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    Ramon Zupko. Works. Selections

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    Recorded during a live performance at Dalton Center Recital Hall, Western Michigan University, Kalamazoo, Michigan, October 29, 1997, 2:00 p.m., the 78th concert of the School of Music's 1997-1998 season.1st work: University Chorale, Craig S. Arnold, conductor. 2nd work: Mike Fronzaglia, Richard Tirk, trumpet ; Gretchen VandeKamp, horn ; Anthony Bianchetta, trombone. 3rd work: Western String Chamber Orchestra, Bruce J. Uchimura, conductor. University Chorale and Western String Chamber Orchestra ; Tamara Neuberger, flute ; Robert Humiston, oboe ; Bradley Wong, clarinet ; Mike Fronzaglia, trumpet ; Judy Moonert, Rick Dietrich, Keith Horn, Vance Okraszewski, percussion ; Ramon Zupko, conductor.A concert held in recognition of professor emeritus Ramon Zupko's 26 years of service in the School of Music at Western Michigan University.Information from performance program.Psalm no. 8 : for a cappella choir -- Four preludes : for brass quartet -- Prelude and bagatelle : for string orchestra -- this is the garden : for choir, strings, solo winds, and percussion / text by e.e. cummings

    Music of Ramon Zupko

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    Recorded during a live performance at Kanley Chapel, Western Michigan University, Kalamazoo, Michigan, March 22, 1979, program no. 205 of the Department of Music's 1978-1979 season.1st work: Donald Bullock, Stephen Jones, trumpets ; Neill Sanders, French horn ; Russell Brown, trombone ; Robert Whaley, tuba ; Phyllis Rappeport, piano. 2nd work: Phyllis Rappeport, Cesar Vuksic, pianos.Information from performance program.Reel 1: Masques: for piano and brass quintet (1973)Reel 2: Nocturnes: for two pianos (1977)

    Zupko, Ramon

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Spring session recital of contemporary instrumental music, May 27, 1975

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    Recorded during a live performance at Oakland Recital Hall, Western Michigan University, May 27, 1975, program no. 295 of the Department of Music's 1974-1975 season.Various performers.Reel 1: Five sonorous inventions : 1973 / C. Curtis-Smith (Gerald Fischbach, violin ; C. Curtis-Smith, prepared piano) -- (18:47) 4 sketches for solo tuba : 1970 / Donald Para (Robert Whaley, tuba) -- (28:27) Three pieces for chamber orchestra : 1910 / Arnold Schönberg (University Chamber Orchestra ; Herbert Butler, conductor)Reel 2: Introduction -- (3:50) Fixations : 1974 / Ramon Zupko (Steven Hesla, piano ; Gerald Fischbach, violin, Herbert Butler, cello ; Ramon Zupko, conductor

    CMP works of Ramon Zupko, tape 1

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