7,453 research outputs found
Jiangsu sheng jinian Zheng He xia Xiyang 600 zhounian huodong choubei lingdao xiaozu, Chuancheng wenming, zou xiang shijie, hepingfazhan; jinian Zheng He xia Xiyang 600 zhounian guoji xueshu luntan lumvenji
No full textPtak Roderich. Jiangsu sheng jinian Zheng He xia Xiyang 600 zhounian huodong choubei lingdao xiaozu, Chuancheng wenming, zou xiang shijie, hepingfazhan; jinian Zheng He xia Xiyang 600 zhounian guoji xueshu luntan lumvenji. In: Archipel, volume 74, 2007. pp. 237-246
Enhancement on the wettability of lithium battery separator toward nonaqueous electrolytes
No full textAbstract not availableYong Xie, Hailin Zou, Hongfa Xiang, Ru Xia, Dongdong Liang, Pengcheng Shi, Sheng Dai, Haihui Wan
Song Qinghu Wangzi Zisu xian sheng chu shou Sizhou xu
No full text卷一. 奏疏 -- 卷二. 序 -- 卷三. 記 -- 卷四. 雜著 -- 卷五. 祭文 -- 卷六. 銘志 -- 卷七. 書柬 -- 卷八. 五言古詩 -- 卷九. 七言古詩 -- 卷十. 五言律詩 -- 卷十一-十二. 七言律詩 -- 卷十三. 五言絶句 -- 卷十四. 七言絶句.Juan yi. Zou shu -- juan er. Xu -- juan san. Ji -- juan si. Za zhu -- juan wu. Ji wen -- juan liu. Ming zhi -- juan qi. Shu jian -- juan ba. Wu yan gu shi -- juan jiu. Qi yan gu shi -- juan shi. Wu yan lü shi -- juan shi yi - shi er. Qi yan lü shi -- juan shi san. Wu yan jue ju -- juan shi si. Qi yan jue ju.汪應軫著 ; 汪延艮編 ; 楊汝輔輯.綫裝, 1函.框18.2x13.8公分, 10行20字. 白口, 四周單邊, 無魚尾. 版心上鐫題名, 中鐫小題, 下鐫葉次並記刻工.出書年據序.前有嘉靖丙辰[1556]翁溥序, 及嘉靖三十八年[1559]葉邦榮序.文集共五冊, 存於精美木函套中, 函套附鎖及銷匙, 上刻有"青湖集 嘉靖栞本"見《香港中文大學圖書館古藉善本書錄》(2001, p. 242)附錄題: 送青湖汪子子宿先生出守泗州序 / 朱節撰.鈐有"姜公銓鑒藏圖書", "汪兆鏞印", "番禺汪氏藏書", "汪兆鏞長壽年宜子孫", "宣統辛亥得番禺汪氏賜福堂印", "微尚齋", "番禺何氏靈壁山房藏", "三十二芙蓉山主曼庵", "何曼盦鑒藏", "靈壁何氏"Xian zhuang, 1 han.Kuang 18.2 x 13.8 gong fen, 10 hang 20 zi. Bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan ti ming, zhong juan xiao ti, xia juan ye ci bing ji ke gong.Chu shu nian ju xu.Qian you Jiajing bing chen [1556] Weng Pu xu, ji Jiajing san shi ba nian [1559] Ye Bangrong xu.Wen ji gong wu ce, cun yu jing mei mu han tao zhong, han tao fu suo ji xiao shi, shang ke you "Qinghu ji Jiajing kan ben"Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu"(2001, p. 242)Wang Yingzhen zhu ; Wang Yangen bian ; Yang Rufu ji.Fu lu ti: Song Qinghu Wangzi Zisu xian sheng chu shou Sizhou xu / Zhu Jie zhuan.Qian you "Jiang gong Quanjian cang tu shu", "Wang Zhaoyong yin", "Panyu Wang shi cang shu", "Wang Zhaoyong chang shou nian yi zi sun", "Xuantong xin hai de Panyu Wang shi Ci fu tang yin", "Wei shang zhai", "Panyu He shi Ling bi shan fang cang", "San shi er fu rong shan zhu man an", "He Manan jian cang", "Lingbi He shi
zou xiang 21 shi ji de zhong guo sheng tai xue zhong guo sheng tai xue hui di wu jie quan guo hui yuan dai biao da hui-ji xue shu tao lun hui lun wen ji
No full textAnalyzing And Comparing Selected Works For Violin And Piano By Chen Gang, Chen Guoquan And Bright Sheng
No full textCross-cultural musical synthesis plays an important role in the creation of musical progress in the twentieth century. This dissertation is a study on the development of the use of Chinese folk elements in Western-style compositions by Chinese composers. Through analyses of different compositions by traditional Chinese composers, Chen Gang and Chen GuoQuan, as well as Chinese-born American composer Bright Sheng, the aesthetic variations produced by the synthesis of Western and Eastern music is examined.
Chapter One focuses on the development of Chinese violin music promoted by the efforts of several generations of composers. Chapter Two presents the background information of Chen Gang and analysis of his violin piece Morning in the Miao Village. This chapter introduces the reader to the early development of Chinese music based on Western practice and the characteristics of the violin piece Morning in the Miao Village. Chapter Three is the introduction of composer Chen Guoquan and his violin piece Seeing Somebody Off, inspired by traditional Flower Drum opera. Chapter Four introduces Bright Sheng and his violin piece A Night at the Chinese Opera, inspired by the melody of the Beijing opera Farewell My Concubine. Through the analysis of this contemporary piece, we can learn about how the Chinese-born American composer pursued his own relationship with the musical sounds based on the elements drawn from traditional Chinese opera. Chapter Five is the analysis of Bright Sheng’s piece Three Fantasies. In this work, Sheng approaches new sonic effects through the combination of the Kazak and Tibetan folk songs with advanced contemporary compositional techniques. Finally, through this comparison, we can understand the difference between the approaches made by traditionally oriented composers and a composer versed in contemporary musical idioms
zou xiang 21 shi ji de zhong guo sheng tai xue zhong guo sheng tai xue hui di wu jie quan guo hui yuan dai biao da hui-ji xue shu tao lun hui lun wen ji
No full textAuthor Correction: IRE1α-XBP1s pathway promotes prostate cancer by activating c-MYC signaling
No full textSheng X, Nenseth HZ, Qu S, et al. Author Correction: IRE1alpha-XBP1s pathway promotes prostate cancer by activating c-MYC signaling. Nature Communications . 2024;15(1): 6190
Deep learning assisted mmWave beam prediction for heterogeneous networks: a dual-band fusion approach
No full textIn this paper, motivated by the inter-base station (BS) channel dependence due to the shared wireless environment, we propose to fuse sub-6 GHz channel information and mmWave low-overhead measurement to predict the optimal mmWave beam in heterogeneous networks (HetNets) and reduce the overhead of both mmWave BS selection and beam training. Moreover, deep learning is adopted to extract the complex dependence between sub-6 GHz and mmWave channels for achieving high prediction accuracy. Specifically, we propose to leverage a few user equipment (UE)-specific high-quality mmWave wide beams predicted by the sub-6 GHz channel state information (CSI) as the mmWave low-overhead measurement. In order to adapt to different confidences of the mmWave wide beam prediction for diverse UE, the sum-probability criterion is proposed to flexibly adjust the number of measured wide beams. Besides, to fully fuse the diversified features extracted from the sub-6 GHz CSI and mmWave wide beams, the attention mechanism is further exploited to adaptively weight the features for improving the prediction accuracy. Simulation results show that our proposed scheme achieves higher beamforming gain while imposing smaller mmWave measurement overhead over the conventional deep learning based schemes
"Yi zhuan" "sheng sheng" si xiang yan jiu =: On the Idea of shengsheng in the commentaries of Yi
No full textPh.D.The thesis aims to investigate the idea of Shengsheng (continuous creation) in the Commentaries of Yi and its development in the history of Confucian philosophy. The investigation consists of four parts. The first part starts by discussing the literal meaning of the character Sheng in the oracle bone script and the Chinese bronze inscriptions. It then examines the idea of Shengsheng in the ancient Chinese classics, especially its textual context in the Commentaries of Yi . Accordingly, we will answer the following questions one by one: What is Shengsheng ? How can it actualize? How is the idea adopted by other Pre Qin thoughts? The second part focuses on the understanding of the idea in Han Confucianism. It takes Zhouyi Qianzhaodu and the Zheng Xuan interpretation as illustrative examples. Here we see how another idea Qi has been introduced to interpret Sheng sheng as the origin and process of actualization in both the natural world and human community. The third part moves to the development of the idea in Northern Song Confucianism and explores how the Confucian scholars at that time further elaborated the idea as an essential of moral metaphysics. The final part studies the thought of Xiong Shili to show how Xiong draws from Buddhism and Confucian philosophy to develop a critical inquiry into the idea and hence argues its modern relevance.本文以《易傳》「生生」觀念為研究對象。全文分為四部分，第一部分由考察甲骨、金文中「生」字之原義開始，依次分析並討論了早期文獻中所見之「生生」觀念及《易傳》所論「生生」之本義，包括何為《易傳》所論之「生生」，據《易傳》之說 ，「 生生」將何以實現，以及《易傳》「生生」觀念與先秦諸子思想之關係。第二部分通過以《周易乾鑿度》為切入點，考察了經學時代下學者們對《易傳》「生生」觀念的最有代表性的若干理解，包括據《乾鑿度》之理解 ，「 生生」當如何實現於天地萬物及人類社會之中，以及鄭康成所作之《乾鑿度注》之中包含的對「生生」 所以實現之根本與歷程的另一種思考。第三部分通過將北宋五子的詮釋作為典範，考察了理學思維下《易傳》「生生」觀念之詮釋理論的一般理論框架，包括理學思維下的「生生」之本質及「生生」之道德義之豁顯。第四部分則通過將熊十力《新唯識論（語體文本）》中關於《易傳》「生生」觀之詮釋作為代表，考察了現代哲學視域下的《易傳》「生生」觀念。竇晨光."2019年8月".Parallel title from added title page.Thesis Ph.D. Chinese University of Hong Kong 2019.Includes bibliographical references (leaves 334-340).Abstracts in Chinese and English.Title from PDF title page (viewed on February 23, 2022).Dou Chenguang
A Study of Chin Sheng-Tan\ue2s Hermeneutics on Du Fu's Poetics
No full textThe thesis mainly discusses the hermeneutic system on Du Fu\ue2s poetics, which was established after close analysis of Du Fu\ue2s poetry by a literary critic Chin Sheng-Tang (the end of the Ming and beginning of the Qing dynasties).Among all Tang poets Chin Sheng-Tang admired Du Fu the most for his poetics of seven line stanzas, which was viewed by Chin Sheng-Tang as an epitome of high aesthetical value and poetical canon. The critic proposed a method of decompositional analysis for studying Du Fu\ue2s poetry: he saw the interconnection between the title of the poem and it\ue2s content, and then decomposed the poem into small pieces, conducting close reading, so that the poem was seen as having three level structure from bigger to smaller \ue2the level of passages, sentences and characters\ue2.
First, we start with looking at \ue2other interpretation\ue2 from the describing trend of hermeneutics on Du Fu\ue2s poetics prevailing during that period of time, pointing out what was the main opinion of the literary critics, and comparing it with the one of Chin Sheng-Tang\ue2s, and looking at his status among the circles of literary critics.
Then we discuss the Chin Sheng-Tang \ue2s \ue2self interpretation\ue2 , explaining what kind of reader and critic he was. After that we provide the review of poetry reading methods and horizon in literary criticism, explaining how to use the method in literary analysis. After Chin Sheng-Tang\ue2s method of literary criticism becomes clear to us, we look how his caesura method is used to analyze structure of Du Fu\ue2s poetry. Through the caesura analysis we use reader\ue2s, author\ue2s and literary works point of view to find out whether this method is appropriate and whether it can reveal the spirit of that age or is it simply an over-reading. In the end we provide the conclusion about the effectiveness of the hermeneutic system, proposed by Chin Sheng-Tang
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