1,749,801 research outputs found
Subversive blood ties: gothic decadence in three characters from murnau's and coppola's renderings of bram stoker's dracula
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2013Esta dissertação consiste em investigar a construção do tema da decadência Gótica em Drácula de Bram Stoker e duas adaptações fílmicas do romance - Nosferatu, de Friedrich Wilhelm Murnau, e Drácula de Bram Stoker, de Francis Ford Coppola - tendo como centro da análise como três personagens - Drácula, Jonathan Harker e Mina Harker - se relacionam com tal tema. A decadência Gótica é um padrão literário do contexto fin-de-siècle da sociedade vitoriana inspirada pela crise social que acontecia na Inglaterra no fim do século XIX (Punter e Byron 39-40). Autores como Bram Stoker escreveram histórias que refletiam medos morais e sociais da sociedade vitoriana, retratando imagens de monstros que representavam a transgressão de fronteiras morais e sexuais estabelecidas pelas tradições vitorianas (Botting 88). Tendo tal discussão em mente, este estudo busca conectar a retratação de tal tema do romance às adaptações, também utilizando uma análise fílmica para identificar técnicas que destacam a representação do tema relacionado aos três personagens, finalmente ligando tal tema a crises e confusões sociais que aconteciam nos contextos de ambos os filmes.Abstract : The present dissertation consists of an investigation of the construction of the Gothic theme of decadence in Bram Stoker's Dracula and two film adaptations of the novel - Friedrich Wilhelm Murnau's Nosferatu and Francis Ford Coppola's Bram Stoker's Dracula - having as the centre of analysis how three characters - Dracula, Jonathan Harker and Mina Harker - relate to that theme. The Gothic decadence is a literary motif from the fin-de-siècle context of the Victorian Era inspired by the social crisis that took place in England in the late nineteenth century (Punter and Byron 39-40). Authors like Bram Stoker wrote stories that reflected moral and social fears of the Victorian society, depicting images of monsters that represented the crossing of moral and sexual boundaries established by the Victorian traditions (Botting 88). Bearing that discussion in mind, this study aims at connecting the portrayal of such a theme from novel to the two adaptations, also making use of a filmic analysis to identify techniques that highlight the depiction of the theme related to the three characters, ultimately linking such a thematic depiction to crises and social commotions that were taking place in both films' social contexts
Marius Bram Original Home
No full textCopy negative of the original home of Marius Bram in Danevang. The house is two stories, with a large front porch, and several trees in the front yard
Bram Barn on Homeplace
No full textCopy negative of the Bram barn flooded after a large storm. There are electricity poles, trees, and posts in the background. There are two bicycles along the front of the house
Pollett, Bram; Pollett, Rosie. Interview with Bram and Rosie Pollett about their childhood memories, married life, special events and occupations.
No full textBram and Rosie Pollett share their school life experiences and funny stories and ghost stories they heard in their childhood. They also talk about their married life, their grandchildren, and their life experiences with the new generations in their family.00:06- 00:30 Introducing Bram and Rosie, Bram born and raised in New Harbour, Rosie born Harbour Buffett; 00:39- 01:43 Rosie played hopscotch, hide and seek in her childhood, Bram played Hockey in New Harbour and he played in different places; 01:49- 02:04 Rosie had only one sister, there were twelve family members in Bram’s family; 02:21- 03:15 Bram grew his own vegetables, there were only grocery stores in their community then, Bram’s mother used to make clothing for themselves; 03:36- 04:12 on Sunday used to eat special foods, used to watch videos on Sundays, swimming in Summer; 04:22- 05:44 no one from Bram’s family played any musical instruments, Rosie used to dance, Rosie used to dances during Christmas with guitar and accordion, on Fridays Rosie’s family enjoyed fish days because her step-father was a fisherman; 05:48- 08:08 Rosie went to a school in her community from kindergarten to grade 9, Bram also went to a school in his community, he and his friends used to take little stoves in their school to keep the place heated, Bram liked arithmetic, spelling; 08:25- 10:15 talked about holidays, 24th May was Rosie’s favorite holiday, shares about Christmas gifts; 11:04- 11:19 their married life, it's been 53 years they got married, twelve children, thirty grandchildren, eighteen great-grandchildren, they have a big family; 11:34- 13:02 changes happened between then and now in families upbringing, they had Pizza, Hamburger as feast food but now children eat this item regularly, they had no freedom like now the children have, Rosie used to make breads everyday but now it does not happen often; 13:07- 22:28 about occupation, mostly fishing, were paid 9 dollars a day, Bram worked in a fishing plant, Rosie also worked in fish plants for 22 years, Bram used to work in a contractual position in fish plant, he used to walk and also came up on boat for his work, no one had car then, there was also horse to use as transport, Rosie shared one of her experience when traveling by boat; 23:01- 26:25 share some memories about songs, Rosie tells about fairy stories and a ghost story, Bram also tells his childhood funny stories; 26:27-26:35 thanking Bram and Rosie, and end of the interview
Drácula Bram Stoker
Get PDFEn lo profundo de las montañas de Transilvania, se levanta un castillo imponente, envuelto en sombras y misterio. Desde allí, el enigmático Conde Drácula planea su viaje a Inglaterra, llevando consigo no solo el terror de la noche, sino el símbolo de una amenaza invisible e irresistible.
través de las voces de Jonathan Harker, Murray, Lucy Westenra, Van Helsing y otros pe najes inolvidables, la historia se desenvuelve con un rompecabezas narrativo. Cada carta, cada día y cada recorte de periódico revela un fragmento de la verdad. oculta: un mal antiguo que desafía la razón y la fe
Replication Data for: The Most Important Election of Our Lifetime: Focalism and Political Participation
No full textThis repository contains reproduction files for the analysis reported in Bram, Curtis. "The Most Important Election of Our Lifetime: Focalism and Political Participation" Political Psychology
BRAM BARKER Composer MASTER'S RECITAL Wednesday, March 17, 1999 5:30 p.m. Lillian H. Duncan Recital Hall
No full textProgram: Triptych (three movements for string orchestra) / Bram Barker -- Superdallapiccilopus (solo piano suite) / Bram BarkerThis recital is given in partial fulfillment of the requirements for the Master of Music degree
Kirja-arvostelu : Bram Stoker (suom Inkeri Koskinen): Draculan vieras ja muita kauhukertomuksia
No full textArvio teoksesta Bram Stoker: Draculan vieras ja muita kauhukertomuksia (Dracula’s guest and other weird stories). Suom. Inkeri Koskinen. Tammi. 201 s.nonPeerReviewe
Hoogleraar Bram Nauta ontvangt eerste Dutch innovation Award
No full textHij wist van niets, maar werd deze donderdag de trotse eigenaar van de eerste Dutch Innovation Award. Hoogleraar Bram Nauta - wereldberoemd in chipdesign - ontving die prijs in Theater Concordia uit handen van burgemeester Roelof Bleker
UT's Bram Nauta turns down Nexperia
No full textThe University of Twente is backing the decision of IC design professor Bram Nauta to refuse a research collaboration with Nexperia. Nauta and his employer are wary of the chipmaker’s Chinese owner. “A few years ago, a collaboration with Nexperia wouldn’t have been an issue, just like we could also work with Huawei. That’s no longer possible,” Naut
- …
