1,720,964 research outputs found
La antonomasia en español y en chino
Cada cultura posee sus particulares formas de razonamiento y comprensión del mundo. A través de las metáforas, tales particularismos pueden vislumbrarse y estudiarse:
a. Es fortÃÂsimo.
b. Es un toro.
c. Es un Sansón.
De estos tres ejemplos, (b) y (c) son figurados. Sin embargo, entrambos existe una diferencia crucial. Supóngase un receptor sinohablante, con un buen dominio del español, pero con un conocimiento insuficiente del sistema conceptual de la lengua española. Desconocedor del personaje bÃÂblico Sansón (mas no de lo que es un toro) podrá dar sentido, aventurándose, sólo a (b). Aunque ambos enunciados constituyen incógnitas, (b) concede una posibilidad de inferencia. Al toro se le atribuyen propiedades en casi todas las culturas, de modo que el receptor estará capacitado para imbuir de significado al enunciado (b) a partir de su sistema conceptual: (i) es tozudo, (ii) es impetuoso; (iii) es trabajador, y asàad infinÃÂtum. Hasta puede que ambos sistemas conceptuales, el nativo y el no nativo, concierten y el receptor formule una hipótesis acertada. Por el contrario, (c) traza un enigma irresoluble, dado que se trata del nombre propio, recategorizado en común por arte de antonomasia, de un personaje ajeno a su bagaje enciclopédico y al mundo que conoce: Sansón.
GalerÃÂas de personajes célebres por sus gestas, estragos o torpezas atraviesan lenguas y culturas: héroes, reyes, villanos de tomo y lomo, etcétera, figuras paradigmáticas cuyos nombres propios denotan la virtud o el defecto que las caracterizó. Sansón encarna la fuerza; Matusalén y å½Âç¥Âpersonifican en español y en chino la longevidad. Los hablantes usan antonomasias con regularidad y todo el tiempo; el discurso se vale de sus efectos. Por ende, el aprendiz o el traductor de un idioma debe estar familiarizado con ellas. Este trabajo quiere poner de manifiesto la importancia y el carácter idiosincrásico de la antonomasia contrastando dos lenguas de culturas muy alejadas, el español y el chino, dentro del marco del cognitivismo y de la teorÃÂa del intertexto.University of Navarra, University of Foreign Language of KyotoSCI國際20130921~20130923電子版YKyoto, Japa
Mitos, falsas creencias y medias verdades acerca de los aprendientes sinohablantes de español y de su lengua nativa
電子版紙
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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