans l’objet qui incarne l’idée ou dans l’idée elle-même ? » Lors de cette journée d’étude, ce n’est pas tant l’incarnation même de l’art dan..
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