1,721,061 research outputs found
The Deportation Regime: Sovereignty, Space, and the Freedom of Movement: Theoretical Overview
No full text
Conflicts of Mobility, and the Mobility of Conflict: Rightslessness, Presence, Subjectivity, Freedom
No full textWith the ascendancy in the United States of the Homeland Security State, a peculiar ‘war against terrorism’ has been persistently waged against migrant non-citizens as its special targets. With utter rightlessness increasingly enforced as a defining horizon for migrants, the unprecedented upsurge of protest that took the country by storm in 2006, nonetheless, refigured the agonistic notion of ‘immigrants’ rights' as a prominent feature of political debate. If the state and capital work assiduously to render migrant labour a tractable object, therefore, the robust defiance of migrant workers (both the undocumented and guestworkers) audaciously reaffirms the primacy of labour as subject. Indeed, migrant workers have asserted their autonomy and prerogative through insubordinate acts calling attention to the mere corporeal fact of their deportable presence. Thus, the insurgent presence of migrant bodies emerges as a palpably corporeal and spatial form of subjectivity, and all the substantive social relationality that it manifests
Deportation at the Limits of "Tolerance". The Juridical, Institutional, and Social Construction of "Illegality" in Switzerland
No full textMigration and Race in Europe: The Trans-Atlantic Metastases of a Post-Colonial Cancer
No full text This article examines dominant socio-political questions regarding migration, ‘multiculturalism’, and ‘integration’, as a politics of citizenship (and race) in contemporary (post-colonial) Europe. The argument unfolds through a critique of the nationalist complacencies and racial complicities in Jürgen Habermas’s remarks on ‘multiculturalism’ during the 1990s. With recourse to ‘underclass’ discourse, Habermas’s reflections were themselves a trans-Atlantic metastasis of a distinctly US ‘American’ hegemonic sociological commonsense with regard to, but actively disregarding, the fact of white supremacy. Habermas’s thoughts are critically situated alongside their subsequent metastasis, back across the Atlantic, into Francis Fukuyama’s recent invocations of ‘terrorism’ and his advocacy of the ‘American melting pot’ model as a trans-Atlantic prescription for Europe’s ailments. Treating ‘immigrants’ as a kind of societal illness, both are preoccupied by the same ‘problem’ — non-Europeans (as disaffected ‘minorities’). Thus, these discourses of ‘immigration’ manifest a distinctly post-colonial cancer coursing restlessly through the larger social formation of ‘the West’. </jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
