296 research outputs found
MiMi Art Space
No full textMiMi Art Space is a pioneering cultural hub that blends the intimacy of an artist’s studio with the accessibility of a gallery, creating an immersive environment where art, food, and community converge. Situated in London’s vibrant Shoreditch neighborhood, a renowned destination for its dynamic art scene and creative energy, MiMi Art Space embraces the area’s spirit of innovation. The diverse community of artists, designers, and art enthusiasts makes Shoreditch the ideal backdrop for MiMi Art Space’s mission to redefine the art experience. Founded by visionary artists Fei Li and Milan Zou, MiMi Art Space offers a rare opportunity for patrons to experience art as an essential part of everyday life. The space occupies a unique position between traditional gallery and studio models, breaking down barriers that often separate artists from their audiences. Unlike the distant or overly commercialized feeling conveyed by conventional galleries, MiMi Art Space fosters a welcoming, interactive environment where visitors are invited to engage deeply with art and the creative process. At the core of MiMi Art Space are open studio exhibitions led individually by founders Fei Li and Milan Zou, demystifying the art-making process by offering a transparent view into each artist’s creative world. Rooted in data and sound art, Fei’s work explores themes of digital identity and societal impact, while Milan’s paintings investigate cultural heritage and self-expression within a globalized context. Visitors can witness the evolution of each piece from early sketches to completed works and are encouraged to ask questions, explore the materials and tools used, and gain insights into each artist’s inspirations and methods. This direct engagement transforms the typical art experience into a living, evolving process, fostering a meaningful connection between artist and audience and inviting people to see art as both a practice and a journey. Complementing the open studios, MiMi Art Space also features the art studio dining project, a unique culinary experience pairing Sichuan-inspired cuisine with the immersive setting of an intimate gallery. This seasonal, six-course menu, priced at £138 per pair, invites patrons to enjoy the richness of Sichuan culture through flavors meant to be shared, enhancing the communal aspect of both dining and art appreciation. Each dish is crafted to reflect Sichuan cuisine’s heritage while creating a harmonious connection with Fei and Milan’s surrounding artworks. The dining experience becomes a sensory dialogue between culinary and visual arts, allowing guests to appreciate both in an interactive way that is layered with cultural meaning. By merging food and art, the art studio dining project offers a unique experience that redefines traditional gallery dining. MiMi Art Space also hosts quarterly artist-sharing events, bringing together a diverse range of guest artists to share their creative processes, inspirations, and insights. Each event is centered on a specific theme, allowing attendees to explore various artistic practices, from photography and illustration to abstract painting and digital media. These events often include hands-on activities, allowing guests to experiment with techniques firsthand and gain a deeper appreciation of the creative process. Each event is paired with traditional Chinese snacks carefully selected to reflect the event’s theme, adding a sensory and cultural depth. For example, a landscape photography event might feature teas and delicate snacks, while an abstract painting session might include bold, spicy flavors that echo the artwork’s energy. This attention to sensory detail makes each artist-sharing event a multi-sensory experience, enriching the connection between art, culture, and community. MiMi Art Space redefines how art can be enjoyed and experienced by combining the openness of an artist’s studio, the experiential appeal of gallery dining, and the warmth of communal cultural events. Through its thoughtful, inclusive approach, MiMi Art Space creates a sanctuary for creative expression and cultural exchange, inviting patrons to see art as a vibrant, integral part of life. The unique Shoreditch setting further enhances this vision, positioning MiMi Art Space as a beacon of innovation and connection in one of London’s most dynamic creative districts
Letter from Earle and Mimi Yusa to Joseph R. and Elizabeth B. Goodman
No full textLetter from Earle and Mimi Yusa to Joseph R. and Elizabeth B. Goodman. Letter mentions contentious objector status for a draft, and Mimi's pregnancy. Letter reflects on incarcerees contact with American Indians: "The contacts with Indian people around here have awakened many of us to the extent of the dangers of these concentration camps. The problem that exist with the Indians is one that needs greater attention that [than] that of ours. Are we trying to solve one problem while another with deeper roots remains neglected? I wonder where our consistency is?" Letter also mentions "our SCA group and student relocation hasn't gone anywhere," and writes of "apathy, complacency, ward-of-the government attitude, and fear of the outside" in the camp. And, "as far as my resettling is concerned, I'm really in a dilemma as what I should do."Personal correspondence, organizational records, government documents, publications, and other papers created or collected by Joseph R. Goodman documenting the forced removal and incarceration of Japanese Americans during World War II, as well as organized resistance to incarceration. Included in the collection are records of the Japanese Young Men's Christian Association and the Japanese American Citizens' League in San Francisco, including papers of the Japanese YMCA's executive secretary Lincoln Kanai; Sakai family papers; Goodman's correspondence to and from Japanese American incarcerees, organizations opposing forced removal and incarceration of Japanese Americans, the War Relocation Authority, and others; publications, photographs, and ephemera from the Topaz Relocation Center, where Goodman taught high school; War Relocation Authority records and publications; and newspaper clippings, pamphlets, and reports about forced removal and incarceration created by various government, religious, and civic organizations, in California and nationwide
La femme MiMi - the representative of slow fashion in Czech republic
No full textTato bakalářská práce je případovou studií české módní značky La femme MiMi v souvislosti se slow fashion. V teoretické části autorka přibližuje problematiku fast fashion a popisuje slow fashion jako její řešení. Dále se práce věnuje módnímu marketingu. V praktické části jsou slow fashion zásady analyzovány na praktickém příkladu značky La femme MiMi. Autorka si klade za cíl zhodnotit pomocí kvalitativního výzkumu, zda si česká značka La femme MiMi při produkci dvou kolekcí ročně zachovává slow fashion postupy a principy a analyzovat jestli značka dostatečně využívá marketingové nástroje k propagaci svých slow fashion výrobních postupů. Na závěr autorka navrhne vlastní doporučení na zkvalitnění marketingové komunikace, pomocí kterých by se značka La femme MiMi mohla zviditelnit ve slow fashion segmentu.This bachelor thesis is a case study about czech fashion brand La femme Mimi in context of slow fashion. In the theoretical part the author introduces the issues of fast fashion and describes slow fashion as the solution for said problems. Later, the paper focuses on fashion marketing. In the practical part, slow fashion principles are shown on a practical example of La femme MiMi. With the help of qualitative research the author aims to evaluate if a czech fashion brand can keep its slow fashion principles and processes while producing two collections annually and analyse if the brand uses the marketing tools sufficiently to promote its slow fashion production. Finally the author will suggest steps for improvement of marketing communication, which would help La femme MiMi to have attention drawn to in the slow fashion segment
La femme MiMi - the representative of slow fashion in Czech republic
No full textTato bakalářská práce je případovou studií české módní značky La femme MiMi v souvislosti se slow fashion. V teoretické části autorka přibližuje problematiku fast fashion a popisuje slow fashion jako její řešení. Dále se práce věnuje módnímu marketingu. V praktické části jsou slow fashion zásady analyzovány na praktickém příkladu značky La femme MiMi. Autorka si klade za cíl zhodnotit pomocí kvalitativního výzkumu, zda si česká značka La femme MiMi při produkci dvou kolekcí ročně zachovává slow fashion postupy a principy a analyzovat jestli značka dostatečně využívá marketingové nástroje k propagaci svých slow fashion výrobních postupů. Na závěr autorka navrhne vlastní doporučení na zkvalitnění marketingové komunikace, pomocí kterých by se značka La femme MiMi mohla zviditelnit ve slow fashion segmentu.This bachelor thesis is a case study about czech fashion brand La femme Mimi in context of slow fashion. In the theoretical part the author introduces the issues of fast fashion and describes slow fashion as the solution for said problems. Later, the paper focuses on fashion marketing. In the practical part, slow fashion principles are shown on a practical example of La femme MiMi. With the help of qualitative research the author aims to evaluate if a czech fashion brand can keep its slow fashion principles and processes while producing two collections annually and analyse if the brand uses the marketing tools sufficiently to promote its slow fashion production. Finally the author will suggest steps for improvement of marketing communication, which would help La femme MiMi to have attention drawn to in the slow fashion segment
Oregon survey of clinic immunization practice changes due to the COVID-19 pandemic
No full textSteve Robison, Stefanie Murray, & Mimi Luther, Oregon Health Authority, Immunization Program.Title from PDF caption (viewed on January 4, 2021).This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Mimi Cracra d’Agnès Rosenstiehl
No full textPour le journal Pomme d’Api, Agnès Rosenstiehl invente un personnage de fillette, pleine de joie de vivre et de vivacité, transformant le quotidien en fête, tant par son langage que par ses jeux. Plus impertinente que Petit Ours Brun, Mimi Cracra s’inscrit dans la cohorte des filles rebelles, que son jeune âge ne lui permet pourtant pas d’intégrer. Tandis que son autrice met du temps à stabiliser son apparence, l’héroïne traverse le temps grâce à ses adaptations multiples en albums, dessins animés et romans, qui jouent entre reprise fidèle, réécriture et spécificités du support éditorial d’accueil, mais aussi grâce aux ajustements sans cesse renouvelés de mise en page dans le titre de presse pendant près de quarante ans. Mimi Cracra est surtout emblématique d’une évolution de la représentation du petit enfant, en particulier dans sa manière de parler, en phylactère et en onomatopées. Sa prise de parole témoigne d’une appréhension du monde par tous ses sens. Sa fraicheur et sa justesse de ton en font une héroïne de série fondatrice, à la fois bien dans son époque et intemporelle.For the magazine Pomme d’Api, Agnès Rosenstiehl invents a little girl character, full of vivacity, transforming everyday life into a celebration, both through her language and her games. More impertinent than Petit Ours Brun, Mimi Cracra is one of the rebellious girls, although her young age does not allow her to join in. While her author takes time to stabilise her facial features, the heroine has endured through time thanks to her multiple adaptations in picturebooks, cartoons and novels, which play between faithful repetition, rewriting and adaptations to a specific publishing medium, but also thanks to the constantly renewed adjustments to the layout in the press title during nearly forty years. Mimi Cracra is above all emblematic of an evolution in the representation of the little child, in particular in her way of speaking, in phylactery and onomatopoeia. Her speech shows an apprehension of the world through all her senses. Her freshness and accuracy of tone make her a founding heroine, both in her time and timeless
“Mimi-udon”.Japanese home-made cuisine of the next generation in Sano City, Tochigi Prefecture
Get PDFThe purpose of this study is to examine the origins and present of local udon noodles as they have been passed down in Sano City, Tochigi Prefecture. Mimi-udon is a local dish that has been handed down in the Semba area, of Sano City. The Semba area is a district in which the inhabitants did not eat rice cakes during the New Year, and instead Mimi-udon was mainly served as a New Year’s event food.
There are various theories about the origin of the name. One claims that it comes from trimmings of udon noodles (called“ mimi”). Another theory claims it is from old lore regarding“ mimifusagi-mochi,” the folk belief that“ if one eats ear-shaped food during the New Year, they will not hear anything bad all year round”.
It is widely believed that Mimi-udon began to be made sometime between the middle Edo period and the Meiji period. Since its cooking method is similar to "Mimi" in Yamanashi Prefecture, Mimi-udon is thought to have been inspired from the area.
In recent years, while handing down the tradition, its development has been continued for new uses such as pasta and Japanese sweets. The author concludes that this local area and wishes for this cuisine to be inherited in the next generations' community.departmental bulletin pape
Alumni Author 2016
No full textAlumni author Nicky P.E. Tomboulides shared her book, It Is a Green Clean World: The World Travels of Takis and Mimi, Ryan Matura Library September 17, 2016.https://digitalcommons.sacredheart.edu/libraryhistoryphotos/1085/thumbnail.jp
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First Evaluation Exchange Forum: NSDL AM 2004 EIESC Meeting
No full textAt the NSDL AM 2004 the EIESC will inaugurate the First Evaluation Exchange Forum. At the first forum, the focus will be on evaluation instruments from three projects. These will be shared and discussed and include: #1 Title: An Approach to Determine the Impact of the BioSciEd Net(BEN) Resources (www.biosciednet.org/portal) on Faculty Professional Development Author: Amy Chang Instrument: Survey (attached) #2 Title: Instructional Architect, DLConnect Author: Mimi Recker Those interested in adapting or modifying these instruments can cite the instruments and/or contact the authors directly
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